Me. Me. Me.

Recorded during two weeks in May 1995 at Criteria Studios, in Miami, the album was produced by Guy Fixsen; Gabriel Stout played drums.[4][5][6] It was the band's intention to produce an album of short songs.[6] "Afternoon Train" is a re-recording of the final Unrest single.[7]

Professional ratings

Review scores
Source	Rating
AllMusic	[8]
The Austin Chronicle	[9]
The Encyclopedia of Popular Music	[4]
MusicHound Rock: The Essential Album Guide	[10]
Spin	8/10[11]
The Tampa Tribune	[12]

The Washington Post wrote that Robinson and Cross "trade lead vocals on 13 short songs that combine bubblegum tunefulness ('Neely'), with lounge-ballad melancholy ('Seabird'), evanescent soundscapes ('Reprise') and occasional space-rock bleeps."[5] Trouser Press thought that "the bubblegum aftertaste left by segments of Me. Me. Me. is a bit too strong when Robinson indulges his propensity for creating inconsequential chantalongs like 'World Cup Fever', but he offsets that with reams of bracing, Fire Engines-styled guitar and a guileless new wave sensibility (see 'Dolphin Expressway') that should sway all but the most diehard Anglophobe."[13] The Austin Chronicle deemed the album "a heady mix of danceable trivialities and serious longing."[9] The Tampa Tribune concluded that "Air Miami soars through a universe of pop styles with a surfeit of panache and a minimum of bombast ... Pure pleasure—clean, clever, surprising."[12]

Spin called Robinson "one of the few men in indieland who can hold a vocal melody," and wrote that "the guitar work here is as nimble as Dean Wareham's."[11] The Post and Courier determined that "Robinson's avant pop/punk songs are fun, and serve as great set-ups for Cross' more oblique offerings."[14] The St. Louis Post-Dispatch labeled the album "alternately fun and pretentious, like most 4AD stuff," writing that "faced with the choice of copping either atmospheric Velvets-style arrangements or Wire-esque sprinters, Air Miami did the all-American thing and riffed off both."[15]

AllMusic wrote that "unsurprisingly, early drum machines provide percussion as well, a sonic signifier that also fits nicely more often than not ... Me, Me, Me is a simpler musical pleasure than most."[8] MusicHound Rock: The Essential Album Guide opined that Me. Me. Me. "doesn't have the giddiness of the Unrest work, but it is sweet to listen to."[10]

Time Out considered the album cover to be one of the 40 best of the 1990s.[16] "Seabird" was covered by Maria Somerville for the 2021 4AD compilation Bills & Aches & Blues.[17]