List of songs written by Irving Berlin
This article is a list of songs written by Irving Berlin. It is arranged in alphabetical order, but can be rearranged in chronological order by clicking at the top of that column. You may also click twice at the top of the "click to play" column, to bring those items to the top of the list. Furthermore, you can click on the last column to bring to the top those songs that have Wikipedia articles about them.
Sources vary as to the number of songs actually written by Berlin, but a 2001 article in TIME put the figure at around 1,250. Of these, 25 tunes reached #1 on the pop charts.[1] This is not a complete list, given that he wrote hundreds more songs than the ones listed here.[2] [3]
This list gives the year each song was written, or alternatively groups each song into a five-year period. The list is incomplete but gives a sense of Berlin's evolution as a songwriter over a period of decades.
According to the New York Public Library, whose Irving Berlin collection comprises 550 non-commercial recordings radio broadcasts, live performances, and private recordings,[4] he published his first song, "Marie from Sunny Italy", in 1907 and had his first major international hit, "Alexander's Ragtime Band" in 1911.
Many of Berlin's songs were included in the seventeen complete scores he wrote for Broadway musicals and revues, including The Cocoanuts, As Thousands Cheer, Louisiana Purchase, Miss Liberty, Mr. President, Call Me Madam and Annie Get Your Gun.[4]
List
| Song title | Year Written | Click to play (if available) |
|---|---|---|
| A Couple of Song and Dance Men | 1945 | |
| A Couple of Swells | 1947–1951 | |
| A Fella with an Umbrella | 1947–1951 | |
| A Guy on Monday | 1962–1966 | |
| A Little Bit of Everything | 1912–1916 | |
| A Little Bungalow | 1922–1926 | |
| A Little Old Church in England | 1937–1941 | |
| A Man Chases a Girl | 1947–1951 | |
| A Man Is Only a Man | 1917–1921 | |
| A Man to Cook For | 1962–1966 | |
| A One-Man Woman | 1962–1966 | |
| A Play without a Bedroom | 1917–1921 | |
| A Pretty Girl Is Like a Melody | 1919 | |
| A Sailor's Not a Sailor | before 1954 | |
| A Serenade to an Old-Fashioned Girl | 1942–1946 | |
| A Streak of Blues | 1917–1921 | |
| A True Born Soldier Man | 1912–1916 | |
| Abie Sings an Irish Song | 1912–1916 | |
| Abraham | 1942–1946 | |
| Adoption Dance | 1942–1946 | |
| Aesop, that Able Fable Man | 1952–1956 | |
| After the Honeymoon | 1907–1911 | |
| After You Get What You Want, You Don't Want It | 1920 | |
| Alexander and His Clarinet | 1907–1911 | |
| Alexander's Bag-Pipe Band | 1912–1916 | |
| Alexander's Ragtime Band[4] | 1911 | |
| Alice in Wonderland | 1922–1926 | |
| All Alone | 1924 | |
| All by Myself[5] | 1921 | |
| All of My Life | 1942–1946 | |
| Along Came Ruth | 1912–1916 | |
| Always April | 1922–1926 | |
| Always Treat Her Like a Baby | 1912–1916 | |
| Always[1] | 1925 | |
| American Eagles | 1942–1946 | |
| An Old Fashioned Tune Is Always New | 1937–1941 | |
| An Orange Grove in California | 1922–1926 | |
| And Father Wanted Me to Learn a Trade | 1912–1916 | |
| Angelo | 1907–1911 | |
| Angels of Mercy | 1937–1941 | |
| Angels | 1907–1911 | |
| Anna Liza's Wedding Day | 1912–1916 | |
| Antonio, You'd Better Come Home | 1912–1916 | |
| Any Bonds Today? | 1941 | |
| Any Love Today? | 1927–1931 | |
| Anybody Can Write | 1952–1956 | |
| Anything You Can Do (I Can Do Better)[1] | 1942–1946 | |
| Araby | 1912–1916 | |
| Arms for the Love of America | 1937–1941 | |
| At Peace with the World | 1922–1926 | |
| At the Court Around the Comer | 1917–1921 | |
| At the Devil's Ball | 1912–1916 | |
| At the Picture Show | 1912–1916 | |
| Back to Back | 1937–1941 | |
| Bandanna Ball | 1922–1926 | |
| Be Careful, It's My Heart | 1942–1946 | |
| Beautiful Faces Need Beautiful Clothes | 1917–1921 | |
| Because I Love You | 1926 | |
| Becky's Got a Job in a Musical Show | 1912–1916 | |
| Before I Go and Marry I Will Have a Talk with You | 1907–1911 | |
| Begging for Love | 1927–1931 | |
| Behind the Fan | 1917–1921 | |
| Bells | 1917–1921 | |
| Better Luck Next Time | 1947–1951 | |
| Better Times with Al | 1927–1931 | |
| Bevo | 1917–1921 | |
| Blow Your Horn | 1912–1916 | |
| Blue Skies[1] | 1926 | |
| Brand New | 1912–1916 | |
| Bring Back My Lena to Me | 1907–1911 | |
| Bring Back My Lovin' Man | 1907–1911 | |
| Bring Me a Ring in the Spring | 1907–1911 | |
| Bring on the Pepper | 1922–1926 | |
| Broker's Ensemble | 1927–1931 | |
| Business for a Good Girl Is Bad | 1947–1951 | |
| Business Is Business, Rosey Cohen | 1907–1911 | |
| But Where Are You? | 1932–1936 | |
