Mary O'Donnell

O'Donnell was born in County Monaghan and was raised close to the border with Northern Ireland. Her Kilkenny-born father held a B. Ag from University College Cork, transferred to Monaghan to become Town of Monaghan Co-op's first Catholic General Manager in 1947. Her Monaghan born mother Maureen (née Macklin) trained in nursing in Belfast and was an accomplished singer. O'Donnell was educated at St. Louis Secondary School, Monaghan[1] and attended college at St. Patrick's College, Maynooth(NUI), now Maynooth University. There she gained a degree in German and philosophy and an MA in German studies, followed by a First Class Hons Higher Diploma in education, which she used to become a language and drama teacher. In 2019 she was conferred with a PhD in Creative Writing from UCC. She is married to Martin Nugent, former Assistant Headmaster of Clongowes Wood College. They have one daughter, Anna O'Donnell Nugent. They live in Kildare.[2][3]

O'Donnell left teaching to work as a Drama Critic and journalist on the Sunday Tribune (1988–1991). During that period, her literary output increased. She became a regular contributor to The Irish Times, The Irish Independent and on Raidió Teilifís Éireann (RTÉ) as well as to various literary journals. Her first novel, The Light-Makers, was an Irish best-seller and won the Sunday Tribune's Best New Irish Novel for 1992.[3][4]

She has written and published four novels, including The Elysium Testament and Where They Lie, eight collections of poetry (including Those April Fevers Arc UK 2015 and "Massacre of the Birds", Salmon 2020), three volumes of short stories. She has also taken part in several RTE radio programmes she scripted and presented, and won several awards for her writing in both fiction and poetry. In 2007 she was writer-in-residence at the Princess Grace Irish Library in Monaco. Her work has been translated into Hungarian, for which she was co-recipient of the 2012 Irodalmi Jelen Award for Translation. Most recently, her poetry is translated to Brazilian Portuguese and her short stories to Spanish (in Argentina). The work Giving Shape to the Moment: the Art of Mary O'Donnell, Poet, Novelist & Short-story Writer includes a selection of essays responding to her writing in each genre, an interview from Irish academic Dr Anne Fogarty, and offers a powerful overview of her contribution to Irish letters.[5]

O'Donnell has taught creative writing at Maynooth University, was a mentor on the Carlow University, Pittsburgh MFA in Creative Writing programme for eleven years, and also contributed on the faculty of the University of Iowa's summer writing programme at Trinity College, Dublin for three years. She also taught Poetry and Fiction for three years on Galway University's MA in Creative Writing. She is a member of the Irish Writers' Union, a former Board Member of the Irish Writers Centre, is a member of Aosdána and served for three years on Maynooth University's Governing Authority, representing arts and culture.[4][6]

O'Donnell has been a judge for the International IMPAC Dublin Literary Award, the Hennessy Literary Award, the Strokestown International Poetry Competition, Poetry Now and the Irish Times/Mountains to Sea Poetry Prize.[4][7]

She is represented by the Marianne Gunne O'Connor Literary Agency.

• Sunday Tribune Best New Irish Novel in 1992,
• The William Allingham Award.
• The Listowel Writers’ Week Short Story Prize.
• Hennessy Literary Award shortlisting, 1989.
• Prize-winner in the V.S. Pritchett Short Story Competition (UK), 2000.
• Frank O'Connor International Short Story Prize shortlisting, 2008
• The FISH International Short Story Award, 2011
• Runner up, FISH International Poetry Competition, 2023.
• Runner-up, Cardiff International Poetry Competition, 2011
• Winner of the Irodälmi Jelen translation prize.
• President's Alumni Award at NUI Maynooth 2011.
• Irish Times Literature Awards – nominated twice.

• Irish Women Writers: An A-to-Z Guide, Alexander G. Gonzalez, Greenwood Publishing Group, 2006, 348 pages
• Irish Women Writers Speak Out: Voices from the Field, Caitriona Moloney, Helen Thompson, Syracuse University Press, 2003, 286 pages
• Salmon: A Journey in Poetry, 1981–2007, edited by Jessie Lendennie. Salmon Publishing, 2007
• An introduction to Mary O'Donnell
• Micheal O’Siadhail: Mary O’Donnell: The Arc of a Life, a response to six collections, Studies, Summer 2014, Volume 103, No. 410.
• Villar-Argáiz, Pilar. "Gathering 'Word-Hoards' into 'Noah's Ark': The Poetry of Mary O'Donnell chapter from The Poetry and Prose of Mary O'Donnell", Ed. Elena Jaime de Pablos. Forthcoming.
• Palabras extremas: Escritoras gallegas e irlandesas de hoy, ed Manuela Palacios González, Helena González Fernández (Netbiblo, 2008)
• “At the Heart of Maternal Darkness”: Infanticidal Wish in the Poetry of Mary O’Donnell and Eavan Boland, by Laura Lojo, Nordic Irish Studies, Volume 7, 2008, eds. Michael Böss and Irene Gilsenan Nordin.
• And Thomas McCarthy, writing in Facebook, 2017: "Gracefulness has ever been a hallmark of her work, even a grace within fierce polemics, and her gracefulness survives through to these most contemporary and commanding lyrics. This 2015 work is simply perfect and breath-taking, from the spare, studied, considered lines of ‘Waking’—‘It has taken so long to draw you to this cottage,/ across the sands. Wake now. Wake to new doing, // to new pauses in new days. I cannot sleep for joy./ Mermaids no longer bathe in moonlight but you are here.’ to the wholly unexpected intrigue of ‘At a Wedding, the Stranger’ – ‘her lacy, gloved fingers, the netting/ that shivered over her face, but/ did not conceal the spark from sheen-lidded/ dark, pupils. Uncles, brothers, nephews, fathers/ paused, suspended in a dream some remembered,/ or thought they did. Believing in Marilyn…….’ The meditative atmosphere of ‘The world is mine’ finds a true counterbalance in O’Donnell's acute social sense (an Elizabeth Bowen-like sharp eye for the needles in human discourse), Thus, the consoling world of nature, seasons, travel, that might satisfy a lesser talent completely are but a backdrop to O’Donnell's complex sense of human politics: the grandeur, or grand hauteur, of ‘national’ poets in ‘An Irish Lexicon,’ all are examined and made to sing by this beautiful lyricist."