Michael Wilding

Born in Leigh-on-Sea, Essex, England, and educated at Christ's Hospital,[1] Wilding left home at age 17 and trained as a commercial artist. He went to Europe when he was 20 and supported himself in Europe by doing sketches.[2] He wanted to get into designing sets for films and approached a London film studio in 1933 looking for work. They invited him to come to work as an extra.[3]

Wilding finally became a film name with Dear Octopus (1943). He followed it with English Without Tears (1944).

What really made him a star was appearing opposite Anna Neagle in Piccadilly Incident (1946). Director Herbert Wilcox had wanted Rex Harrison or John Mills and had only taken Wilding reluctantly. However, once he saw the rushes he signed Wilding to a long-term contract. Piccadilly Incident was the second most popular film at the British box office in 1946. After co-starring with Sally Gray in Carnival (1946), Wilding was reunited with Neagle and Wilcox in The Courtneys of Curzon Street (1947), the biggest hit at the 1947 British box office and one of the most-seen British films of all time. Alexander Korda cast him opposite Paulette Goddard in An Ideal Husband (1947), another hit, but it failed to recoup its enormous cost. Wilding, Neagle and Wilcox reteamed for Spring in Park Lane (1948), another outstanding hit. It led to a sequel, Maytime in Mayfair (1949), which was also enormously popular.

Wilding was now one of the biggest stars in Britain—indeed he was voted as such by the readers of Kine Weekly.[8] Director Alfred Hitchcock then cast him in two consecutive films that he produced through his own film production company Transatlantic Pictures (distributed through Warner Brothers Pictures). The first, Under Capricorn (released in 1949), in which he played opposite Ingrid Bergman and Joseph Cotten, was shot mostly in London but had final retakes and overdubs filmed in Hollywood. It was one of Hitchcock's few flops. His second film for Hitchcock was the more popular Stage Fright (released in 1950), also filmed in London, with Marlene Dietrich and Jane Wyman. Thirteen years later, in 1963, Wilding starred in an Alfred Hitchcock Hour episode titled "Last Seen Wearing Blue Jeans".

Wilcox used him in a film without Neagle, Into the Blue (1950) and the public response was considerably less enthusiastic than for the films they made together. He put Anouk Aimée under personal contract and announced plans to make a movie together[9] but none resulted.

MGM made an offer for Wilding to appear opposite Greer Garson in The Law and the Lady (1951);[10] the film was not a success. He returned to Britain for The Lady with a Lamp (1951), a biopic of Florence Nightingale with Neagle and Wilcox. It was popular in Britain, though less so than their earlier collaborations.

So too was Derby Day (1952), the last Neagle–Wilding collaboration. Wilcox tried Wilding with a new star, Margaret Lockwood, in Trent's Last Case (1952), a minor hit. In 1952 British exhibitors voted him the fourth most popular star at the local box office.[11]

In May 1952 Wilding signed a long-term contract with MGM.[12] He turned down a role in MGM's Latin Lovers and the studio put him under suspension.[13]

In Hollywood, Wilding supported Joan Crawford in MGM's Torch Song (1953). 20th Century Fox borrowed him to play a pharaoh in their big budget spectacular, The Egyptian (1954), which was a box office disappointment.

At MGM he was Prince Charming to Leslie Caron's Cinderella in The Glass Slipper (1955), and Major John André in The Scarlet Coat (1956).

Wilding journeyed with Taylor to Africa to appear in Zarak (1956) for Warwick Films, after which his marriage to Taylor ended. He began appearing regularly on U.S. television, including the title role in the 1957 episode "The Trial of Colonel Blood" of NBC's anthology series The Joseph Cotten Show.

He had some roles in Danger Within (1959), a POW movie; The World of Suzie Wong (1960); The Naked Edge (1961); The Best of Enemies (1961); and A Girl Named Tamiko (1962).

His last roles included The Sweet Ride (1968) and Waterloo (1970).

His last appearance in a feature was in a cameo in Lady Caroline Lamb (1972), which co-starred his last wife, Margaret Leighton. His last role was in the TV movie Frankenstein: The True Story (1973).

At the peak of his career, British exhibitors voted him among the most popular stars in the country: