Marquess of Castelnuovo

Marquess of Castelnuovo (Italian: Marchese di Castelnuovo) was a title in the neapolitan nobility that was created in the late 17th century for Ferdinand van den Eynde, 1st Marquess of Castelnuovo.[1][2] The marquessate was purchased by the Flemish magnate Jan van den Eynde, at the time one of the wealthiest men in the city of Naples, for his son Ferdinand.[1] Ferdinand married Olimpia Piccolomini, of the House of Piccolomini, by whom he had three daughters.[3] Thanks to the marriage of his heir apparent Giovanna to Giuliano Colonna, the title was inherited by Giovanna's son, Ferdinando Colonna.[4][5] The title was held for nine generations by the Colonna, before losing statutory regulation and lawful recognition (together with all other Italian peerage titles) upon the establishment of the Italian Republic,[6] wherein aristocratic titles are neither recognized nor protected,[lower-alpha 1] peerage titles having "no value whatsoever" outside that of any other sobriquet.[11]

Arms of Colonna and Van den Eynde

Marquessate of Castelnuovo

Arms of Van den Eynde
Creation date1660
Created byPhilip III of Naples
Peerageneapolitan nobility
First holderFerdinand van den Eynde, 1st Marquess of Castelnuovo
Last holderLorenzo Filippo Colonna
StatusExtinct
Extinction date1948
Former seat(s)Palazzo Zevallos Stigliano

History

It was created in the late 17th century for the wealthy Flemish merchant Ferdinand van den Eynde.[1][2] His father Jan van den Eynde, a Fleming from Antwerp who had become one of the wealthiest men in Naples through trading and banking,[1] purchased the title for him.[2][1] A few years earlier, Jan van den Eynde had purchased the Palazzo Zevallos,[12][13] which he renovated and filled with a huge art collection, which was one of the largest in Naples and its surroundings at the time.[14] Although most of the paintings in the original Van den Eynde collection are now dispersed throughout the world (they being housed at other major museums), the reduced gallery of Palazzo Zevallos remains to this day one of the most popular in the city of Naples.[13] Ferdinand van den Eynde married Olimpia Piccolomini, of the House of Piccolomini, by whom he had three daughters.[15] He inherited the Palazzo Zevallos upon his father's death, and built the monumental Palazzo Vandeneynden (today Villa Carafa) in Vomero.[16][17] The Villa Carafa passed to his daughter Elisabeth, while the Palazzo Zevallos, the bulk of Ferdinand's art collection, and his marquessate were inherited by his daughter Giovanna, who married Giuliano Colonna, of the House of Colonna.[4][15] Giovanna and Giuliano had seven children together, with the title passing down to Ferdinando.[4]

Marquesses of Castelnuovo

Notes
  1. After the fall of Fascist Italy and the other Axis powers, the abolition of monarchy (via referendum),[7] the establishment of the Italian Republic and the enactment of the 1948 constitution, nobility and aristocratic titles officially ceased to exist in Italy. The banishment has been reiterated and expanded several times in the history of the Republic. For example, in 1964 the Corte di Cassazione ruled that "the prohibition of recognition of noble titles does not only concern the necessary judicial or administrative activity [...] but it also implies that noble titles do not constitute content of right and, more broadly, do not retain any relevance: in a word, they remain outside the legal world."[8] In 1971, the Corte di Cassazione ruled that "noble titles, as such, can't have any meaning or value (assumere rilevanza) as distinctive traits of personal identity."[9] Aristocratic titles are not lawfully recognized or protected in Italy, and they can't be used as a means of identification.[9] They "do not fall within the object of the right to personal identity understood as the right of each individual to be acknowledged in the real world of attributes, qualities, characters, actions that distinguish them from any other individual."[9][10]

References
  1. Maria Grazia Lanzano. "6. Dai Coppola ai Lentini". Dizionario Dialettale di Gallicchio. Retrieved 1 June 2020.
  2. Ruotolo, Renato (1982). Mercanti-collezionisti fiamminghi a Napoli: Gaspare Roomer e i Vandeneynden. Massa Lubrense Napoli - Scarpati. pp. 5–55.
  3. Aldimari, Biagio (1691). Historia genealogica della famiglia Carafa pt 2. Stamperia di Giacomo Raillard. p. 314.
  4. "Libro d'Oro della Nobiltà Mediterranea". Comitato Scientifico Scientifico Editoriale del Libro d'Oro della Nobiltà Mediterranea. Retrieved 1 June 2020.
  5. Annuario della nobiltà italiana. Giornale araldico. 1878. p. 158.
  6. "Archived copy". Archived from the original on 11 May 2012. Retrieved 6 May 2012.{{cite web}}: CS1 maint: archived copy as title (link) Italian Genealogy.com
  7. "Il referendum istituzionale e la scelta repubblicana - Istituto Luigi Sturzo". Archived from the original on 5 March 2018. Retrieved 8 December 2016.
  8. Corte di Cassazione (1967). "SENTENZA N. 101". Corte Cassazione Repubblica Italiana. {{cite journal}}: Cite journal requires |journal= (help)
  9. Corte Suprema di Cassazione (1971). "Sentenza n. 2242". Il Foro Italiano via jstor: 1-6. JSTOR 23165389. {{cite journal}}: Cite journal requires |journal= (help)
  10. "I titoli nobiliari e la Costituzione". Retrieved 31 August 2020.
  11. "Come diventare nobili in Italia: cosa dice la Costituzione". Money Italia. Retrieved 31 August 2020.
  12. De Rose, Aurelio (2001). I palazzi di Napoli. Newton & Compton. ISBN 88-541-0122-2.
  13. Intesa San Paolo AA.VV. (2008). Gallerie di Palazzo Zevallos Stigliano. Intesa Sanpaolo.
  14. G.Porzio, G.J. van der Sman (2018). 'La quadreria Vandeneynden' 'La collezione di un principe'. A. Denunzio.
  15. De Dominici, Bernardo; Sricchia Santoro, Fiorella; Zezza, Andrea. Vite de' pittori- Dominici. Paparo Edizioni. pp. 770–773.
  16. Attanasio, Sergio (1985). La Villa Carafa di Belvedere al Vomero. Napoli SEN. pp. 1–110.
  17. La Gala, Antonio (2004). Vomero. Storia e storie. Guida. pp. 5–150.

Sources
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