Mark Donskoy
Mark Semyonovich Donskoy (Russian: Марк Семёнович Донско́й; 6 March [O.S. 21 February] 1901 – 21 March 1981) was a Soviet film director, screenwriter, and studio administrative head.[1][2][3]
Mark Donskoy | |
|---|---|
 Mark Donskoy (in the center) with cinematographers from East Germany, 1963 | |
| Born | Mark Semyonovich Donskoy 6 March 1901 |
| Died | 21 March 1981 (aged 80) |
| Occupation(s) | Film director, screenwriter |
| Years active | 1926–1981 |
Biography
Mark Donskoy was born in Odessa in a Jewish family. During the Civil War, he served in the Red Army (1921-1923), and was held captive by the White Russians for ten months. Freed and discharged from military service, he studied psychology and psychiatry at the Crimean Medical School. In 1925 he graduated from the legal department of the Faculty of Social Sciences of the Crimean M.V. Frunze University in Simferopol. He then worked in investigative bodies, in the Supreme Court of the Ukrainian SSR, and in the bar association. He released a collection of short stories about his life called "Prisoners" (1925).[3]
Donskoy began his career in film in 1926. He worked in the script department, then as an assistant director in Moscow, later as an editing assistant in Leningrad. In 1935 he became the first Soviet dubbing director; he dubbed the American film "The Invisible Man". In addition to subsequently directing numerous films, he also worked from time to time as a studio administrator: in 1938–1941, and in 1945-1955 he was the administrative director of Soyuzdetfilm's film studio in Moscow; in 1942-1945 and in 1955-1957 he was director of the Kiev film studio; after 1957, he was director and art director of the Maxim Gorky film studio where he mentored Ousmane Sembène.[4]
His wife was the screenwriter Irina Borisovna Donskaya (1918-1983).
Selected filmography
- The Childhood of Maxim Gorky (1938)
- Gorky 2: My Apprenticeship (1939)
- Gorky 3: My Universities (1940)
- How the Steel Was Tempered (1942)
- Fighting Film Album 9 (1942) (aka Diary of a Nazi)
- Rainbow (1944)
- The Taras Family (1945)
- Alitet Leaves for the Hills (1949)
- Mother (1955)
- At Great Cost/The Horse That Cried (1957)
- Foma Gordeyev (1959)
- A Mother's Heart (1965)
Honours and awards
- Stalin Prizes:
- 2nd class (1941) – for The Childhood of Maxim Gorky (1938) and People (1939)
- 1st class (1946) – for Rainbow (1943)
- 1st class (1948) – for Village Teacher (1947)
- USSR State Prize (1968) – for Heart Mother (1966)
- People's Artist of USSR (1966)
- Hero of Socialist Labour (1971)
- Two Orders of Lenin
- Order of the October Revolution (18 March 1981)
- Order of the Red Banner of Labour
- Highest Award of the American Film Critics Association 1944 – for Rainbow
- Award of Daily News – for best foreign film shown in the U.S. in 1944 (Rainbow)
- Grand Prize at the Venice Film Festival 1946 – for The Unvanquished
- Special prize of the Italian journalists Venice IFF 1948 – for My Universities
- Award for Best Director Film Festival in Paris 1949 – for The Country Teacher
- First Prize in Stockholm International Film Festival 1949 – for My Universities
- Prize R. Unningtona Edinburgh International Film Festival in 1955 – for The Childhood of Maxim Gorky, The People and My Universities
- Prize for best director at the Locarno International Film Festival 1960 – for Foma Gordeev
- Special Diploma in Karlovy Vary International Film Festival 1970 – for Rainbow
References
- " Величие в рамках советского" (retrieved 20 January 2019)
- Richard Taylor, Nancy Wood, Julian Graffy, Dina Iordanova (2019). The BFI Companion to Eastern European and Russian Cinema. Bloomsbury. p. 1934. ISBN 978-1838718497.
{{cite book}}: CS1 maint: multiple names: authors list (link) - Peter Rollberg (2009). Historical Dictionary of Russian and Soviet Cinema. US: Rowman & Littlefield. pp. 181–184. ISBN 978-0-8108-6072-8.
- Gadjigo, Samba; Silverman, Jason (10 June 2021). "'Father of African cinema' Ousmane Sembène at work – in pictures". The Guardian. London.