Mikhail Vielgorsky

Vielgorsky was the son of Polish szlachcic [envoy] Jerzy Wielhorski, and the brother of Maciej Wielhorski (Matvey Valigorsky, 1794-1866[1][5]), an amateur cellist who founded the Society of Lovers of Music with Prince Nikolai Borisovich Galitzin (also a friend of Beethoven) in 1828.[5][6][7]

Mikhail Vielgorsky's special passion was music and was known to be an excellent performer and composer. And although an amateur, according to Schumann's opinion, he was "a genius amateur."[8] He also had said that Vielgorsky was "the most ingenious dilettante I have ever known."[9] Already in childhood, he showed outstanding musical abilities: he played the violin well and tried to compose. Vielgorski received a versatile musical education and studied music theory and harmony with the Spanish composer V. Martin-y-Soler, as well as composition with the German conductor and pianist Wilhelm Taubert. Back in 1804, when the whole family lived in Riga, Vielgorsky took part in family music-making in the evenings: the part of the first violin was performed by his father, the viola - by himself, and the cello part - by his brother Matvey, another outstanding musician-performer. Not limiting himself to the knowledge he had acquired, Vielgorsky continued his studies of composition in Paris with Luigi Cherubini, the famous Italian composer and Music Theorist.

Mikhail Vielgorsky, alongside his compositional work and musicianship, acted as the Actual Privy Councilor to Catherine II or Catherine The Great.[4]

Experiencing a great interest in everything new, Vielgorsky met Ludwig van Beethoven in Vienna and was among the first eight listeners to perform his Symphony No.6 called the "Pastoral" symphony. Throughout his life, he remained an ardent admirer of the seminal, German composer.

He was one of the first in Russia to master large sonata-symphonic forms, writing two symphonies (the first was performed in 1825 in Moscow), a string quartet, and two overtures. He also created variations for Cello and Orchestra, pieces for piano, romances, vocal ensembles, as well as a number of choral works. Vielgorsky's romances became very popular in Russia and one of his romances ("I Loved") was readily performed by Mikhail Glinka. Vielgorsky noted that his opera "Gypsies" was based on a plot related to the events of the Patriotic War of 1812 (libretto by V. Zhukovsky and V. Sollogub).

Vielgorsky's house always became a kind of musical center. True connoisseurs of music gathered there and many compositions were performed for the first time. In Vielgorsky's home, Franz Liszt played for the first time from the sheet (from the score) Ruslana and Lyudmila by Glinka. Poet Dmitry Venevitinov called Vielgorsky's house "the academy of musical taste", while famous French composer Hector Berlioz, who came to Russia only twice,[10] called his home "a small temple of fine arts". Vielgorsky managed to attract many musicians to his Luizino estate in the Kursk province, far from the life of the capital. In the 1820s, all nine of Beethoven's symphonies were performed on his estate during his evening salons.[11] Vielgorsky highly appreciated Glinka's music and considered his opera Ivan Susanin, later more commonly named A Life for the Tsar, a masterpiece.[3]

Vielgorsky provided support to many progressive figures in Russia. So, in 1838, together with the poet Vladimir Zhukovsky, he organized a lottery, the proceeds from which went to the ransom from the serfdom of the Ukrainian poet and outspoken political figure Taras Grigorovich Shevchenko.

Mikhail Vielgorsky died on September 9, 1856, in Moscow. His son-in-law Count V. Sollogub made an account of his mild and unassuming personality:[12]

"Count Vielgorsky passed unnoticed in Russian life; even in the society in which he lived, he was appreciated by only a few. He did not seek fame, shied away from the struggle and, despite the fact - or, perhaps, precisely because, - he was an extraordinary person: a philosopher, critic, linguist, physician, theologian, hermeticist, honorary member of all Masonic lodges, the soul of all societies, a family man , epicurean, courtier, dignitary, artist, musician, comrade, judge, he was a living encyclopedia of the deepest knowledge, an example of the most tender feelings and the most playful mind. "

He is buried in the Lazarevskoye Cemetery of the Alexander Nevsky Lavra in St. Petersburg.

Mikhail Vielgorsky knew Maria Sergeyevna Durnovo (Griboyedova), skilled piano performer and sister of famous Russian writer Alexander Griboyedov. According to the memoirs of Maria Durnovo: "Very often, the writer came to the sister's room. In the spring of 1823, whereas famed comedy remained a secret to public and majority of friends, Mikhail Vielgorsky, stumbled on several sheets of poem, written by the hand of Alexander Griboyedov, while assembling pages of sheet music on the piano of Maria Sergeyevna. Maria wanted to hide the accidentally discovered pages, but it was too late. The news of the new comedy rapidly spread around Moscow from the mouth of the well-known at the time musician". That poem was Woe from Wit, still considered to be "golden classic" in Russia and other Russian-speaking countries.[13]

The first wife of Mikhail Vielgorsky was the maid of honor Catherine Biron (1793-1813), the niece of the last Duke of Courland. This marriage was facilitated by Empress Maria Feodorovna. The wedding took place in February 1812 in the Great Church of the Winter Palace. This marriage strengthened Vielgorsky's position at court.

In the memoirs of a contemporary, Ekaterina Biron is described as a sweet, naive child who loved lace and outfits. After the wedding, the Vielgorskys moved to Moscow, and soon Patriotic War began. Fleeing from the enemy, they left for one of their estates. In January 1813, the Vielgorskys decided to return to St. Petersburg. Catherine was in her last pregnancy. Their path lay through burnt-out Moscow. Having hardly reached Moscow, the Vielgorskys settled in the house of Prince Golitsyn, where Catherine died as a result of childbirth. Their relative wrote about this tragedy.[14]

The fate of poor Katisha can serve as a lesson for those who want to take advantage of it. Fearing to give birth far from Petersburg, that is, without the help of weak medicine, she embarked on a journey that cost her her life. The Vielgorskys drove out into the very muddy road, so Katisha arrived in Ryazan completely broken. During the ride, she felt the greatest suffering ... Even healthy men, arriving from Moscow, complain that they were all shaken. The unfortunate Vielgorsky had a very bad time. They somehow made it to Moscow, where the unfortunate woman suffered for forty hours and finally gave birth to a daughter. The day after the birth, she became delirious ... For six days she suffered and died without communion ... It is a pity for Michel, especially since he ascribes his misfortune to himself.

— A letter from M. A. Volkova to V. I. Lanskoy (1812-1818)

• List of Russian composers
• 19th century in Russia
• Russian classical music

• Campbell, Stuart (21 July 1994). Russians on Russian Music, 1830-1880: An Anthology. Cambridge University Press. p. 3. ISBN 978-0-521-40267-5. Retrieved 3 July 2013.
• "Category:Wielhorski, Michał - IMSLP: Free Sheet Music PDF Download". imslp.org. Retrieved 2021-07-06.
• Soloviev N.F.Vielgorsky, Mikhail Yurievich // Brockhaus and Efron Encyclopedic Dictionary: in 86 volumes (82 volumes and 4 additional). - SPb., 1890–1907.