| But! She's Just a Little Bit Crazy | 1917–1921 | |
| Butterfingers | 1932–1936 | |
| Call Again | 1912–1916 | |
| Call Me Up Some Rainy Afternoon | 1907–1911 | |
| Can You Use Any Money Today? | 1947–1951 | |
| Can't You Tell? | 1922–1926 | |
| Change Partners | 1938 | |
| Chanson Printaniere | 1922–1926 | |
| Chase All Your Cares and Go to Sleep, Baby | 1927–1931 | |
| Chatter, Chatter | 1912–1916 | |
| Cheek to Cheek[6] | 1932–1936 | |
| Chinese Firecrackers | 1917–1921 | |
| Choreography | 1952–1956 | |
| Christmas Time Seems Years and Years Away | 1907–1911 | |
| Cinderella Lost Her Slipper | 1917–1921 | |
| City Hall | 1932–1936 | |
| Climbing the Scale | 1922–1926 | |
| Cohen Owes Me Ninety-Seven Dollars | 1912–1916 | |
| Colonel Buffalo Bill | 1942–1946 | |
| Colored Rome | 1907–1911 | |
| Come Along Sextette | 1917–1921 | |
| Come Along to Toy Town | 1917–1921 | |
| Come Back to Me, My Melody | 1912–1916 | |
| Come to the Land of the Argentine | 1912–1916 | |
| Coquette | 1927–1931 | |
| Count Your Blessings (Instead of Sheep) | 1954 | |
| Crinoline Days | 1922–1926 | |
| I'll see you in C-U-B-A | 1920 | |
| Cuddle Up | 1907–1911 | |
| Daddy, Come Home | 1912–1916 | |
| Dance and Grow Thin | 1917–1921 | |
| Dance with Me (Tonight at the Mardi Gras) | 1937–1941 | |
| Dance Your Troubles Away | 1922–1926 | |
| Dat Draggy Rag | 1907–1911 | |
| Dat's A My Gal | 1907–1911 | |
| De Tant Amour-De Tant D'Ivresse | 1922–1926 | |
| Dear Mayme, I Love You | 1907–1911 | |
| Debts | 1932–1936 | |
| Diamond Horse-Shoe | 1922–1926 | |
| Ding Dong | 1917–1921 | |
| Do It Again | 1912–1916 | |
| Do You Believe Your Eyes, or Do You Believe Your Baby? | 1927–1931 | |
| Do Your Duty, Doctor | 1907–1911 | |
| Dog Gone That Chilly Man | 1907–1911 | |
| Doin' What Comes Natur'lly[7] | 1942–1946 | |
| Don't Be Afraid of Romance | 1962–1966 | |
| Don't Leave Your Wife Alone | 1912–1916 | |
| Don't Put Out the Light | 1907–1911 | |
| Don't Send Me Back to Petrograd | 1922–1926 | |
| Don't Take Your Beau to the Seashore | 1907–1911 | |
| Don't Wait too Long | 1922–1926 | |
| Dorando | 1907–1911 | |
| Down in Chattanooga | 1912–1916 | |
| Down in My Heart | 1912–1916 | |
| Down to the Folies Bergere | 1907–1911 | |
| Down Where the Jack O'Lanterns Grow | 1917–1921 | |
| Dream on, Little Soldier Boy | 1917–1921 | |
| Dreams, Just Dreams | 1907–1911 | |
| Drinking Song | 1932–1936 | |
| Drowsy Head | 1917–1921 | |
| Drum Crazy | 1947–1951 | |
| Easter Parade | 1933 | |
| Eighteenth Amendment Repealed | 1932–1936 | |
| Elevator Man, Going Up! Going Up! Going Up! | 1912–1916 | |
| Empty Pockets Filled with Love | 1962–1966 | |
| England Every Time for Me | 1912–1916 | |
| Ephraham Played Upon the Piano | 1907–1911 | |
| Ever Since I Put on a Uniform | 1917–1921 | |
| Everybody Knew But Me | 1942–1946 | |
| Everybody Step | 1921 | |
| Everybody's Doin' It Now | 1907–1911 | |
| Everyone in the World Is Doing the Charleston | 1922–1926 | |
| Everything in America Is Ragtime | 1912–1916 | |
| Everything Is Rosy Now for Rosie | 1917–1921 | |
| Extra! Extra! | 1947–1951 | |
| Falling Out of Love Can Be Fun | 1947–1951 | |
| Father's Beard | 1912–1916 | |
| Five O'Clock Tea | 1922–1926 | |
| Florida By the Sea | 1922–1926 | |
| Follow Me Around | 1912–1916 | |
| Follow the Crowd | 1912–1916 | |
| Follow the Fleet | 1932–1936 | |
| Follow the Leader Jig | 1947–1951 | |
| Following the Girl Behind the Smile | 1912–1916 | |
| Fools Fall in Love | 1937–1941 | |
| For the Very First Time | 1952–1956 | |
| For Your Country and My Country[1] | 1917 | |
| Free | 1947–1951 | |
| From Here to Shanghai | 1917–1921 | |
| Funny Feet | 1922–1926 | |
| Furnishing a Home for Two | 1912–1916 | |
| Gee, I Wish I Was Back in the Army | 1952–1956 | |
| Gentlemen Prefer Blondes | 1922–1926 | |
| Get Thee Behind Me Satan | 1932–1936 | |
| Getting Nowhere (Running Around In Circles) | 1945 | |
| Ginger | 1912–1916 | |
| Girl on the Police Gazette | 1937–1941 | |
| Give Me Your Tired, Your Poor (Emma Lazarus) | 1947–1951 | |
| Glad to be Home | 1962–1966 | |
| God Bless America[6] | 1937–1941 | |
| God Gave You to Me | 1912–1916 | |
| Goodbye, France | 1917–1921 | |
| Goodbye, Girlie, And Remember Me | 1907–1911 | |
| Goody, Goody, Goody, Goody, Good | 1912–1916 | |
| Happy Easter | 1947–1951 | |
| Happy Holiday | 1942–1946 | |
| Happy Little Country Girl | 1912–1916 | |
| Harem Life | 1917–1921 | |
| Harlem On My Mind | 1932–1936 | |
| He Ain't Got Rhythm | 1937–1941 | |
| He Doesn't Know What It's All About | 1922–1926 | |
| He Played It on his Fid, Fid, Fiddle-De-Dee | 1912–1916 | |
