Miguel Betancourt

Born in Quito, Ecuador in 1958, Betancourt grew up in the outskirts of the city (Cumbayá). In 1974, he initiated art classes with Ecuadorian artist, Oswaldo Moreno. In 1976-1977, he went to study at the Milwaukee Art Center, United States, for a year. Upon his return to Ecuador, he enrolled in the Pontificia Universidad Católica del Ecuador to study Pedagogy and Literature until 1982, while continuing to develop his artistic career. In 1988, he was invited by the Department of State of the US to a Cultural Tour. In the same year, the British Council awarded him a scholarship to study a postgraduate art degree at the Slade School of Fine Art at the University College London. During his time in London, Betancourt befriended British artist John Hoyland.

Among his several representations, some of the most important in the 1990s were: the XLV. Venice Biennale, Italy in 1993; Eros in Ecuadorian Art, Chilean National Museum of Fine Arts Santiago de Chile and the National Museum of Archeology, Anthropology and History of Peru Lima, 1998; Ecuador in Spain, Casa de las Americas, Madrid, 2000; and Latin American Artists: A Contemporary Journey, Museum of Latin American Art in Long Beach, California, 2001. Career highlights in the late 2000s include his participation as Guest of Honor to the V. International Art Biennial SIART in La Paz, Bolivia, (2007), and in The Night of the Museums in Buenos Aires, Argentina (2009).[3] At the beginning of 2011, Betancourt participated in the "Exhibition of Latin American and Caribbean Artists" in the Tokyo City Hall. In July 2012, he took part in a collective exhibition "Ecuador Beyond Concepts" at the gallery of the Instituto Cervantes in Rome.[4] In 2013, the Gallery Bandi-Trazos invited him to be part of the Latin-American Pavilion at the International Art Fair, in the Beijing Exhibition Center. In 2014 he was one of three artists at the "Ecuador in Focus" exhibition held at the OPEC Fund for International Development headquarters in Vienna and became founding member of the Art Résilience movement in Paris. In 2016, he participated in ARTE15 as homage to Habitat III in Quito. Since 2017, his itinerant one-man show has been presented in various Asian cities (Beijing, Nanjing, Seoul and Tokyo) as well as in Latin America, including "Ninfas, Meninas y la Mirada del Pintor", in Alianza Francesa, Quito and, also, in the Casa de la Cultura Ecuatoriana, Cuenca, 2018; "Mnemografías", Saladentro gallery, Cuenca, 2019; "Quito Readings", at the Global Migration Forum, Quito, 2020; "Transparencies of the Middle Country", an exhibition of painting on paper, in Torre del Reloj Gallery, Mexico City, 2020. From 2008 to the present date, his work is part of a traveling exhibition, Imago Mundi Collection, which was launched by designer Luciano Benetton and sponsored by the Imago Mundi Foundation.

Betancourt has received several recognitions for his work, including the Pollock-Krasner Award in 1993, conferred by the Pollock-Krasner Foundation in New York City, United States and the Oswaldo Guayasamín Medal awarded by the Metropolitan Council of Quito in December 2020.

Betancourt continues to be involved in various projects and exhibitions in Ecuador and internationally. He was recently invited to participate in the NY Latin American Art Triennial 2022.

His work can be found in national and international collections: United Nations offices in Vienna and in Geneva (specifically in UNAIDS), Inter-American Development Bank (Tokyo), Diners Club del Ecuador, Istituto Italo-Latino Americano (Rome), Art Museum of the Americas, Organization of American States (Washington D.C.), OFID (the OPEC Fund for International Development), Vienna, the Slade School of Fine Art (London), among others.

