Marta Rodriguez

Rodriguez's Chiracles, released in 1972, is a documentary film about a family of bricklayers living in Bogota, Colombia. Chiracles highlights the religious, social and political experiences of the Castaneda family to expose the exploitation faced by those of similar low class and social standing.[3] Rodriguez directed this alongside her husband and frequent collaborator, Jorge Silva. Chiracles was filmed across a period of six years between 1966 and 1972.

Campesinos is a 1975 documentary directed by Rodriguez centering on the Colombian indigenous farmers movement in the early years of the 1970s. Rodriguez once again collaborated with Silva to co-direct this film. Campesinos documents the injustices peasant workers endure working on coffee farms due to their indigenous cultural identities.[4]

Nuestra voz de tierra, memoria y futuro is a 1982 documentary film directed by Rodriguez and Silva. Rodriguez focuses on the Coconuco indigenous community of Colombia in their struggle to maintain their culture and land in the face of encroaching developed civilization.[5] Andean culture was eroding due to external pressure forcing the symbolic and literal eradication of a people trying to preserve their ways of life. Rodriguez highlights the myths, legends, and traditions important to Coconuco culture, and unfortunately at risk of erasure due to modernization.

Amor, mujeres y flores is 1988 documentary film directed by Rodriguez and Silva. This film highlights the dangerous working conditions of women in the Colombian flower industry. Colombia is one of the main international suppliers of flowers to the United States, yet the environments in which thousands of Colombian women work are incredibly dangerous and hazardous to their health. The film emphasizes the detrimental effects of exposure to pesticide which several workers reveal have caused headaches, blindness, miscarriage and even cancer.[6]