Mbaqanga (album)

The album was produced by Marks Mankwane, who also played guitar.[7] The group rerecorded a few early hits for Mbaqanga.[8] The Makhona Tsohle Band played on the album.[9] Mahlathini and the Mahotella Queens returned to the more traditional sound of their earlier albums; they also continued to shy away from political lyrics.[10][11] The group sang in Zulu, Shangaan, and English, among other languages.[12]

Professional ratings

Review scores
Source	Rating
AllMusic	[13]
Chicago Tribune	[8]
Robert Christgau	[14]
The Encyclopedia of Popular Music	[15]
Houston Chronicle	[16]
MusicHound World: The Essential Album Guide	[17]

The Chicago Tribune noted Mankwane's influence, deeming the album "a leaner, rootsier record ... that is also more akin to current popular African guitar band styles."[8] The Boston Globe praised the "less punched up, club-ready mix [that is] closer to a lighter, dustier, urban folk sound."[18] The Sacramento Bee wrote: "While Simon Mahlathini Nkabinde's uncommon voice, low and gruff like Tom Waits' African cousin, is an acquired taste (that is, difficult to acquire), the three Queens are immediately ingratiating a bright, brassy ensemble that sings as one, reflecting their 28 years together."[19]

The Globe and Mail determined that "the music remains unalloyed and uncorrupted, a joyous and irresistible sound that can light up a room in seconds."[9] The Houston Chronicle considered the album "a good representation of Mahlathini and the Mahotella Queens' distinctive vocal blend of growling male leads ... and female harmonies."[16] The Times Union labeled it "joyously buoyant."[20]

AllMusic called the album "a nonstop frenzy of Zulu rock & roll."[13]