• Kraemer, S. "Betancourt: from Silence to Color", "Editorial CCE", Quito (Ecuador).
• Lucie-Smith, E. (2020) "Latin American Art Since 1900", "Thames & Hudson", London (United Kingdom).
• Benetton, L. et al. (2017) "Ecuador: light of time - Contemporary artists from Ecuador", Antiga Edizioni, Treviso (Italy).
• Lastra, P. (2016), "El transcurrir del sueño: pinturas de Miguel Betancourt", Editorial del Trauco, Quito (Ecuador).
• Betancourt, M. (2014), "Betancourt - Imágenes a trasluz",[5] Casa de la Cultura Ecuatoriana, Quito (Ecuador).
• Rodríguez, M.A. (2011) "Palabra de Pintores - Artistas del Ecuador", Casa de la Cultura Ecuatoriana, Quito (Ecuador).
• Rodríguez, M.A. (2011) "Betancourt: Colores y Texturas",[6] Casa de la Cultura Ecuatoriana, Quito (Ecuador).
• The curators (2006) "Oil Paintings-London in Public Ownership: The Slade and UCL", Public Catalogue Foundation, London (United Kingdom).
• Flores, I. et al. (2001) "Nuevos Cien Artistas", Revista Mundo Diners, Quito (Ecuador).
• Michelena, X. and Querejeta, A. (1996) "Betancourt", Paradiso Editores, Quito (Ecuador).

Recently, articles about Betancourt's work have appeared in magazines such as Americas (OAS, Washington DC), Gatopardo (Mexico), Infinite Ecuador (Quito) and Dolce Vita (Quito), among others.

• (1993), XLV. Venice Biennale – Venice, Italy.
• (2000), "Legados de Magma", Canberra Museum and Gallery, Australia.
• (2001–2003), A Touring exhibition throughout Central America.
• (2004), "Visual Trends in Ecuador´s Contemporary Art", Corporación Andina de Fomento – Caracas, Venezuela.
• (2007), Invitee of Honor to the V. International Art Biennial SIART – La Paz, Bolivia.
• (2011), "Betancourt: Colores y Texturas", Retrospective Exhibition, Casa de la Cultura Ecuatoriana[7] – Quito, Ecuador.
• (2012), "Aequatoria, Plus Ultra Conceptus", A group exhibition presented in the Instituto Cervantes – Rome, Italy.
• (2015), "Salon International Art Resilience", Saint-Frajou Painting Museum, France.
• (2015), “Contemporary Art of Ecuador” Pavilion at the VI Beijing International Art Biennale, National Art Museum, Beijing, China.
• (2018), "Ninfas, Meninas and the Painter’s Gaze", Alianza Francesa, Quito, and Casa de la Cultura, Cuenca, Ecuador.

• 1983 Ecuadorian House of Culture, Cuenca
• 1989 Slade School of Fine Art, University College London
• 1991 Museum of Modern Art, Cuenca
• 1992 Jungle Ogive, Alte Schmiede Gallery, Vienna
• 1993 October Gallery, London
• 1993 Jungle Ogive, Italian-Latin American Institute, Rome
• 1996 Köenig Museum, Bonn
• 1998 Edifications, Central Bank of Ecuador, Cuenca
• 1998 Red Stone on Blue Stone, Alte Schmiede Gallery, Vienna
• 1999 Itsván Rozsics Gallery, Budapest
• 1999 Arquitectura Vegetal, Museo de la Nación, Lima
• 2000 Palace of the Nations, United Nations, Geneva
• 2000 Magma Legacy, Multicultural Festival 2000, Canberra Museum, Canberra
• 2001 Ecuadorian Culture Month, Ixchel Museum, Guatemala
• 2003 Evidencias, PUCE Cultural Center, Quito
• 2005 Recompositions, Galería Matthei, Santiago de Chile
• 2005 Pictorial Art, Centro Cultural Metropolitano, Quito
• 2006 Pictorial Art, Multifunctional Room, MAAC, Central Bank of Ecuador, Guayaquil.
• 2006 Pictorial Art, Museo Municipal de Arte Contemporáneo (MMAM), Cuenca
• 2011 Betancourt: Colors and Textures (retrospective exhibition), Ecuadorian House of Culture, Quito
• 2014 Images against the Light, Watercolors, French Alliance, Quito
• 2017 Lines and Transparencies, pintura sobre papel, The Capital Library Gallery, Beijing
• 2017 Ecuador Through My Dreams, painting on paper, Superior Gallery, Seoul[8]
• 2018 Ecuador Through My Dreams, painting on paper, Takanawa Gallery, Tokio
• 2018 Ninfas, Meninas y la Mirada del Pintor, French Alliance, Quito[9]
• 2018 Ninfas, Meninas y la Mirada del Pintor, Ecuadorian House of Culture, Cuenca

