Michael Rosenzweig (composer)

https://www.hyperion-records.co.uk/dc.asp?dc=D_1EMRZW

Michael Rosenzweig born 1951 in Cape Town, South Africa. He grew up in Cape Town. He is a composer, conductor, choral trainer and director, multi-instrumentalist and jazz musician.[1]

Education

Merton Barrow provided him a thorough practical grounding as a performer. He then studied composition with Donald Martino at New England Conservatory of Music. Initially he auditioned as a guitarist specialising in jazz. He was accepted and given a substantial scholarship because arranger and jazz composer George Russell wanted him as a solo guitarist for his big band. One year later he was permitted to enrol in a London University MMus course. He graduated from a six year programme in 13 months. He was a part-time student taking evening classes.

Columbia University then invited him to enter their doctoral programme on full scholarship and stipend. He studied composition with Chou Wen-chung, Jack Beeson, and Patricia Carpenter.

Rosenzweig also studied theory with Patricia Carpenter and George Perle. He studied choral conducting with Fritz Weisse of the Berliner Konzert-chor, where he was the assistant and the musical director of the Youth choir, whose Philharmonie debut he conducted. He also studied orchestral conducting with Lawrence Leonard and then with Dr Imdad Husain, a member of the first violins in the Philharmonia orchestra under Otto Klemperer, who then introduced him to Emanuel Hurwitz . He saw Manny regularly for five hour score analysis and coaching in conducting for several years until the latter's death in November 2006.

Conducting

While assistant at the Berliner Konzertchor, he was music director of their youth choir. He conducted their Berlin Philharmonie debut, performing music of a complexity never before performed by a youth choir.

He conducted the Blacher Ensemble, the new music ensemble from the Berlin Hochschule der Kunste in their international venue debut.

He also conducted Sinfonietta Berlin, his own chamber orchestra in major venues and festivals. The orchestra performed both standard repertoire and contemporary music, including premieres of his own music, and his arrangement of Dvorak's String Quintet opus 77 for string orchestra.

In the UK he has conducted the English Chamber Orchestra, the City of London Sinfonia featuring Gervase de Peyer as soloist. He also conducted his own string orchestra, London Strings. The premiere and second performances were at St Giles in the Barbican, and then it was resident at St James's Piccadilly, performing 16 concerts. Soloists included Yonty Solomon who performed eight concertos with this orchestra. He was also music director and conductor of the Buckingham and District Music Society. In Central and Eastern Europe he has conducted the Sofia Philharmonic Orchestra, the Bulgarian National Radio Symphony Orchestra, Moravian Philharmonic,[2] the Slovak State Philharmonic, Sudecka Philharmonic in Wałbrzych,[3] Poland, the State Philharmonic of Iaşi[4] and Vidin State Philharmonic among others. He has also conducted the Royal Oman Symphony Orchestra. Included have been performances, premieres and recordings of a wide range of contemporary music. He has accompanied and recorded with major violin virtuoso Pavel Minev. He also conducted the European premiere of Gervase de Peyer's new realization of the Mozart Clarinet Concerto and has also accompanied Professor Yonty Solomon , Professor Borislava Taneva and Neil Black , among others as soloist. Since June 2008, Michael Rosenzweig has been Principal Guest Conductor of the Vidin State Philharmonic - Sinfonietta Vidin since September 2010.

Composition

His awards for composition include the Greater London Arts Council Young Composer's Award and the Gaudeamus Foundation, won two years running, coming both first and second in the first year. He held the DAAD Berliner Kunstlerprogramm Fellowship for music in 1990.[5] This award has been made to Igor Stravinsky, Roger Sessions, Elliott Carter, György Ligeti, Krzysztof Penderecki, Luigi Dallapiccola, Alberto Ginastera, Steve Reich, Arvo Pärt, Luciano Berio and others of this eminence. He received this award at age 39. He was the youngest recipient of this award.

Works have been commissioned by the BBC, the London Sinfonietta,[6] the Divertimenti String Orchestra, Nina Beilina.

Rosenzweig's String Quartet No. 2 (1989) was commissioned in October 1988, by the BBC for the Arditti Quartet and delivered in April 1989. It was first performed and recorded in June 1995, and broadcast by the BBC Radio 3 on 3 January 2009 .[7]

Selected works

Commissioned works

  • Chamber Orchestra
    • Sinfonietta 1[8]
    • Sinfonietta 2
  • String Orchestra
    • Elegy – for 13 solo strings[9][10]
    • Concerto for String Orchestra[11]
    • Fugue '97
  • Chamber Ensemble
    • String Octet
  • Quartet
    • Piano Quartet
    • String Quartet 2
  • Trio
    • Trio for Oboe, Oboe d'Amore and Cor Anglais – GLA Young Composer Award
    • Piano Trio – GLA Young Composer Award
  • Duo
  • Duo for Clarinet and Piano
  • Duo for Violin and Piano[11]
    • Song Cycle for High Voice and Piano
  • Solo
    • Solo for Flute[8]
    • Solo for Bass Clarinet[8]
    • Solo for Multipercussion[11]
    • Solo for Vibraphone[11]
    • Solo for Soprano Saxophone

Other works

  • Orchestra
    • Symphony in One Movement – Vaughan Williams Trust Competition & Gaudeamus Award[12][13]
  • Choir
    • Chorale – SATB
  • Quartet
    • String Quartet 1 – U Mass Bay Harbor Competition, GLA Young Composer Award
  • Solo'
    • Solo for Bass Clarinet

Partial References

  1. "British Music Collection: Michael Rosenzweig". 4 April 2009.
  2. "Moravian Philharmonic". Archived from the original on 9 February 2007. Retrieved 10 August 2020.
  3. "Index of /". Archived from the original on 5 February 2007. Retrieved 13 July 2022.
  4. "Filarmonica Moldova Iași". Filarmonicais.ro. Retrieved 10 August 2020.
  5. "BKP Award Fellows Michael Rosenzweig, Great Britain, Music, 1990".
  6. David C.H. Wright (2005). "The London Sinfonietta 1968–2004: A Perspective. twentieth-century music". Twentieth-Century Music. 2 (1): 109–136. doi:10.1017/S1478572205000216. S2CID 162372309.
  7. Pre-Hear, Bbc.co.uk, 3 January 2009
  8. Paul Griffiths, "Concerts: Festival Hall", The Times 25 March 1986
  9. Meirion Bowen, The Guardian 22 February 1982
  10. Hampstead and Highgate Express, 26 February 1982
  11. Mellers, Wilfrid; Dreyer, Martin (1986), "Music New and Old: Two Festivals Considered", The Musical Times, 127 (1722): 494–498, doi:10.2307/964592, JSTOR 964592
  12. Michael Kennedy, The Daily Telegraph 25 November 1985
  13. Bryan Northcott, The Sunday Telegraph 12 January 1985
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