Mario O'Hara

From 1963 to 1970, besides working at radio stations, he also worked for channels 2 and 11. He directed the drama series Lovingly Yours, Helen, Flordeluna (featuring Janice de Belen) and Alitaptap sa Gabing Madilim.

While at the MBC, he met Lino Brocka, who offered him a job as an announcer for his TV drama anthology Balintataw. Since then, O'Hara and Brocka frequently collaborated. Brocka offered O'Hara a role in his 1971 film Tubog sa Ginto ("Goldplated) and also cast him in dramatic productions at the Philippine Educational Theater Alliance (PETA). O'Hara, in turn, wrote the screenplay for Brocka's Weighed but Found Wanting (Tinimbang Ka Ngunit Kulang, 1974), about life in a small provincial town; in the movie, he also played the role of Bertong Ketongin (Berto the Leper) vis-a-vis Lolita Rodriguez, who played Berto's love interest Koala.

He wrote a teleplay which became the basis for Brocka's Insiang (1976), which is about a woman who was raped by her stepfather. O'Hara claimed that the script was inspired by a real story which happened in the slum behind their backyard. The film later went on to be screened at the Director's Fortnight, the first time that a Filipino film was accorded such honor at the Cannes Film Festival.

On the same year, he directed Tatlong Taong Walang Diyos (Three Godless Years), considered as O'Hara's masterpiece, which starred Nora Aunor; the movie was the first of many other collaborations O'Hara and Aunor had. The movie earned O'Hara his first nomination (for Best Director) at the FAMAS Awards.

From 1976 to 1980, he directed Alma Moreno's weekly TV drama anthology Alindog, and Rosa Rosal's Weekly TV drama anthology Ulila for BBC Channel 2.

In 1978, he wrote the screenplay for Lino Brocka's Rubia Servos. This led to the first award in his film career (Best Screenplay at the Metro Manila Film Festival).

During the 1980s, O'Hara collaborated anew with Nora Aunor: Kastilyong Buhangin ("Castle of Sand", 1981), featuring Lito Lapid; Bakit Bughaw ang Langit? ("Why is the sky blue?", 1981), which gave O'Hara a FAMAS nomination for Best Director; and Condemned (1984). For Bulaklak sa City Jail (Flowers of City Jail, 1984), both O'Hara and Aunor garnered wins at the Metro Manila Film Festival (for Best Director and Best Actress, respectively); nominations at the Gawad Urian; and a nomination for O'Hara and a win for Aunor at the FAMAS Awards.

In 1986, after the first EDSA Revolution, he filmed Bagong Hari ("New King") starring Dan Alvaro. The film was censored by the MTRCB and enjoyed a limited run in the theaters after an appeal with the MTRCB was overturned.

Under the auspices of Lily Monteverde and her pito-pito system (lit. '"seven-seven"', wherein a filmmaker is given a modest budget to shoot a film in 7 days and complete 7 days of post-production, hence the name), O'Hara created two films in just single span of the allowed time.

The first pito-pito was the drama Babae sa Bubungang Lata featuring veteran actress Anita Linda and set at the Manila North Cemetery.

The second one was the historical fantasy fiction Sisa. It is loosely based on the life of Philippine national hero Jose Rizal and the Sisa, a character in Rizal's novel Noli Me Tangere; in the movie, both Rizal and Sisa met and shared scenes.

O'Hara's 2004 film Babae sa Breakwater addressed issues of poverty in Manila and was met with some considerable success.

In 2010, he filmed Ang Paglilitis ni Andres Bonifacio (The Trial of Andres Bonifacio), which entered the Director's Showcase category of the Cinemalaya film festival. It was his last movie.[5]

In 2011, he worked with Nora Aunor on the miniseries Sa Ngalan ng Ina (In the Name of the Mother) for TV5.[6]

When not doing films, he wrote, directed and acted in a number of plays. He has collaborated with the Tanghalang Pilipino and Philippine Educational Theater Alliance theater groups.[5] He was supervising the production of his play "Stageshow", which is scheduled in October 2012, up until he was confined in the hospital until his death.[2]