Maurice Glickman

Maurice Glickman (January 6, 1906 – May 1981) was an American sculptor noted for his New Deal-era sculpture for public buildings. He was named a Guggenheim Fellow in 1934.[1] He founded the School of Art Studies in New York and was its director from 1945 to 1955.[2] His work is in the Albany Institute of History and Art, and in the Hirschorn Museum.[3]

Maurice Glickman
Maurice Glickman, American artist (1906–1981)
Guggenheim Foundation annual report, 1934
Born(1906-01-07)January 7, 1906
Iași, Romania
Died1981 (1982)
United States
Notable workNegro Mother and Child, Pearl Divers

Life and work

Glickman was born in Iași, in what was then the Romanian Old Kingdom. His family was Jewish.[4] Glickman immigrated to the United States in 1920,[5] with his parents Solomon and Sarah, three older sisters and an older brother. In 1925 they lived together in the Bronx.[6] He began his art education in 1921, and was naturalized a citizen in 1929.[5] He attended the Educational Alliance Art School and the Arts Students League of New York.[7] On December 17, 1931, Maurice Glickman married Florence Levinson.[8] In 1934 he won a Guggenheim Fellowship: "Appointed for creative work in sculpture and studies in classical Greek sculpture, abroad; tenure, twelve months from May 18, 1934."[1] In 1936, Glickman created one of 203 artworks that appeared in a touring exhibition of the U.S. that was ultimately meant to be donated to a new art museum in Birobidzhan, USSR. (The artworks never made it to Birobidzhan and the whereabouts of the collection is unknown.)[9] Glickman was also involved in the New York City Artists Union, the Marxist front American Artists' Congress, and in 1937 and 1938, "three of his sculptures had been illustrated" in the American Marxist magazine New Masses.[10] Per the records of HUAC, in 1939 he signed a petition for the Communist Party of the United States.[11]

His commissions for the Public Works of Art Project and Treasury Section of Fine Arts included:

  • Negro Mother and Child, U.S. Department of the Interior building in Washington, D.C. (1934)[12] This sculpture is said to exemplify "the modernised classicism characteristic of Glickman's art. It was the use of this style in an image of African Americans that made the sculpture stand for progressive values in the context."[13]
  • Cast-stone "Physical Changes of the Postman through the Ages," Northampton, Pennsylvania post office (1939);[14] the figures represent an Egyptian messenger, Roman messenger, colonial postman, Pony Express rider, mailman of 1861, postman of 1900, and air mail pilot.[15]
  • Bas relief mahogany carving "Construction," South River, New Jersey post office (1943);[16] this design is reproduced on the cover of a 1989 record album by Big Shoulders[17]
  • There are some mentions of a relief called "Agriculture" or "Southern Farm Life" having been installed at the Ashburn, Georgia post office in 1947 but "unfortunately, it was either never installed or has been lost over the years."[18] (In the 1930s, between US$55,000 and $75,000 was allocated for a new post office in Ashburn.)[19][20]

At the time of the installation of "Construction," Glickman was said to be the author of "many articles on art and architecture." He had also taught at the Educational Alliance Art School, Unter College, Theodore Roosevelt High School, and Woman's College of the University of North Carolina.[21] In 1940 his sculpture Football Players, commissioned by the NY WPA, was exhibited at the Philadelphia Museum of Art.[22]

American Artist published a photo feature about his sculptures in 1943.[23] Glickman's abstracted aluminum sculpture Pearl Divers was photographed and featured in the New York Times coverage of a Whitney exhibit in 1946.[24] Circa March 1937, the School of Art Studies was located at 2231 Broadway and was opening an annex at 90th and Broadway. The school offered classes in painting, sculpture, graphic arts, and illustration.[25] The GI Bill allowed many former U.S. soldiers and sailors, such as comic artist John Powers Severin, to afford tuition at the school.[26] Leonard Baskin was Glickman's apprentice for two years.[27] At time of the 1950 U.S. federal census, Maurice's occupation was director of an art school and his wife was secretary of an art school.[28]

In 1955, Glickman's sculpture Grief was exhibited at 17th Annual Exhibition of the Sculptors Guild.[29] The Albany Institute of Art and History organized a retrospective exhibition of his work in 1963.[30] Glickman also had pieces installed in public buildings in Israel.[5] At one time Glickman's art was sold through the Florence Lewison Gallery of New York City.[2] Maurice Glickman died in May 1981.[31]

