Monica Jahan Bose

Monica Jahan Bose is a Bangladeshi artist and climate activist.[1][2][3][4][5][6][7][8] She is best known for her "Storytelling with Saris" project and has been granted numerous awards for her work.[1][2][3][9]

Monica Jahan Bose
BornUnited Kingdom Edit this on Wikidata
OccupationArtist, environmental lawyer, climate activist Edit this on Wikidata
Position heldboard of directors member Edit this on Wikidata

Bose was born in Britain.[5][9] Her ancestry is from Katakhali village on Barabaishdia Island in Bangladesh.[2][10] Katakhali village is threatened by climate change due to rising seas and cyclones.[2][10] Bose uses many different art forms including film, printmaking, painting, spoken word, and installations.[5][9] Her art focuses primarily on women's experiences and the impacts from climate change.[9]

In 2013, the Brentwood Arts Exchange displayed Bose's multimedia exhibit "Layer By Layer: Storytelling with Saris," which was created by Bose as a printmaking and story project that collaborating with women in Katakhali.[8] Filmmaker Nandita Ahmed created a documentary on Bose's work in Katakhali that was also on display at the exhibit.[8] Since 2015, Bose has hosted Sari Climate Pledge Workshops, which consisted of making saris with women and some men in the United States, France and Greece.[9]

In 2017, Bose's work "Hawa" was featured in the Villa Terrace Decorative Arts Museum's exhibit "Ornate/Activate" alongside the work of Vandana Jain and Zainab Hussain.[6] The exhibit focused on artists from the South Asian Women's Creative Collective, which Bose served as a member of the board of directors.[6] In 2018, her exhibit "Weather the Storm" was on display at the Civilian Art Projects, in Washington D.C.[5][11] Bose's 2018–2019 exhibit "WRAPture" was on display and consisted of 65 eighteen-foot-long saris saris being hung from 5 buildings, including the Anacostia Arts Center.[2][12] "WRAPture" focused on connecting communities and starting a discussion around climate change by included saris decorated by women in Katakhali and saris decorated by residents of Anacostia.[2] From May to June 2019, Bose had her exhibit "Seven Minutes on the B67" displayed at the Open Source Gallery in Brooklyn.[3] "Seven Minutes on the B67" focused on connecting Brooklyn's South Slope to Bangladeshi immigrants in the Kensington neighborhood and is part of Bose's ongoing Storytelling with Saris art and advocacy project.[3]

From 2020 to 2022, Bose has been awarded $175,000 by the D.C. Commission of the Arts & Humanities through the Public Art Building Communities (PABC) grant program to supports the creation and installation of permanent or temporary public artwork that enhances District neighborhoods.[13][14][15] In 2022, Bose was one of the grant recipients for the Washington Project for the Arts (WPA) Wherewithal Grants funding cycle and was awarded $5000 for her projects.[4]

On 17 November 2022, Bose and designer Hina Puamohala Kneubuhl participated in a webinar called "In the Pandemic's Wake: Social Change and Reflection with Asian American and Pacific Islander Leaders” that was hosted by the Smithsonian Asian Pacific American Center.[1] The webinar focused on how Bose's and Kneubuhl's work engaged with discussions of climate change, social justice, and women's rights in addition to how the COVID-19 pandemic affected the artistic practices and communities.[1][16]

Resources
  1. Tamisiea, Jack (16 November 2022). "This November, Be Thankful for Specialty Spirits and Ancient Sea Monsters". www.smithsonianmag.com. Retrieved 21 November 2022.
  2. Board, Riley (12 August 2019). "Eighteen Feet of Fabric Can Go a Long Way". Smithsonian Center for Folklife and Cultural Heritage. Retrieved 21 November 2022.
  3. opensource (1 July 2019). "Monica Jahan Bose: Seven Minutes on the B67". OPEN SOURCE GALLERY. Retrieved 21 November 2022.
  4. "Washington Projects for the Arts Announces the Recipients of 2022 Wherewithal Grants – The Andy Warhol Foundation for the Visual Arts". Retrieved 21 November 2022.
  5. Jenkins, Mark (13 April 2018). ""In the galleries: Images in 'Weather the Storm' are both reassuring and ominous"". The Washington Post. Retrieved 21 November 2022.
  6. Hauer, Sarah (20 February 2017). "South Asian artists embroider their points at Villa Terrace". Milwaukee Journal Sentinel. Retrieved 21 November 2022.
  7. Lefrak, Mikaela (14 April 2020). "These Artists Are Still Making Public Art Even When The Streets Are Empty". WAMU. Retrieved 21 November 2022.
  8. Landau, Lauren (9 September 2013). "Art Beat With Lauren Landau, September 9". WAMU. Retrieved 21 November 2022.
  9. Samarthya-Howard, Ambika (29 November 2018). "Fighting Climate Change, With Art And Saris". The Establishment. Retrieved 21 November 2022.
  10. Lindwall, Courtney (14 August 2019). "From Bangladesh to Brooklyn, a Clothing Exchange Inspires Climate Action". NRDC. Retrieved 21 November 2022.
  11. Mostofa, Meraz (21 April 2018). "A picture, a Sari and a song". Dhaka Tribune. Retrieved 21 November 2022.
  12. "Record WRAPture Anacostia Art Installation by Monica Jahan Bose | Collections Search Center, Smithsonian Institution". collections.si.edu. Retrieved 25 November 2022.
  13. "FY20 Grantees – Public Art Building Communities (PABC) – Cycle 1 | dcarts". dcarts.dc.gov. Retrieved 21 November 2022.
  14. "FY21 Grantees – Public Art Building Communities (PABC) | dcarts". dcarts.dc.gov. Retrieved 21 November 2022.
  15. "FY22 Grantees – Public Art Building Communities (PABC) | dcarts". dcarts.dc.gov. Retrieved 21 November 2022.
  16. Feldman, Ella (14 November 2022). "15 Virtual And IRL Things To Do Around DC This Week". DCist. Retrieved 21 November 2022.
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