Murzynek Bambo

The poem is sixteen lines long, arranged in eight rhyming couplets. It is said to have been written by Tuwim to teach Polish youth tolerance towards Black children, suggesting they are not different from their Polish counterparts.[2] Historians note that Tuwim, who faced strong anti-Semitic sentiments during the interwar period, opposed Polish nationalist politics and its discrimination against ethnic minorities.[3] According to Jakub Wojas, Tuwim was widely known for his anti-nationalist and anti-racist views.[2]

The poem refers to Bambo as Murzynek, the diminutive form of Murzyn. Murzynek can be translated into English in a variety of ways, such as "black child". The word "Murzyn", which traditionally had not been considered offensive, has come to be seen as increasingly discriminatory and derogatory during the 21st century.[4] The word was derived from borrowing the German word Mohr, which derived from Latin maurus, similar to the English word 'moor'.

In recent decades, Murzynek Bambo has been accused of racism and of presenting a culturally and socio-economically demeaning view of Africans. Writer Patrycja Pirog notes that the poem is a "story of an enlightened Europe trying to civilize a savage" which, despite its seemingly innocuous nature, perpetuates harmful primitivist stereotypes of European colonialism and contributes to promoting racist attitudes toward Black people in contemporary Poland.[4] In the opinion of Margaret Ohia,[5] who researched racism in the Polish language at the University of California, the protagonist of the poem is presented as inferior to the presumably white reader. The phrase Murzynek Bambo is often used in children's name-calling when the target is a black child.[6]

Other Polish critics contend that the contemporary claims of the poem's seeming racism are exaggerated and anachronistic.[7] Referencing Alan Gribben's controversial attempt to expurgate Mark Twain's Tom Sawyer and Adventures of Huckleberry Finn, conservative journalist Adam Kowalczyk dismisses the notion that Murzynek Bambo promotes racism in Poland.[8] A reader of Gazeta Wyborcza, a major liberal newspaper in Poland, Ewa Trzeszczkowska, describes in a letter how she identifies with Bambo: "For me, this work was and is a cheerful story about a naughty boy from a distant, exotic country, that, although so distant – both the country and the boy – is also similar to me. He has a joy of life which is expressed, amongst other ways, in the climbing of the trees (I climbed them too), and has a slight note of defiance, independence, liberty. Which was and is close to me!" She writes that she does not suspect "the author of these words of bad intentions", though she admits feeling discomfort reading that Bambo fears baths because he might become white.[9]