Martin Myrone

Martin Myrone is lead curator, British art to 1800 at the Tate Gallery.[1]

Selected publications
  • With Jeff McMillan and Ruth Kenny, British Folk Art, exhibition catalogue, Tate Britain 2014, 144pp.
  • John Martin: Apocalypse, exhibition catalogue, Tate Britain 2011, 240pp.
  • “Something Too Academical”: The Problem with Etty’, in Sarah Burnage, Mark Hallett and Laura Turner (eds.), William Etty: Art & Controversy, exhibition catalogue, York Museums Trust 2011, pp. 47–59.
  • ‘Instituting English Folk Art’, Visual Culture in Britain, vol.10, no.1, 2009, pp. 27–52.
  • ‘The Body of the Blasphemer’, in Helen P. Bruder and Tristanne Connolly (eds.), Queer Blake, Basingstoke 2010, pp. 74–86.
  • The Blake Book, London 2007, 224pp.
  • William Blake: Seen in my Visions: A Descriptive Catalogue of Pictures, London 2009, 128pp.
  • Gothic Nightmares: Fuseli, Blake and the Romantic Imagination, exhibition catalogue, Tate Britain, London 2006, 224pp.
  • Bodybuilding: Reforming Masculinities in British Art, 1750–1810, New Haven and London 2005, 284pp.
  • With Lucy Peltz (eds.), Producing the Past: Aspects of Antiquarian Culture and Practice 1700–1850, Aldershot 1999, 214pp.

References
  1. Martin Myrone, Lead Curator, British Art to 1800. Tate Gallery. Retrieved 29 May 2016.

Selected publications
  • With Jeff McMillan and Ruth Kenny, British Folk Art, exhibition catalogue, Tate Britain 2014, 144pp.
  • John Martin: Apocalypse, exhibition catalogue, Tate Britain 2011, 240pp.
  • “Something Too Academical”: The Problem with Etty’, in Sarah Burnage, Mark Hallett and Laura Turner (eds.), William Etty: Art & Controversy, exhibition catalogue, York Museums Trust 2011, pp. 47–59.
  • ‘Instituting English Folk Art’, Visual Culture in Britain, vol.10, no.1, 2009, pp. 27–52.
  • ‘The Body of the Blasphemer’, in Helen P. Bruder and Tristanne Connolly (eds.), Queer Blake, Basingstoke 2010, pp. 74–86.
  • The Blake Book, London 2007, 224pp.
  • William Blake: Seen in my Visions: A Descriptive Catalogue of Pictures, London 2009, 128pp.
  • Gothic Nightmares: Fuseli, Blake and the Romantic Imagination, exhibition catalogue, Tate Britain, London 2006, 224pp.
  • Bodybuilding: Reforming Masculinities in British Art, 1750–1810, New Haven and London 2005, 284pp.
  • With Lucy Peltz (eds.), Producing the Past: Aspects of Antiquarian Culture and Practice 1700–1850, Aldershot 1999, 214pp.


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