Michael Parekōwhai

Parekowhai was born in Porirua. Both his parents were schoolteachers. He spent his childhood in Auckland's North Shore suburbs, where he also attended school. After leaving high school, Parekowhai worked as a florist's assistant before commencing a bachelor's degree in fine arts at University of Auckland's Elam School of Fine Arts (1987–1990). He trained as a high-school art teacher before returning to Elam to complete a Master's degree in fine arts (1998–2000).

Parekowhai makes a variety of work across a range of media that intersects sculpture and photography. Sally Blundell, writing in the New Zealand Listener, says:

Originality, authenticity, ownership. In Parekowhai’s work, such notions blur, slipping into a collective act of translation that interweaves the canon of "high art" with cultural tradition, the handmade object with mass-produced tourist tat, the imported with the proudly colloquial.[2]

Despite the range of Parekowhai's output, his practice is linked throughout, both stylistically—a characteristic 'gloss' of high production value—and thematically.

Curator Justin Paton writes that Parekowhai's works "have a way of sneaking up on you, even when they're straight ahead." He continues:

Pick-up sticks swollen to the size of spears. A photograph of a stuffed rabbit who has you in his sights. A silky bouquet that rustles with politics. Seemingly serene beneath their gleaming, factory-finished surfaces, Michael Parekowhai's sculptures and photographs are in fact supremely artful objects. 'Artful' not just because they're beautifully made...but also because they manage, with a combination of slyness, charm and audacity, to spring ambushes that leave you richer.[5]

• 

  Chapman's Homer, part of an ensemble exhibited at the 2011 Venice Biennale
  On First Looking into Chapman's Homer – an installation of two bronze bulls on grand pianos, two bronze olive saplings and the figure of a stoic security guard, his entry in 54th La Biennale di Venezia in 2011. Part of this installation, titled Chapman's Homer and consisting of a single bull atop a piano, was acquired by the Christchurch Art Gallery.[6]
• A Peak in Darien – a bronze bull atop a grand piano. The piece sold at an auction in New Zealand for $2,051,900 in November 2021, becoming the most expensive artwork by any artist sold in a New Zealand auction.[7]

• The World Turns – a life-sized bronze elephant tipped on its head and eye-to-eye with a kuril (water-rat), commissioned by the Queensland Gallery of Modern Art.[8][9]
• He Kōrero Pūrākau mo Te Awanui o Te Motu: story of a New Zealand river — an original Steinway grand piano covered in glossy red carvings.[10] The piano is played at each of the exhibitions that it features in, for example in the 2012 Te Papa exhibition with works from Colin McCahon and Jim Allen.
• The Lighthouse: Tū Whenua-a-Kura – Queens Wharf, Auckland[11] [12]
• The Tongue of The Dog, outside Waikato Museum, Hamilton, New Zealand[13]

Parekowhai's work is held in most New Zealand public gallery collections and a number of international museums, including the Queensland Art Gallery | Gallery of Modern Art, Brisbane, Australia.

• Artist Laureate, Arts Foundation of New Zealand, 2001.
• Premier of Queensland Sculpture Commission, Queensland, Australia, 2011.
• Nga Toa Whakaihuwaka, Māori of the Year for Arts, 2011.
• Barfoot & Thompson, 90th Anniversary Gift to Auckland City, Waterfront Commission, 2013.
• 'Top 50 Public Art Project' awarded by Americans for the Arts, Public Art Network, 2013 Year in Review, for Blue Stratus, Phoenix Sky Harbor International Airport, Arizona, USA, 2013. In collaboration with Mario Madayag.
• Fellow of the Royal Society Te Apārangi, 2017.

• List of public art in Brisbane

• Maud Page et al., Michael Parekowhai : the promised land, Brisbane: Queensland Art Gallery, 2015. ISBN 9781921503740
• Mary Barr (ed), On first looking into Chapman's Homer : New Zealand at the 54th Biennale di Venezia 2011, Auckland: Michael Lett and Roslyn Oxley Gallery, 2011. ISBN 9780958264785
• Michael Lett and Ryan Moore (eds), Michael Parekowhai, Auckland: Michael Lett, 2007. ISBN 9780958283106
• Margery King and Ngahiraka Mason, Michael Parekowhai: Ten Guitars, Pittsburgh: Andy Warhol Museum, 2001.
• Robert Leonard, Michael Parekowhai: Ten Guitars, Auckland: Artspace, 1999. ISBN 9780958210331
• Robert Leonard and Lara Strongman, Michael Parekowhai: Kiss the baby goodbye, New Plymouth: Govett-Brewster Art Gallery, 1994. ISBN 0908848102

Wikimedia Commons has media related to Michael Parekōwhai.

• Staff profile, University of Auckland
• Artist biography, Artfacts.net
• Michael Parekowhai page on the Bowerbank Ninow artist database
• Artist biography on Ocula website
• Radio New Zealand National interview, 12 March 2011
• CV on Michael Lett website
• Works in the Auckland Art Gallery Toi o Tāmaki collection
• Works in the Chartwell Collection
• Works in the Christchurch Art Gallery collection
• Works in the Dunedin Public Art Gallery collection
• Works in the Museum of New Zealand Te Papa Tongarewa collection
• Works in the Queensland Art Gallery collection
• Bernard Osman 'Cost of State House sculpture rocketed to $1.9 million' New Zealand Herald, 23 October 2014
• John McDonald 'Review: Michael Parekowhai's Promised Land delivers plenty' Sydney Morning Herald, 5 June 2015
• Charlie Gates, The bull comes home, The Press, 11 January 2016. Interview with the artist.
• PUBLIC ART NETWORK YEAR IN REVIEW DATABASE, https://www.americansforthearts.org/by-program/networks-and-councils/public-art-network/public-art-year-in-review-database/blue-stratus