Mrs McGinty's Dead

Superintendent Spence visits Poirot to ask him to find evidence that would forestall the execution of James Bentley, who has recently been convicted of killing his elderly landlady, Mrs McGinty, for a meager £30. All evidence points to his guilt, but something about Bentley's surly acceptance of his fate just doesn't sit right with the experienced Spence. Poirot agrees to go to the village of Broadhinny and investigate the murder. Taking a room in the Summerhayes' guest house, Poirot finds that Mrs McGinty often worked as a charwoman at various village houses. No one wants to talk to Poirot, most being satisfied that Bentley is guilty.

During the course of his investigations, Poirot discovers that, three days before the murder, Mrs McGinty took a clipping from a notorious Sunday newspaper, containing an article showing photos of females who had disappeared after being involved in decades-old criminal cases. She then wrote to the paper, claiming to have found a photo like one of the women, proving a villager was one of the missing women in disguise. However, her terrible spelling had caused the paper to dismiss her as a simple fame-seeker. Poirot and Spence, using the ages of people in the town, conclude that someone is either Lily Gamboll, who committed murder with a meat cleaver at only 12 years old, or Eva Kane, a governess who had had an affair with her employer, Mr Craig. Craig was later convicted and executed for killing his wife. After being acquitted as an accessory, a pregnant Eva had changed her surname to "Hope" and left the country. Some sources claim she had a child named Evelyn, and several women in the town are the right age to be Evelyn, as well.

Shortly afterwards, Poirot discovers an old sugar cutter with traces of blood on it in the Summerhayes' house; the house was never locked, and the hammer was easily accessible to anyone. In an attempt to flush out the murderer, Poirot claims to know more than he does, and is nearly pushed under an oncoming train, proving that the guilty party is still at large. Having acquired originals of the photos used in the article, Poirot shows them to the villagers at a gathering at wealthy Mrs Laura Upward's house. Mrs Upward claims to have seen the photo of Lily Gamboll, but refuses to say where.

Later, Poirot is contacted by Maude Williams, who had worked at an estate agent's with Bentley in another town before Bentley was laid off. She refuses to believe he is capable of murder, and offers to help Poirot. He accepts, and gets her to pose as a maid in the house of Mrs Wetherby, one of the houses Mrs McGinty cleaned. Poirot notices that Mrs Wetherby's daughter by her first marriage, Deirdre Henderson, is rather sulky and defeated, much like Bentley. Deirdre is also the only villager who, like Maude, believes in Bentley's innocence.

During the maid's night off, Mrs Upward's spoiled son, playwright Robin Upward, goes to the theatre with famed mystery writer Ariadne Oliver, whose novel he is planning to dramatize. When they return home, they find Mrs Upward strangled to death. She has evidently had coffee with her murderer, and the lipstick on a coffee cup and perfume in the air points to a woman having committed the crime. Mrs Upward had invited three people to her house that night: Eve Carpenter, Deirdre Henderson and Shelagh Rendell. Only Henderson came, but she found the house dark, and left without speaking to anyone. Any of the three women could be someone from the photographs. Additionally, the postmistress's assistant, Edna, saw someone with blonde hair enter the house; Carpenter and Rendell (who both refuse to cooperate with the police) are blonde, but Henderson is brunette.

A book is discovered in the Upward house with Evelyn Hope's signature written on the flyleaf, suggesting Mrs Upward was actually Eva Kane, further confusing the situation. Poirot then finds a photo in a drawer in the Summerhayes' house, and realizes it must be the photo Mrs McGinty saw. It is of Eva Kane, and has the inscription "my mother" on the back. Recognizing the handwriting, Poirot gathers the suspects together and abruptly accuses Robin Upward of the murders, startling him into a confession.