| He Promised Me | 1907–1911 | |
| Heat Wave | 1933 | |
| Heaven Watch the Philippines | 1942–1946 | |
| Help Me to Help My Neighbor | 1947–1951 | |
| Herman, Let's Dance That Beautiful Waltz | 1907–1911 | |
| He's a Devil in His Own Home Town | 1912–1916 | |
| He's a Rag Picker | 1912–1916 | |
| He's Getting Too Darn Big for a One-Horse Town | 1912–1916 | |
| He's So Good to Me | 1912–1916 | |
| Hiram's Band | 1912–1916 | |
| Holiday Inn | 1942–1946 | |
| Home Again Blues | 1917–1921 | |
| Homesick | 1922–1926 | |
| Homeward Bound | 1912–1916 | |
| Homework | 1947–1951 | |
| How About a Cheer for the Navy | 1942–1946 | |
| How About Me? | 1927–1931 | |
| How Can I Change My Luck? | 1927–1931 | |
| How Can I Forget | 1917–1921 | |
| How Deep is the Ocean? | 1932–1936 | |
| How Do You Do It, Mabel, On Twenty Dollars a Week? | 1907–1911 | |
| How Dry I am | 1919 | |
| How Many Times? | 1922–1926 | |
| How Much I Love You | 1927–1931 | |
| How's Chances? | 1932–1936 | |
| Hurry Back to My Bamboo Shack | 1912–1916 | |
| I Beg Your Pardon, Dear Old Broadway | 1907–1911 | |
| I Can Always Find a Little Sunshine in the Y.M.C.A. | 1917–1921 | |
| I Can't Do Without You | 1927–1931 | |
| I Can't Remember | 1932–1936 | |
| I Can't Tell a Lie | 1942–1946 | |
| I Didn't Go Home at All | 1907–1911 | |
| I Don't Want to Be Married | 1927–1931 | |
| I Get Along with the Aussies | 1942–1946 | |
| I Got Lost in His Arms | 1942–1946 | |
| I Got the Sun in the Mornin' (and the Moon at Night) | 1942–1946 | |
| I Hate You | 1912–1916 | |
| I Have Just One Heart for Just One Boy | 1917–1921 | |
| I Just Came Back to Say Goodbye | 1907–1911 | |
| I Keep Running Away from You | 1957–1961 | |
| I Left My Door Open and My Daddy Walked Out | 1917–1921 | |
| I Left My Heart at the Stage Door Canteen | 1942–1946 | |
| I Like Ike | 1952–1956 | |
| I Like It | 1917–1921 | |
| I Lost My Heart In Dixieland[5] | 1919 | |
| I Love a Piano | 1915 | |
| I Love My Neighbor | 1927–1931 | |
| I Love to Dance | 1912–1916 | |
| I Love to Have the Boys Around Me | 1912–1916 | |
| I Love to Quarrel with You | 1912–1916 | |
| I Love to Stay at Home | 1912–1916 | |
| I Love You More Each Day | 1907–1911 | |
| I Never Had A Chance | 1932–1936 | |
| I Never Knew | 1917–1921 | |
| I Never Want to See You Again | 1952–1956 | |
| I Never Would Do in Society | 1912–1916 | |
| I Paid My Income Tax Today | 1942–1946 | |
| I Poured My Heart into a Song | 1937–1941 | |
| I Say It's Spinach (And The Hell With It) | 1932–1936 | |
| I Still Like Ike | 1952–1956 | |
| I Threw a Kiss in the Ocean | 1942–1946 | |
| I Used to Be Color Blind | 1938 | |
| I Used to Play by Ear | 1962–1966 | |
| I Want to Be a Ballet Dancer | 1922–1926 | |
| I Want to Be in Dixie | 1912–1916 | |
| I Want to Go Back to Michigan | 1914 | |
| I Want You for Myself | 1927–1931 | |
| I Was Aviating Around | 1912–1916 | |
| I Wish You Was My Gal, Molly | 1907–1911 | |
| I Wonder | 1917–1921 | |
| I Wouldn't Give That for the Man Who Couldn't Dance | 1917–1921 | |
| I'd Like My Picture Took | 1947–1951 | |
| I'd Love to Be Shot from a Cannon with You | 1937–1941 | |
| I'd Rather Lead A Band | 1932–1936 | |
| I'd Rather See a Minstrel Show | 1917–1921 | |
| If All the Girls I Knew Were Like You | 1912–1916 | |
| If I Had My Way, I'd Live among the Gypsies | 1917–1921 | |
| If I Had You | 1912–1916 | |
| If I Thought You Wouldn't Tell | 1907–1911 | |
| If That's Your Idea of a Wonderful Time (Take Me Home) | 1912–1916 | |
| If the Managers Only Thought the Same As Mother | 1907–1911 | |
| If You Believe | 1937–1941 | |
| If You Don't Want Me (Why Do You Hang Around) | 1912–1916 | |
| If You Don't Want My Peaches (You'd Better Stop Shaking My Tree) | 1912–1916 | |
| Ike for Four More Years | 1952–1956 | |
| I'll Capture Your Heart Singing | 1942–1946 | |
| I'll Dance Rings around You | 1942–1946 | |
| I'll Know Better the Next Time | 1957–1961 | |
| I'll Miss You in the Evening | 1932–1936 | |
| I'll Share It All with You | 1942–1946 | |
| I'll Take You Back to Italy (written for the musical Jack O'Lantern) | 1917–1921 | |
| I'm a Bad, Bad Man | 1942–1946 | |
| I'm a Dancing Teacher Now | 1912–1916 | |
| I'm a Dumbbell | 1917–1921 | |
| I'm a Happy Married Man | 1907–1911 | |
| I'm a Vamp from East Broadway, | 1917–1921 | |
| I'm Afraid, Pretty Maid, I'm Afraid | 1912–1916 | |
| I'm an Indian, Too | 1942–1946 | |
| I'm Beginning to Miss You | 1947–1951 | |
| I'm Down in Honolulu Looking Them Over | 1912–1916 | |
| I'm Getting Tired So I Can Sleep | 1942–1946 | |
| I'm Going Back to Dixie | 1912–1916 | |
| I'm Going Back to the Farm | 1912–1916 | |
