Metaparody

Metaparody is a form of humor or literary technique consisting "parodying the parody of the original", sometimes to the degree that the viewer is unclear as to which subtext is genuine and which subtext parodic.[1] The American literary critic Gary Saul Morson has written extensively on the topic:[2]

In texts of this type, each voice may be taken to be parodic of the other; readers are invited to entertain each of the resulting contradictory interpretations in potentially endless succession. In this sense such texts remain fundamentally open... readers may witness the alternation of statement and counterstatement, interpretation and antithetical interpretation, up to a conclusion which fails, often ostentatious, to resolve their hermeneutic perplexity. (Morson 1989)[3]

References

Morson, Gary Saul; Emerson, Caryl (1989). Rethinking Bakhtin: extensions and challenges. Northwestern University Press. pp. 63–. ISBN 978-0-8101-0810-3. Retrieved 20 April 2013.
Marina Terkourafi (23 September 2010). The Languages of Global Hip Hop. Continuum International Publishing Group. pp. 234–. ISBN 978-0-8264-3160-8. Retrieved 20 April 2013.
Peter I. Barta (2001). Carnivalizing Difference: Bakhtin and the Other. Routledge. pp. 110–. ISBN 978-0-415-26991-9. Retrieved 20 April 2013.

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.

[SaulCaryl1989-1] Morson, Gary Saul; Emerson, Caryl (1989). Rethinking Bakhtin: extensions and challenges. Northwestern University Press. pp. 63–. ISBN 978-0-8101-0810-3. Retrieved 20 April 2013.

[Terkourafi2010-2] Marina Terkourafi (23 September 2010). The Languages of Global Hip Hop. Continuum International Publishing Group. pp. 234–. ISBN 978-0-8264-3160-8. Retrieved 20 April 2013.

[Barta2001-3] Peter I. Barta (2001). Carnivalizing Difference: Bakhtin and the Other. Routledge. pp. 110–. ISBN 978-0-415-26991-9. Retrieved 20 April 2013.