Michelle Kuo

Kuo earned a BA from Stanford University,[2] majoring in art history and political science.[3] As a graduate student at Harvard University, she co-curated a show on the works of architect Le Corbusier at the university's Carpenter Center for the Visual Arts on the occasion of the Carpenter Center's 40th anniversary in 2004.[4][5] From 2005 to 2007, Kuo was the Wyeth Predoctoral Fellow at the Center for Advanced Study in the Visual Arts at the National Gallery of Art in Washington D.C.[6]

Kuo returned to Harvard to earn a PhD in the history of art and architecture, where Yve-Alain Bois was her advisor. Her dissertation focused on the art group Experiments in Art and Technology;[3][7] she defended her dissertation in December 2017.[7]

Kuo became senior editor of Artforum magazine in March 2008 while a PhD candidate at Harvard.[8] In April 2010, she became editor-in-chief, replacing Tim Griffin.[9] In this position, she edited issues on the subjects of political art, race, gender, and revolution.[10] Columbia Journalism Review credited Kuo for shifting the magazine towards an academic direction with issues focused on identity politics and the place of art in daily life.[9] In 2015, she acted as an advisor on the Salzburg Museum of Modern Art exhibition Experiments in Art and Technology.[4] Kuo resigned from her post at Artforum in October 2017, ending her tenure with the January 2018 issue, following reports of alleged sexual harassment by one of the magazine's publishers.[11][12] Artforum web editor David Velasco succeeded Kuo as editor-in-chief.[9]

In February 2018, Kuo was appointed the Marlene Hess Curator of Painting and Sculpture at the Museum of Modern Art (MoMA) in New York City.[7][13] In early 2019, she organized the exhibition New Order: Art and Technology in the Twenty-First Century, which showcases "sprawling installations, canny video art or interactive sculptures" that were "made with technologies most of us already know and love (or hate)", as The New York Times art critic Martha Schwendener writes.[14] A review in The New Yorker called New Order "superb" and praised Kuo's "deep" knowledge of the subject and "agile approach".[15]

Working with New York painter Amy Sillman, Kuo organized the exhibition The Shape of Shape for the reopening of the museum in late 2019 following renovations. The exhibition showcased works chosen from the MoMA's holdings by Sillman and is an installment in the museum's "Artist's Choice" exhibition series, in which an invited artist organizes an exhibition with any works from its collection.[16][17] The New Yorker art editor Andrea K. Scott described the exhibition as an "exciting expression of the ethos of the newly renovated MOMA."[17]

Kuo served on the juries that awarded the Lise Wilhelmsen Art Award to Otobong Nkanga in 2019[18] and to Guadalupe Maravilla in 2021.[19]

Kuo and Stuart Comer were curators of the 2023 exhibition "Signals: How Video Transformed the World," MoMA's largest exhibition of video art.[20]

Kuo is Chinese American.[1] She recalls her uncle was the first artist whose work interested her, having grown up with his works in her home. Her uncle initially planned to study physics after emigrating from Taiwan, but ultimately became an artist and illustrator and moved to Nashville to create "everything from country music album covers to paintings addressing Chinese American identity."[21]

• Women in the art history field