Robin Upward is Eva Kane's son, Evelyn Hope (at the time, the name Evelyn was still often given to male children); the real Robin Upward had died young, while Mrs Upward lived elsewhere. Too proud to be pitied as a childless widow, Mrs Upward took in impoverished young men to take Robin's place, although she treated them more as a patron would a protégé, and dropped them if they turned out less than satisfactory. Evelyn Hope had been the most successful son, and had been living with her at the time she moved to Broadhinny; he was assumed by most to really be her son Robin, although Mrs Summerhayes, herself an adopted child, deduced the truth. Mrs McGinty found the photo of Eva Kane while working at the Upward house, and assumed the photo was of Mrs Upward as a young woman.

Evelyn, realizing that any scandal would put an end to his use of Mrs Upward's money, stole the sugar cutter and killed Mrs McGinty before she could tell too many people of her discovery. He framed Bentley by stealing the £30, correctly assuming Bentley would panic and incriminate himself. The night of the party, Mrs Upward had recognized Eva Kane's photo as that of Evelyn's mother, whose backstory Evelyn had falsified to her. She wanted to confront Evelyn by herself, so she pointed to the photo of Lily Gamboll to put Poirot off the scent.

Evelyn however, suspected the truth; pretending to forget something the night of the play, he left Mrs Oliver waiting in the car and went back inside, killing Mrs Upward to inherit her money. He planted the evidence, and made the three calls in a disguised voice, to make it appear as if a woman had committed the crime. He later planted the photo at Mrs Summerhayes' house to incriminate her. However, Poirot had gone through the drawer a short time earlier, and the photo had not been in it then; it had been put in afterwards, and only Evelyn had been free to do so at the time in question.

Further revelations are also made. Eve Carpenter wanted to conceal her past from her aristocratic husband, which was why she would not co-operate in the investigation. Spence discovers that Shelagh Rendell has been receiving poison pen letters claiming her husband Dr Rendell murdered his first wife. Poirot heavily suspects that it was Dr Rendell, and not Evelyn Hope, who tried to push him under the oncoming train, afraid of the old scandal being raked up. Maude Williams turns out to be Maude Craig. Despite the jury deciding otherwise, both Maude and police are convinced her mother Mrs Craig was actually murdered by Eva Kane. Mr Craig chivalrously took the blame, knowing Eva had become pregnant. Maude was the blonde who was seen going to see Mrs Upward, as she had been trying to trace Eva Kane through Evelyn, knowing his true identity. However, Maude found Mrs Upward's body, realized she might be accused of murder, and left quietly. She admits this to Poirot, who agrees to keep it a secret and wishes her good luck in her life.

Deirdre Henderson is revealed to be mistreated by her stepfather and forced to care for her malingering mother; Deirdre has money of her own, left to her by her biological father, that they do not want to lose the use of. She also has some romantic feelings for Bentley, and he for her. Bentley is freed, though he is still too bewildered over events to show proper gratitude. However, Spence is convinced they have closed the case at last, much to Poirot's relief.

• Hercule Poirot - Famous Belgian detective asked to reinvestigate the case.
• Ariadne Oliver - Novelist and old acquaintance of Poirot who is working with Robin Upward on a play.
• Superintendent Spence - An old friend of Poirot's who asks him to look into the case.
• James Gordon Bentley - Former lodger of Mrs McGinty wrongly convicted of her murder
• Mr Scuttle - James Bentley's former employer.
• Maude Williams - A former co-worker of James Bentley.
• Maureen Summerhayes - The inept owner of the Broadhinny guest house Long Meadows. She is adopted.
• Major Johnnie Summerhayes - Maureen's husband. He feels obliged to stay in Broadhinny because of his family history even though he has no skill at farming.
• Guy Carpenter - A businessman with an interest in politics.
• Eve Carpenter - The new wife of Guy Carpenter, formerly an employer of Mrs McGinty as Mrs Selkirk.
• Robin Upward - Playwright working with Ariadne Oliver.
• Laura Upward - Adopted mother of Robin Upward, who she gave the name of her deceased biological son. She is initially unaware of his past.
• Dr Rendell - Local doctor of Broadhinny, suspected of having murdered his first wife. Poirot believes it was he who tried to kill him by pushing him in front of a train.
• Sheelagh Rendell - Second wife of Dr Rendell who fears Poirot is investigating her husband.
• Mr Roger Wetherby - Overbearing stepfather of Deirdre Henderson who relies on her to keep house while taking advantage of her inheritance.
• Mrs Edith Wetherby - Mother of Deirdre Henderson. She exaggerates her infirmity to force Deirdre to stay and look after her.
• Deirdre Henderson - Daughter of Edith Wetherby and stepdaughter of Roger. She is fond of James Bentley.
• Bessie Burch - Mrs McGinty's niece.
• Joe Burch - Bessie's husband
• Lily Gamboll - Mentioned in Sunday Comet article as having killed her aunt aged twelve. Suspected of living in Broadhinny.
• Mrs McGinty - Charwoman for the Rendells, Upwards, Wetherbys and Carpenters, murdered because she discovered a photo of Eva Kane at the Upward house.
• Pamela Horsefall - Editor of the Sunday Comet who Mrs McGinty contacted about the tragic women article.
• Michael West - Actor who is acquainted with Robin Upward and knows of his adoption.
• Mrs Elliott - Next door neighbour of Mrs McGinty who discovered her body.
• Constable Albert "Bert" Hayling - Village constable of Broadhinny.