References
  1. "Maurice Glickman". John Simon Guggenheim Memorial Foundation. Retrieved 2023-02-09.
  2. Look, David W.; Perrault, Carole L.; United States (1986). The Interior Building: its architecture and its art. Preservation case studies. Washington, D.C.: U.S. Dept. of the Interior, National Park Service, Preservation Assistance Division. pp. 116–117.
  3. Wertsman, Vladimir F. (July 22, 2010). Salute to the Romanian Jews in America and Canada, 1850-2010: History, Achievements, and Biographies. Xlibris Corporation. ISBN 978-1-4535-1280-7.
  4. Castagno, John (August 16, 2010). Jewish Artists: Signatures and Monograms. Rowman & Littlefield. ISBN 978-0-8108-7421-3.
  5. "The Reporter Dispatch 10 Dec 1960, page 6". Newspapers.com. Retrieved 2023-02-09.
  6. New York State Archives; Albany, New York; State Population Census Schedules, 1925; Election District: 16; Assembly District: 03; City: New York; County: Bronx; Page: 23 Ancestry.com. New York, U.S., State Census, 1925, Ancestry.com
  7. Eaton, Myrwyn (October 1948). "The Sculpture of Maurice Glickman". Design. 50 (1): 10–12. doi:10.1080/00119253.1948.10742764. ISSN 0011-9253.
  8. Cert. 9095. Ancestry.com. New York, New York, U.S., Extracted Marriage Index, 1866-1937 (Original data: Index to New York City Marriages, 1866-1937. Indices prepared by the Italian Genealogical Group and the German Genealogy Group, and used with permission of the New York City Department of Records/Municipal Archives.)
  9. "The "People's Delegation" and the Popular Front, 1935-1939", Dreams of Nationhood, Academic Studies Press, pp. 55–82, December 17, 2019, doi:10.1515/9781618116871-006, ISBN 978-1-61811-687-1, S2CID 241334707, retrieved 2023-02-10
  10. Carter, Warren. Figuring the New Deal: Politics and Ideology in Treasury Section Painting and Sculpture in Washington, D.C., 1934-1943 (PDF) (Ph.D.). University College London. pp. 194–195. UMI U591437.
  11. Communist Party of the United States of America, New York City (1940). Signers of 1939-40 Communist Party Petitions for State and City Elections, Boroughs of New York City: Official Report, the Names and Addresses of the Signers of Petitions for Candidates of the Communist Party for State and City Elections, 1939-40, for the Confidential Use of the Special Committee on Un-American Activities. U.S. House of Representatives Special Committee on Un-American Activities (1938-1944) – via Google Books.
  12. "GSA Fine Arts". GSA Fine Arts Collection. Retrieved 2023-02-09.
  13. Hemingway, Andrew (2002). Artists on the left : American artists and the Communist movement, 1926-1956. New Haven. pp. 98–100. ISBN 0-300-09220-2. OCLC 49225403.{{cite book}}: CS1 maint: location missing publisher (link)
  14. "Post Office Sculpture - Northampton PA". Living New Deal. Retrieved 2023-02-09.
  15. "The Morning Call 31 Dec 1938, page 12". Newspapers.com. Retrieved 2023-02-09.
  16. "South River, NJ New Deal Art". wpamurals.org. Retrieved 2023-02-09.
  17. Hevrdejs, Judy. "Album Vaults Big Shoulders into Big Time" Chicago Tribune, Dec 08, 1989, pp. 2. ProQuest magic number 282656036
  18. DVM, Jimmy Emerson (August 23, 2006), Ashburn, Georgia 31714, retrieved 2023-02-15
  19. "The Macon News 27 May 1932, page 5". Newspapers.com. Retrieved 2023-02-15.
  20. "The Macon Telegraph 28 Aug 1939, page 10". Newspapers.com. Retrieved 2023-02-15.
  21. "The Central New Jersey Home News 18 Feb 1943, page 13". Newspapers.com. Retrieved 2023-02-09.
  22. "St. Louis Post-Dispatch 25 Aug 1940, page Page 81". Newspapers.com. Retrieved 2023-02-09.
  23. "Slum kid," American Artist , Oct1943, Vol. 7, p16.
  24. Jewell, Edward A. (February 10, 1946). "In Three Museums: In the Whitney Sculpture Annual". The New York Times. p. 50. ISSN 0362-4331. ProQuest 107485890. Retrieved 2023-02-13.
  25. "STEINER-PRAG ART GOING ON DISPLAY; Memorial Show of Gouaches, Water-Colors and Drawings to Open at St. Etienne". The New York Times. March 14, 1947. ISSN 0362-4331. Retrieved 2023-02-14.
  26. Groth, Gary; Dean, Michael (December 6, 2013). The Comics Journal Library: The EC Artists. Fantagraphics Books. ISBN 978-1-60699-608-9.
  27. Smith, Roberta (June 6, 2000). "Leonard Baskin Dies at 77; Sculptor of Stark Memorials". The New York Times. ISSN 0362-4331. Retrieved 2023-02-09.
  28. United States of America, Bureau of the Census; Washington, D.C.; Seventeenth Census of the United States, 1950; Record Group: Records of the Bureau of the Census, 1790-2007; Record Group Number: 29; Residence Date: 1950; Home in 1950: New York, New York, New York; Roll: 1129; Sheet Number: 74; Enumeration District: 31-848 Source Information Ancestry.com. 1950 United States Federal Census
  29. "Edmond Enterprise 16 Aug 1955, page 16". Newspapers.com. Retrieved 2023-02-09.
  30. Castagno, John (August 16, 2010). Jewish Artists: Signatures and Monograms. Rowman & Littlefield. p. 162. ISBN 978-0-8108-7421-3.
  31. Social Security Administration; Washington D.C., USA; Social Security Death Index, Master File via Ancestry.com. U.S., Social Security Death Index, 1935-2014
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.