Morteza Mahjubi

Morteza Mahjubi (1900  21 March 1965) was an Iranian pianist and composer.[1] He was a piano soloist for the Golha radio programme.[2]

Morteza Mahjubi
Background information
Born1900
Tehran Iran
OriginIran
DiedMarch 21, 1965(1965-03-21) (aged 65)
Occupation(s)composer and pianist
Instrument(s)piano

Early life

Morteza Mahjubi (Persian: مرتضى محجوبى) was born in 1900, in Tehran, Iran.[2][3] His father, Abbas Ali (Persian: عباسعلى), known as Nazer (Persian: ناظر), played the Ney. His mother, Fakhr-o-SSaadaat (Persian: فخر السادات), played the piano. Mahjubi's parents sent him, along with his older brother Reza, to Hossein Hang Afarin who taught Reza the violin and Morteza the piano.[3]

At the age of ten, Morteza performed a concert accompanying Aref Qazvini in cinema Farus (Persian: سينماى فاروس).[3] In the following years, he went on to perform with other musicians including Darvish Khan, Seyyed Hossein Taherzadeh (Persian: سيد حسين طاهرزاده), and Hossein Esmail Zadeh (Persian: حسين اسماعيل زاده).[1]

Teachers

His first teacher was Hossein Hang Afarin, from whom he learned the preliminary studies. He was then sent to Mahmoud Mofakham to further his studies of the piano and radif.[3] He also studied with other musicians, including Darvish Khan, Hossein Esmail Zadeh, Hajikhan Zarbgir, and Seyyed Hossein Taherzadeh.[2]

Performance style

Mahjubi's performance style was improvisational. According to Navvab Safa, he never planned or prepared for his performances, and if he played a piece ten times he would play it differently each time.[4]

Compositions

Mahjubi has composed many tasnifs (ballads), pīshdarāmads (rhythmic preludes), and rengs (rhythmic pieces). A noteworthy example is his composition "Man az Rooze Azal Divane Boodam" ("I Was Bewildered From Pre-eternity"). This tasnif has been performed by Gholam-Hossein Banan.[5] While Mahjubi was unfamiliar with western notation, he devised a notation system similar to Siaaq (a set of symbols used in premodern times to note the weight of merchandise or monetary figures), which he used to transcribe musical ideas.[6]

Students

Mahjubi had many students the most famous of whom is Fakhri Malekpour who studied with Mahjubi over a period of twelve years.[6]

References

  1. "MAḤJUBI, Morteżā – Encyclopaedia Iranica". Iranicaonline.org. Retrieved 2013-06-14.
  2. dijit.net. "Murtaza Mahjubi". Golha. Retrieved 2013-06-14. (registration required)
  3. Khaleqi, Ruhollah (2001). History of Iranian Music (Sargozashte Moosight Iran). Tehran: Safi Ali Shah. p. I249–I251. ISBN 978-9645626226.
  4. Navvab Safa, Esmaíl (1998). Story of the Candle (Qessey-e Sham'). Tehran. p. 218. ISBN 964-442-108-6.{{cite book}}: CS1 maint: location missing publisher (link)
  5. Lewison, Jane. "Golha Radio Program Program 216". The Iran Heritage Foundation. Retrieved 10 June 2013.
  6. Malekpour, Fakhri (2011). The Music of Script: Morteza Mahjoubi (Mashq-e Ostad). Tehran: Mo'assesse Farhangi Honari Avaye Honar va Andishe. pp. 8–19. ISBN 978-9640428443.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.