| I'm Going on a Long Vacation | 1907–1911 | |
| I'm Gonna Do It If I Like It | 1917–1921 | |
| I'm Gonna Get Him | 1962–1966 | |
| I'm Gonna Pin My Medal on the Girl I Left Behind[1] | 1917 | |
| I'm Looking for a Daddy Long Legs | 1922–1926 | |
| I'm Not Afraid | 1952–1956 | |
| I'm Not Prepared | 1912–1916 | |
| I'm on My Way Home | 1922–1926 | |
| I'm Playing with Fire | 1932–1936 | |
| I'm Putting All My Eggs in One Basket | 1932–1936 | |
| I'm Sorry for Myself | 1937–1941 | |
| I'm the Guy Who Guards the Harem | 1917–1921 | |
| I'm the Head Man | 1927–1931 | |
| In a Cozy Kitchenette Apartment | 1917–1921 | |
| In Acapulco | 1947–1951 | |
| In Florida Among the Palms | 1912–1916 | |
| In My Harem | 1912–1916 | |
| In Our Hide-Away | 1962–1966 | |
| In the Morning | 1927–1931 | |
| In the Shade of a Sheltering Tree | 1922–1926 | |
| In Those Good Old Bowery Days | 1927–1931 | |
| Innocent Bessie Brown | 1907–1911 | |
| Irving Berlin Barrett | 1957–1961 | |
| Si's Been Drinking Cider | 1912–1916 | |
| Is He the Only Man in the World? | 1962–1966 | |
| Is That Nice | 1927–1931 | |
| Is There Anything Else that I Can Do For You? | 1907–1911 | |
| Isn't This a Lovely Day? | 1932–1936 | |
| Israel | 1957–1961 | |
| It All Belongs to Me | 1927–1931 | |
| It Gets Lonely in the White House | 1962–1966 | |
| It Isn't What He Said, But the Way He Said It | 1912–1916 | |
| It Only Happens When I Dance With You | 1947–1951 | |
| It Takes an Irishman to Make Love | 1917–1921 | |
| It Takes More than Love to Keep a Lady Warm | 1952–1956 | |
| It'll Come to You | 1937–1941 | |
| It's a Lovely Day Today | 1950 | |
| It's a Lovely Day Tomorrow | 1937–1941 | |
| It's a Walk-in with Walker | 1922–1926 | |
| It's Always the Same | 1962–1966 | |
| It's the Little Bit of Irish | 1917–1921 | |
| It's Up to the Band | 1927–1931 | |
| It's Yours | 1927–1931 | |
| I've Got a Sweet Tooth Bothering Me | 1912–1916 | |
| I've Got My Captain Working for Me Now | 1920 | |
| I've Got My Love to Keep Me Warm | 1937 | |
| I've Got to Be Around | 1962–1966 | |
| I've Got to Go Back to Texas | 1912–1916 | |
| I've Got to Have Some Lovin' Now | 1912–1916 | |
| Jake! Jake! The Yiddisher Ball Player | 1912–1916 | |
| Jap-German Sextette | 1942–1946 | |
| Jimmy | 1927–1931 | |
| Jungle Jingle | 1927–1931 | |
| Just a Blue Serge Suit | 1942–1946 | |
| Just a Little Longer | 1922–1926 | |
| Just A Little While | 1927–1931 | |
| Just Another Kill | 1917–1921 | |
| Just Like the Rose | 1907–1911 | |
| (Just One Way to Say) I Love You | 1947–1951 | |
| Kate | 1947–1951 | |
| Keep Away From the Fellow Who Owns an Automobile | 1912–1916 | |
| Keep on Walking | 1912–1916 | |
| King of Broadway | 1917–1921 | |
| Kiss Me, My Honey, Kiss Me | 1907–1911 | |
| Kiss Your Sailor Boy Goodbye | 1912–1916 | |
| Kitchen Police | 1917–1921 | |
| Klondike Kate | 1952–1956 | |
| Knights of the Road | 1927–1931 | |
| Ladies of the Chorus | 1942–1946 | |
| Lady of the Evening | 1922–1926 | |
| Latins Know How | 1937–1941 | |
| Laugh It Up | 1962–1966 | |
| Lazy | 1922–1926 | |
| Lead Me to Love | 1912–1916 | |
| Lead Me to that Beautiful Band | 1912–1916 | |
| Learn to Do the Strut | 1922–1926 | |
| Learn to Sing a Love Song | 1927–1931 | |
| Let Me Sing and I'm Happy | 1927–1931 | |
| Let Yourself Go | 1932–1936 | |
| Let's All Be Americans Now[1] | 1917 | |
| Let's Face the Music and Dance[6] | 1932–1936 | |
| Let's Go Around the Town | 1912–1916 | |
| Let's Go Back to the Waltz | 1962–1966 | |
| Let's Go West Again | 1942–1946 | |
| Let's Have Another Cup of Coffee | 1932–1936 | |
| Let's Say It with Firecrackers | 1942–1946 | |
| Let's Start the New Year Right | 1942–1946 | |
| Let's Take an Old Fashioned Walk | 1947–1951 | |
| Letter Boxes | 1917–1921 | |
| Lichtenburg | 1947–1951 | |
| Lindy | 1917–1921 | |
| Listening | 1922–1926 | |
| Little Butterfly | 1922–1926 | |
| Little Fish in a Big Pond | 1947–1951 | |
| Lock Me in Your Harem and Throw Away the Key | 1912–1916 | |
| Lonely Heart | 1932–1936 | |
| Lonely Moon | 1912–1916 | |
| Long As I Can Take You Home | 1962–1966 | |
| Look at Them Doing It | 1912–1916 | |
| Look Out for That Bolsheviki Man | 1917–1921 | |
| Across the Breakfast Table | 1930 | |
| Louisiana Purchase | 1937–1941 | |
| Love And The Weather | 1947–1951 | |
| Love Leads to Marriage | 1952–1956 | |
| Love, You Didn't Do Right by Me | 1952–1956 | |
| Lucky Boy | 1922–1926 | |
| Lunching at the Automat | 1932–1936 | |
| Maid of Mesh | 1922–1926 | |
| Majestic Sails at Midnight | 1932–1936 | |
| Man Bites Dog | 1932–1936 | |
| Mandy[1] | 1919 | |
