Ming Fay

Ming Fay (Chinese: 费明杰) is a Shanghai-born and New York City-based sculptor and professor. His work focuses on the concept of the garden as a symbol of utopia and the relationship between man and nature. Drawing upon an extensive knowledge of plants both Eastern and Western, real and mythical, Fay creates his own calligraphic floating forest of reeds, branches and surreal species.[1] He is most well known for his sculpture and large scale installations and he currently teaches sculpture at William Paterson University in Wayne, New Jersey.[2]

Ming Fay
Born
Shanghai, China
NationalityAmerican
Other names费明杰
Alma materColumbus College of Art and Design
Kansas City Art Institute (BFA)
University of California, Santa Barbara (MA)
Occupation(s)Professor at William Paterson University;
Artist
Known forSculpture, Installation
Websitemingfay.com

Early life and education

Ming Fay was born in Shanghai in 1943 and late moved to Hong Kong in 1952, soon after the rise of communism in mainland China.[3] His mother was an artist, and his father worked in the then-burgeoning Hong Kong movie industry as an art director.[4] Both were students of Shanghai-based sculptor Zhang Chongren, who had studied Western sculpture in Europe. Ming came to the United States in 1961 to study at the Columbus College of Art and Design and later at the Kansas City Institute of Art. Subsequently, Fay earned a graduate degree in sculpture at the University of California, Santa Barbara in 1975.[5]

Artistic career

Ming Fay has exhibited internationally in numerous solo exhibitions, and his work has frequented important group shows throughout the world. He was also a founding member of an art collective called, Epoxy Art Group in the 1980s, which included other Chinese American artists.[6] Exhibitions have taken place at the Whitney Museum of American Art at Phillip Morris (New York, NY), the National Academy Museum (New York, NY), Museum of Contemporary Art in Shanghai, Łódź Biennale at The International Artists' Museum (Łódź, Poland), Butters Gallery (Portland, Oregon), Ramapo Gallery (Ramapo, New Jersey), and the Hong Kong Museum of Art. Fay has also completed numerous public art commissions including a suspended glass and steel sculpture for a residential lobby in Philadelphia, a large scale tree sculpture in Puerto Rico, sculptural benches for New York City's Staten Island Ferry Whitehall Terminal, and glass mosaic murals for the Delancey Street – Essex Street New York City Subway station.[7] He is also the recipient of the 2007 NYFA fellowship in Sculpture.[8]

Public Art Commissions[9]
  • 2009 Chicago Public Art Program, O'Hare International Airport Terminal 2, Chicago
  • 2005 Whitehall Crossing, Whitehall Ferry Terminal, Staten Island Ferry, Cultural Affairs Department, New York
  • 2004 Goldilocks, Tivoli Building, Redevelopment Authority, Philadelphia
  • 2004 Pillar Arc, Federal Courthouse, General Services Administration, Seattle
  • 2004 Delancey Orchard and Shad Crossing, Delancey / Essex Subway Station, Metropolitan Transit Authority, New York
  • 2003 Arbol Magico, Lluberas Park, Department of Transportation and Public Works, Yauco, Puerto Rico
  • 2002 Ginkoberry Gwa, Oregon Convention Center, Portland
  • 1999 Lippman Arcade Project, NYC Economic Development Corporation, Queens
  • 1998 Staten Island Ferry Terminal Project, Cultural Affairs Department, New York
  • 1997 Public Art Fund Project, Phipps Housing, The Bronx, New York
  • 1995 Spiral Ears, Philadelphia Criminal Justice Center, Philadelphia
  • 1990 Leaf Gate, Keys Flight, Seed of Elm, The Spirit of the Elm, Elm in Bloom, Sprouting Buds, P.S. 7, Elmhurst, NYC Department of Cultural Affairs, Queens, NY

Collections[10]

Achievements[11]
  • 2000–present Artist-in-Residence, Rinehart School of Sculpture, Master of Fine Arts Program, Maryland Institute College of Art, Baltimore, MD
  • 2008 Sculpture Award, National Academy of Art, New York, NY
  • 2007 Fellowship in Sculpture, New York Foundation for the Arts, New York, NY
  • 2004 National Endowment for the Arts Grant, Commission Proposal Support
  • 1995 Arts/ Industry Residency Program, John Michael Kohler Arts Center, Kohler, WI
  • 1994 MidAtlantic Arts Foundation Grant, Residency Program, Brodksy Center for Innovative Editions, Rutgers University, New Brunswick, NJ
  • 1994 Residency Program, UrbanGlass: New York Center for Contemporary Glass, Brooklyn, NY
  • 1992 Arts Partners Program, Lila Wallace - Reader's Digest Fund, New York, NY

References
  1. "Fay, Ming". artasiamerica. Retrieved 25 February 2017.
  2. "Art Department: Fay-Ming". William Paterson University. Archived from the original on 11 November 2011. Retrieved 18 April 2011.
  3. Patterson, Mary Jo (19 May 2012). "Nature in All Its Lushness, From an Urbanite's Mind". The New York Times. Retrieved 25 February 2017.
  4. Goodman, Jonathan (April 2013). "Ming Fay: From Money Trees to Monkey Pots" (PDF). Yishu Journal of Contemporary Chinese Art.
  5. Morgan, Robert C. (2019-06-05). "Ming Fay: Beyond Nature". The Brooklyn Rail. Retrieved 2022-05-28.
  6. Epoxy Art Group. ISBN 978-0-19-533579-8. Retrieved 4 March 2017. {{cite book}}: |website= ignored (help)
  7. "MTA Arts & Design". MTA Info. Retrieved 4 March 2017.
  8. "費明杰". CAACArts. Retrieved 25 February 2017.
  9. "About". Ming Fay / 费明杰. Retrieved 2022-05-28.
  10. "About". Ming Fay / 费明杰. Retrieved 2022-05-28.
  11. "About". Ming Fay / 费明杰. Retrieved 2022-05-28.
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