The novel is named after a children's game – a sort of follow-the-leader type of verse somewhat like the Hokey-Cokey — that is explained in the course of the novel.

Maurice Richardson of The Observer of 23 March 1952 thought that Poirot was "slightly subdued" and summed up "Not one of A.C's best-constructed jobs, yet far more readable than most other people's."[3]

Robert Barnard: "This village murder begins among the rural proletariat (cf. Death by Drowning in The Thirteen Problems and the excellent London working-class woman in The Hollow), but after a time it moves toward the better-spoken classes. Poirot suffers in a vividly awful country guesthouse in order to get in with the community and rescue a rather unsatisfactory young man from the gallows. Highly ingenious – at this point she is still able to vary the tricks she plays, not repeat them."[4]

• When Superintendent Spence arrives to see Poirot, the detective reacts to him as though it has been many years since the case on which they worked. The case in question was, however, the one retold in Taken at the Flood, which is the previous novel in the series, and was explicitly set in 1946. At most, it can only have been six years since they last worked together. Of course, chronologies are difficult to construct, especially with Poirot's career.
• Poirot refers in the first chapter to a case in which the resemblance between his client and a soap manufacturer proved significant. This is the case of "The Nemean Lion", first published in the Strand Magazine in November 1939 and later collected in The Labours of Hercules (1947).
• Mrs Oliver, who is a very amiable caricature of Agatha Christie herself, remarks about her gaffes in her books. In chapter 12, she mentions one of her novels (actually a thinly veiled reference to Death in the Clouds) in which she had made a blowpipe one foot long, instead of six.
• "Evelyn Hope” is the name of a poem by Robert Browning that is quoted in the course of the novel. In Taken at the Flood Christie had made a character take the alias of "Enoch Arden", which is a poem by Alfred Tennyson.

Dustjacket illustration of the UK First Edition (Book was first published in the US)

• 1952, Dodd Mead and Company (New York), February 1952, Hardback, 243 pp
• 1952, Collins Crime Club (London), 3 March 1952, Hardback, 192 pp
• 1952, Walter J. Black (Detective Book Club), 180 pp (Dated 1951)
• 1953, Pocket Books (New York), Paperback, 181 pp
• 1957, Fontana Books (Imprint of HarperCollins), Paperback, 188 pp
• 1970, Pan Books, Paperback, 191 pp
• 1988, Ulverscroft Large-print Edition, Hardcover, ISBN 0-7089-1771-2
• 2008, HarperCollins; Facsimile edition, Hardcover, ISBN 978-0-00-728053-7

In the US, the novel was serialised in the Chicago Tribune in its Sunday edition in thirteen parts from 7 October to 30 December 1951 under the title of Blood Will Tell.

• Mrs McGinty's Dead at the official Agatha Christie website
• Murder Most Foul (1964) at IMDb
• Mrs McGinty's Dead (2008) at IMDb