| Manhattan Madness | 1932–1936 | |
| Marching Along with Time[1] | 1938 | |
| Marie (AKA "Marie (The Dawn Is Breaking)") | 1929 | |
| Marie from Sunny Italy[4] | 1907 | |
| Marrying for Love | 1947–1951 | |
| Mary Brown | 1917–1921 | |
| Maybe I Love You Too Much | 1932–1936 | |
| Maybe It's Because I Love You | 1933 | |
| Me | 1927–1931 | |
| Me An' My Bundle | 1947–1951 | |
| Me and My Melinda | 1942–1946 | |
| Meat and Potatoes | 1962–1966 | |
| Meet Me Tonight | 1907–1911 | |
| Memory That's Soon Forgotten | 1927–1931 | |
| Metropolitan Nights | 1912–1916 | |
| Metropolitan Opening | 1932–1936 | |
| Minstrel Days | 1922–1926 | |
| Miss Liberty | 1947–1951 | |
| Molly, Oh! Molly | 1907–1911 | |
| Montmartre | 1922–1926 | |
| Moon Over Napoli | 1932–1936 | |
| Moonlight Maneuvers | 1932–1936 | |
| Moonshine Lullaby | 1942–1946 | |
| Morning Exercises | 1912–1916 | |
| Move Over | 1912–1916 | |
| Mr. Jazz Himself | 1917–1921 | |
| Mr. Monotony | 1947–1951 | |
| Mr. President | 1962–1966 | |
| Mrs. Sally Adams | 1947–1951 | |
| My Baby's Come Back to Me | 1922–1926 | |
| My Ben Ali Haggin Girl | 1917–1921 | |
| My Bird of Paradise | 1912–1916 | |
| My British Buddy | 1943 | |
| My Castle | 1927–1931 | |
| My Defenses Are Down | 1942–1946 | |
| My Heather Belle | 1912–1916 | |
| My Little Book of Poetry | 1917–1921 | |
| My Little Feller | 1927–1931 | |
| My Melody Dream | 1907–1911 | |
| My New York | 1927–1931 | |
| My Rhinestone Girl | 1927–1931 | |
| My Sergeant and I Are Buddies | 1942–1946 | |
| My Sweet Italian Man | 1912–1916 | |
| My Sweetie | 1917–1921 | |
| My Tamborine Girl | 1917–1921 | |
| My Walking Stick | 1937–1941 | |
| My Wife's Gone to the Country (Hurrah! Hurrah!) | 1907–1911 | |
| Next To Your Mother Who Do You Love? | 1907–1911 | |
| No One Could Do It Like My Father | 1907–1911 | |
| No Strings (I'm Fancy Free) | 1932–1936 | |
| Nobody Knows (And Nobody Seems to Care) | 1917–1921 | |
| Nora | 1927–1931 | |
| Not for All the Rice in China | 1933 | |
| Now It Can Be Told | 1937–1941 | |
| Nudist Colony | 1932–1936 | |
| Office Hours | 1912–1916 | |
| Oh! How I Hate to Get Up in the Morning[1] | 1910 | |
| Oh! To Be Home Again | 1942–1946 | |
| Oh! Where Is My Wife Tonight? | 1907–1911 | |
| Oh, How That German Could Love | 1910 | |
| Oh, That Beautiful Rag | 1907–1911 | |
| Old Fashioned Wedding[7] | 1966 | |
| On a Roof in Manhattan | 1932–1936 | |
| On the Steps of Grant's Tomb | 1937–1941 | |
| Once Every Four Years | 1962–1966 | |
| Once Upon a Time Today | 1947–1951 | |
| One Girl | 1922–1926 | |
| One O'Clock in the Morning I Get Lonesome | 1907–1911 | |
| Only for Americans | 1947–1951 | |
| Ooh, Maybe It's You | 1927–1931 | |
| Opening the Mizner Story | 1952–1956 | |
| Opera Burlesque on the Sextette | 1912–1916 | |
| Our Day of Independence | 1947–1951 | |
| Our Wedding Day | 1932–1936 | |
| Out of the This World, Into My Arms | 1952–1956 | |
| Outside of Loving You, I Like You | 1962–1966 | |
| Outside of That I Love You | 1937–1941 | |
| Over the Sea, Boys | 1917–1921 | |
| Pack up Your Sins and Go to the Devil" | 1922–1926 | |
| Paris Wakes up and Smiles | 1947–1951 | |
| Piano Man | 1907–1911 | |
| Pick, Pick, Pick on the Mandolin, Antonio | 1912–1916 | |
| Pickaninny — Mose | 1917–1921 | |
| Pigtails and Freckles | 1962–1966 | |
| Play a Simple Melody[1] (aka "Simple Melody/Musical Demon") | 1914 | |
| Please Let Me Come Back to You | 1952–1956 | |
| Plenty to Be Thankful For | 1942–1946 | |
| Polka | 1912–1916 | |
| Polly, Pretty Polly | 1917–1921 | |
| Poor Joe | 1962–1966 | |
| Poor Little Rich Girl's Dog | 1917–1921 | |
| Porcelain Maid | 1922–1926 | |
| Pretty Birdie | 1917–1921 | |
| Pullman Porters Parade | 1912–1916 | |
| Puttin' on the Ritz[1] | 1930 | |
| Queenie | 1907–1911 | |
| Ragtime Finale | 1912–1916 | |
| Ragtime Mocking Bird | 1912–1916 | |
| Ragtime Opera Melody | 1912–1916 | |
| Ragtime Razor Brigade | 1917–1921 | |
| Ragtime Soldier Man | 1912–1916 | |
| Rainbow of Girls | 1927–1931 | |
| Rainy Day Sue | 1922–1926 | |
| Reaching for the Moon | 1930 | |
| Real Girl | 1907–1911 | |
| Relatives | 1917–1921 | |
| Remember | 1925 | |
| Revolt in Cuba | 1932–1936 | |
| Ribbons and Bows | 1927–1931 | |
| Rock-A-Bye Baby | 1922–1926 | |
| Roses of Yesterday | 1927–1931 | |
| Rum Tum Tiddle | 1912–1916 | |
| Run Home and Tell Your Mother | 1907–1911 | |
| Russian Lullaby | 1927 | |
| Sadie Salome (Go Home) | 1907–1911 | |
| Sailor Song | 1912–1916 | |
| Sam, Sam, the Man What Am | 1957–1961 | |
| San Francisco Bound | 1912–1916 | |
| Say it Isn't so | 1932–1936 | |
| Say It With Music | 1917–1921 | |