• 1985 Ecuadorian Contemporary Art, Miraflores Municipality, Lima
• 1992 International Exposition of Seville, Pabellón Ecuatoriano, Seville
• 1994 Latin American Contemporary Art Show, Het Provinciehuis, The Hague
• 1994 Ibero American Art Fair, Caracas
• 1997 Contemporary Ecuadorian Painting, Museum of Contemporary Art, Santiago, Chile
• 1997 Contemporary Ecuador, House of America, Linares Palace, Madrid
• 1998 Israel, Past and Present itinerant show, Central Bank of Ecuador: Quito, Guayaquil and Cuenca
• 1998 Eros in Ecuadorian Art, National Fine Arts Museum, Santiago, Chile
• 1998 Eros in Ecuadorian Art, Anthropological Museum, Lima
• 1998 Tribute to Ecuadorian Art, Brazilian-Ecuadorian Cultural Institute, Quito
• 2000 Quito Contemporary Art's Living Testimony, Metropolitan Cultural Center, Quito
• 2001 Latin American Artists: A Contemporary Journey, Museum of Latin American Art (MoLAA), California
• 2002 Latin-American Art, Pirámide Gallery, Guatemala de la Asunción
• 2002 Expression and Form in Twentieth-Century Ecuadorian Art, Central Bank Museum, Quito
• 2004 Visual Trends of Contemporary Ecuador, Galería CAF (Corporación Andina de Fomento), Caracas, Venezuela
• 2008 Bulls in Colors, Open-air Exhibition of Urban Art 2008, Quito
• 2011 Latin-American and Caribbean Artists Exhibition, Mirador del Tokio City Hall, Japan
• 2012 Ecuador, Beyond Concepts, Cervantes Institute Gallery, Rome
• 2013 Latin-American Pavilion, International Art Fair, Beijing Exhibition Center, China
• 2014 Ecuador in Focus, OFID Gallery, Vienna
• 2015 Special Exhibition of Contemporary Ecuadorian Art, VI Beijing International Art Biennial, China[10]
• 2016 Arte15, exhibition within the program HABITAT III, Quito
• 2017 Strokes and Colors, Ecuadorian Art, Betancourt-Bazante, Jiangsu Art Museum, Nanjing
• 2017 The Ecuadorian Art Pavilion, Cultural Center, PUCE, Quito

• 
  Noche a Punto de Desbordarse, mixed over paper / wood, 120x82cm, 1992
• 
  Pajaros de la Encina, acrylic / paper, 66x103cm, 1995
• 
  Árbol de letras, mixed / hemp canvas, 256x186cm, 2001
• 
  Composicion con Figuras Diversas, acrylic / cardboard / collage, 196x210cm, 2006
• 
  Exhibition Translucent Imagery, 2014
• 
  Ninfa con Tocado S.XVII, water color / paper, 57x77cm, 2018
• 
  Entrada al Mar, water color / rice paper, 76x142cm, 2019
• 
  La Llegada del Invierno, oil / canvas, 100x120cm, 2020
• 
  Silla Ceremonial, oil / canvas, 100x100cm, 2021

• Culture of Ecuador
• List of Ecuadorian artists

• Official website
• Miguel Betancourt's official blog