| Sayonara | 1957–1961 | |
| Send a Lot of Jazz Bands Over There | 1917–1921 | |
| Settle Down in a One-Horse Town | 1912–1916 | |
| Sex Marches On | 1937–1941 | |
| Shakin' the Blues Away | 1927–1931 | |
| She Was a Dear Little Girl | 1907–1911 | |
| Show Me the Way | 1917–1921 | |
| Show Us How to Do the Fox Trot | 1912–1916 | |
| Silver Platter | 1957–1961 | |
| Sing a Song of Sing Sing | 1947–1951 | |
| Sisters[5] | 1953 | |
| Sittin’ In The Sun (Countin’ My Money) | 1952–1956 | |
| Sixteen, Sweet Sixteen | 1922–1926 | |
| Skate with Me | 1932–1936 | |
| Skating Song | 1912–1916 | |
| Slumming on Park Avenue | 1937–1941 | |
| Smile and Show Your Dimple | 1917–1921 | |
| Smiling Geisha | 1952–1956 | |
| Snookey Ookums | 1912–1916 | |
| Snow | 1952–1956 | |
| So Help Me | 1932–1936 | |
| Society Wedding | 1932–1936 | |
| Soft Lights and Sweet Music | 1927–1931 | |
| Sombrero Land | 1907–1911 | |
| Some Little Something About You | 1907–1911 | |
| Some Sunny Day | 1922–1926 | |
| Somebody's Coming to My House | 1912–1916 | |
| Someone Else May Be There | 1917–1921 | |
| Someone Just Like You, Dear | 1907–1911 | |
| Someone's Waiting for Me | 1907–1911 | |
| Something to Dance About | 1947–1951 | |
| Song for Belly Dancer | 1962–1966 | |
| Song for Elizabeth Esther Barrett | 1957–1961 | |
| Song of Freedom | 1942–1946 | |
| Spanish Love | 1907–1911 | |
| Spring and Fall | 1912–1916 | |
| Stay Down Here Where You Belong | 1912–1916 | |
| Steppin' Out with My Baby | 1947–1951 | |
| Stop Press | 1932–1936 | |
| Stop That Rag (Keep on Playing) | 1907–1911 | |
| Stop! Look! Listen! | 1912–1916 | |
| Stop! Stop! Stop! Come Over and Love Me Some More | 1907–1911 | |
| Sunshine | 1927–1931 | |
| Supper Time | 1932–1936 | |
| Swanee Shuffle | 1927–1931 | |
| Sweet Baby | 1927–1931 | |
| Sweet Italian Love | 1907–1911 | |
| Sweet Marie, Make a Rag-a-Time-a-Dance with Me | 1907–1911 | |
| Sweeter Than Sugar (is My Sweetie) | 1917–1921 | |
| Swing Sister | 1937–1941 | |
| Syncopated Cocktail | 1917–1921 | |
| Take a Little Tip from Father | 1912–1916 | |
| Take a Little Wife | 1922–1926 | |
| Take 'im Away, He's Breaking My Heart | 1922–1926 | |
| Take It in Your Stride | 1942–1946 | |
| Take Me Back | 1912–1916 | |
| Take Off A Little Bit | 1912–1916 | |
| Tango Melody | 1922–1926 | |
| Teach Me How to Love | 1912–1916 | |
| Tell All the Folks in Kentucky (I'm Coming Home) | 1922–1926 | |
| Tell Her in the Springtime | 1922–1926 | |
| Tell Me a Bedtime Story | 1922–1926 | |
| Tell Me with a Melody | 1922–1926 | |
| Tell Me, Little Gypsy | 1917–1921 | |
| Telling Lies | 1907–1911 | |
| Thank You, Kind Sir, Said She | 1907–1911 | |
| That Dying Rag | 1907–1911 | |
| That Goody Melody | 1917–1921 | |
| That Hula Hula | 1912–1916 | |
| That International Rag | 1913 | |
| That Kazzatsky Dance | 1907–1911 | |
| That Mesmerizing Mendelssohn Tune | 1907–1911 | |
| That Monkey Tune | 1907–1911 | |
| That Mysterious Rag (written with Ted Snyder) | 1911 | |
| That Opera Rag | 1907–1911 | |
| That Russian Winter | 1942–1946 | |
| That Society Bear | 1912–1916 | |
| That's a Good Girl | 1922–1926 | |
| That's How I Love You | 1912–1916 | |
| That's My Idea of Paradise | 1917–1921 | |
| That's My Idea of Paradise | 1912–1916 | |
| That's What the Well-Dressed Man in Harlem Will Wear | 1942–1946 | |
| The Apple Tree and the Bumble Bee | 1912–1916 | |
| The Army's Made a Man of Me | 1942–1946 | |
| The Belle of the Barber's Ball | 1912–1916 | |
| The Bellhops | 1922–1926 | |
| The Best of Friends Must Part | 1907–1911 | |
| The Best Thing for You (Would Be Me) | 1947–1951 | |
| The Best Things Happen While You're Dancing | 1952–1956 | |
| The Blue Devils of France | 1917–1921 | |
| The Call of the South | 1922–1926 | |
| The Chicken Walk | 1912–1916 | |
| The Circus Is Coming to Town | 1917–1921 | |
| The Devil Has Brought Up All the Coal | 1917–1921 | |
| The Eyes of Youth See the Truth | 1917–1921 | |
| The Fifth Army's Where My Heart Is | 1942–1946 | |
| The First Lady | 1962–1966 | |
| The Freedom Train | 1947–1951 | |
| The Friars Parade | 1912–1916 | |
| The Funnies | 1932–1936 | |
| The Funny Little Melody | 1912–1916 | |
| The Garden of Yesterday | 1912–1916 | |
| The Girl on the Magazine Cover | 1912–1916 | |
| The Girl That I Marry | 1942–1946 | |
| The Girls of My Dreams | 1917–1921 | |
| The Grizzly Bear | 1907–1911 | |
| The Hand That Rocked My Cradle Rules My Heart | 1917–1921 | |
| The Happy New Year Blues | 1922–1926 | |
| The Haunted House | 1912–1916 | |
| The Honorable Profession of the Fourth Estate | 1947–1951 | |
| The Hostess with the Mostes' | 1947–1951 | |
| The Kick in the Pants | 1942–1946 | |
| The Ki-I-Youdling Dog | 1912–1916 | |
| The Law Must Be Obeyed | 1912–1916 | |
| The Leg of Nations | 1917–1921 | |
| The Legend of the Pearls | 1917–1921 | |
| The Little Girl Who Couldn't Care | 1912–1916 | |
| The Little Red Lacquer Cage | 1922–1926 | |
| The Little Things In Life | 1930 | |
| The Lord Done Fixed up My Soul | 1937–1941 | |
| The Million Dollar Ball | 1912–1916 | |
| The Minstrel Parade | 1912–1916 | |
| The Monkey Doodle Doo (from All Aboard) | 1912–1916 | |
| The Most Expensive Statue in the World | 1947–1951 | |
| The Most | 1952–1956 | |
| The New Moon | 1919 | |
| The Night Is Filled with Music | 1937–1941 | |
| The Ocarina | 1947–1951 | |
| The Old Maid's Ball | 1912–1916 | |
| The Old Man | 1952–1956 | |
| The P.X. | 1962–1966 | |
| The Passion Flower | 1917–1921 | |
| The Piccolino | 1932–1936 | |
| The Police of New York | 1927–1931 | |
| The Policemen's Ball | 1947–1951 | |
| The President's Birthday Ball | 1942–1946 | |
| The Pulitzer Prize | 1947–1951 | |
| The Race Horse and the Flea | 1942–1946 | |
| The Ragtime Jockey Man | 1912–1916 | |
| The Ragtime Violin | 1907–1911 | |
| The Road that Leads to Love | 1917–1921 | |
| The Schoolhouse Blues | 1917–1921 | |
| The Secret Service | 1962–1966 | |
| The Song Is Ended (but the Melody Lingers On) | 1927–1931 | |
| The Song of the Metronome | 1937–1941 | |
| The Sterling Silver Moon | 1917–1921 | |
| The Sun Dollars | 1912–1916 | |
| The Syncopated Vamp | 1917–1921 | |
| The Syncopated Walk | 1912–1916 | |
| The Ten Best Undressed Women in the World | 1962–1966 | |
| The Train | 1947–1951 | |
| The Voice of Belgium | 1912–1916 | |
| The Waltz of Long Ago | 1922–1926 | |
| The Washington Twist | 1962–1966 | |
| The Wedding of Words and Music | 1917–1921 | |
| The Yam | 1937–1941 | |
| The Yiddisha Professor | 1912–1916 | |
| There Are No Wings on a Foxhole | 1942–1946 | |
| There are Two Eyes in Dixie | 1917–1921 | |
| There's a Corner Up in Heaven | 1917–1921 | |
| There's a Girl in Arizona | 1912–1916 | |
| There's a Girl in Havana | 1907–1911 | |
| There's No Business Like Show Business[6] | 1946 | |
| There's Something Nice about the South | 1917–1921 | |
| They Always Follow Me Around | 1912–1916 | |
| They Call It Dancing | 1917–1941 | |
| They Like Ike | 1947–1951 | |
| They Love Me[5] | 1962 | |
| They Say It's Wonderful | 1942–1946 | |
| They're Blaming the Charleston | 1922–1926 | |
| They're on Their Way to Mexico | 1912–1916 | |
| They've Got Me Doin' It Now | 1912–1916 | |
| They Were All Out of Step But Jim[1] | 1917 | |
| This Is a Great Country | 1962–1966 | |
| This Is the Army, Mister Jones | 1942 | |
| This Is the Life | 1912–1916 | |
| This Time | 1942–1946 | |
| This Year’s Kisses | 1937–1941 | |
| Tickling the Ivories | 1927–1931 | |
| Ting-a-Ling, the Bells'll Ring | 1922–1926 | |
| To Be Forgotten | 1927–1931 | |
| To Be Or Not To Be | 1932–1936 | |
| To My Mammy | 1927–1931 | |
| Toast to Prohibition | 1927–1931 | |
| Together We Two | 1927–1931 | |
| Tokio Blues | 1922–1926 | |
| Too Many Sweethearts | 1922–1926 | |
| Top Hat, White Tie and Tails | 1932–1936 | |
| Torch Song | 1927–1931 | |
| Tra-La, La, La! | 1912–1916 | |
| Try It On Your Piano | 1907–1911 | |
| Two Cheers Instead of Three | 1927–1931 | |
| Unlucky in Love | 1922–1926 | |
| Until I Fell in Love with You | 1915 | |
| Ve Don't Like It | 1942–1946 | |
| Venetian Isles | 1922–1926 | |
| Virginia Lou | 1907–1911 | |
| Wait Until Your Daddy Comes Home | 1912–1916 | |
| Wait Until You're Married | 1962–1966 | |
| Waiting At The End Of The Road | 1929 | |
| Was There Ever a Pal Like You? | 1917–1921 | |
| Washington Square Dance | 1947–1951 | |
| Wasn't It Yesterday? | 1917–1921 | |
| Watch Your Step | 1912–1916 | |
| We Have Much to Be Thankful For | 1912–1916 | |
| We Saw the Sea | 1932–1936 | |
| We Should Care | 1922–1926 | |
| Welcome Home | 1912–1916 | |
| We'll All Be in Heaven When the Dollar Goes to Hell | 1932–1936 | |
| We'll All Go Voting for Al | 1922–1926 | |
| We'll Never Know | 1922–1926 | |
| We'll Wait, Wait, Wait, Wait | 1907–1911 | |
| We're on Our Way to France | 1917–1921 | |
| What a Lucky Break for Me | 1927–1931 | |
| What Am I Gonna Do? | 1907–1911 | |
| What Are We Gonna Do with All the Jeeps? | 1942–1946 | |
| What Can You Do with a General? | 1947–1951 | |
| What Chance Have I With Love? | 1937–1941 | |
| What Chance Have I With Love? | 1952–1956 | |
| What Do I Have to Do to Get My Picture in the Paper? | 1947–1951 | |
| What Does He Look Like? | 1942–1946 | |
| What Does It Matter? | 1927–1931 | |
| What Is Love? | 1912–1916 | |
| What Makes Me Love You? | 1927–1931 | |
| What'll I Do?[1] | 1924 | |
| What's There about Me? | 1922–1926 | |
| When a One-Star General's Daughter Meets a Four-Star General's Son | 1952–1956 | |
| When I Discovered You | 1912–1916 | |
| When I Get Back to the U.S.A. | 1912–1916 | |
| When I Hear You Play That Piano, Bill | 1907–1911 | |
| When I Leave the World Behind | 1912–1916 | |
| When I Lost You | 1912 | |
| When I'm Alone I'm Lonesome | 1907–1911 | |
| When I'm Out with You | 1912–1916 | |
| When I'm Thinking of You, I'm Thinking of a Wonderful Love | 1912–1916 | |
| When It Rains, Sweetheart, When It Rains | 1912–1916 | |
| When It's Night Time in Dixie Land | 1912–1916 | |
| When It's Peach Blossom Time in Lichtenburg | 1952–1956 | |
| When Johnson's Quartet Harmonize | 1912–1916 | |
| When Love Was All | 1957–1961 | |
| When My Baby Smiles | 1917–1921 | |
| When My Dreams Come True | 1927–1931 | |
| When That Man Is Dead and Gone | 1937–1941 | |
| When the Black Sheep Returns to the Fold | 1912–1916 | |
| When the Curtain Falls | 1917–1921 | |
| When the Folks High-Up Do the Mean Low Down | 1927–1931 | |
| When the Midnight Choo Choo Leaves for Alabam[8] | 1912 | |
| When This Crazy World Is Sane Again | 1937–1941 | |
| When We're Running a Little Hotel of Our Own | 1922–1926 | |
| When Winter Comes | 1937–1941 | |
| When You Kiss an Italian Girl | 1907–1911 | |
| When You Walked Out, Someone Else Walked Right In | 1922–1926 | |
| When You're Down in Louisville (Call on Me) | 1912–1916 | |
| When You're in Town (In My Home Town) | 1907–1911 | |
| Where is My Little Old New York? | 1922–1926 | |
| Where Is the Song of Songs for Me? | 1927–1931 | |
| While the Band Played an American Rag | 1912–1916 | |
| Whisper It | 1962–1966 | |
| Whistling Rag | 1907–1911 | |
| White Christmas[6] | 1942 | |
| Who Do You Love, I Hope?[7] | 1942–1946 | |
| Who Needs the Birds and the Bees? | 1962–1966 | |
| Who | 1922–1926 | |
| Why Do You Want to Know Why? | 1922–1926 | |
| Will She Come from the East? | 1922–1926 | |
| Whose Little Heart Are You Breaking Now? | 1917–1921 | |
| Why Don't They Give Us a Chance? | 1912–1916 | |
| Why I Love My Baby | 1927–1931 | |
| Why Should He Fly at So Much a Week? | 1927–1931 | |
| Wild about You | 1937–1941 | |
| Wild Cherries Rag | 1907–1911 | |
| Wishing | 1907–1911 | |
| With a Family Reputation | 1922–1926 | |
| With My Head in the Clouds | 1942–1946 | |
| With You | 1927–1931 | |
| Woodman, Woodman, Spare That Tree | 1907–1911 | |
| Yankee Love | 1907–1911 | |
| Yascha Michaeloffsky's Melody | 1927–1931 | |
| Yiddisha Eyes | 1907–1911 | |
| Yiddisha Nightingale | 1907–1911 | |
| Yiddle on Your Fiddle Play Some Ragtime | 1907–1911 | |
| You Better Come Home | 1912–1916 | |
| You Can Have Him | 1947–1951 | |
| You Cannot Make Your Shimmy Shake on Tea | 1917–1921 | |
| You Can't Brush Me Off | 1937–1941 | |
| You Can't Get a Man with a Gun[7] | 1942–1946 | |
| You Can't Lose the Blues with Colors | 1957–1961 | |
| You Forgot to Remember | 1922–1926 | |
| You Got to Have It in Hollywood | 1927–1931 | |
| You Keep Coming Back Like a Song | 1943 | |
| You Must Be Born with It | 1927–1931 | |
| You Need a Hobby | 1962–1966 | |
| You Picked a Bad Day to Say Goodbye | 1912–1916 | |
| You'd Be Surprised | 1919 | |
| You're a Sentimental Guy | 1952–1956 | |
| You're a Sucker for a Dame | 1952–1956 | |
| You're Easy to Dance With | 1942–1946 | |
| You're Just in Love | 1947–1951 | |
| You're Laughing at Me | 1937–1941 | |
| You're Lonely and I'm Lonely | 1937–1941 | |
| You're So Beautiful | 1917–1921 | |
| You've Built a Fire Down in My Heart | 1907–1911 | |
| You've Got Me Hypnotized | 1907–1911 | |
| You've Got Your Mother's Big Blue Eyes | 1912–1916 |
References
- ""That Old Christmas Feeling: Irving America." Corliss, Richard. TIME. December 24, 2001". Archived from the original on February 4, 2011. Retrieved August 6, 2008.
- Bergreen, Laurence. As Thousands Cheer, Viking, 1990
- "Dreaming of Irving Berlin in the Season That He Owned". The New York Times, December 23, 2005 (Estimates he had 1,500 songs)
- Irving Berlin collection of non-commercial sound recordings [sound recording New York Public Library
- Special Collections Department, Mississippi State University Libraries
- Bergreen, Laurence. As Thousands Cheer: The Life of Irving Berlin Da Capo Press (1996)
- Klein, Alvin. "Theater: A Rip-Roaring 'Annie Get Your Gun" The New York Times. May 31, 1987. Retrieved 09-02-16.
- MIT Libraries: Lewis Music Library
External links
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