Natalie Dessay

Natalie Dessay (French: [na.ta.li də.sɛ] ⓘ; born 19 April 1965) is a French soprano, best known as an opera singer before her retirement from opera stage in 2013. She gained wide recognition after her portrayal of Olympia in The Tales of Hoffmann in 1992, and then performing at leading stages, such as the Paris Opera, Vienna State Opera, and the Metropolitan Opera.

Natalie Dessay
Dessay in 2008
Born
Nathalie Dessaix

(1965-04-19) 19 April 1965
Lyon, France
Occupations
  • Opera singer
  • recitalist
  • theatre actress
Years active1990–present
Spouse
​
(m. 1994)​
Awards
Websitewww.nataliedessay.fr

Since her earlier career she had been known in coloratura soprano roles in the German and French repertoire, such as Olympia in The Tales of Hoffmann, the title role in Lakmé, Zerbinetta in Ariadne auf Naxos and the Queen of the Night in The Magic Flute. After two vocal surgeries she turned her focus to heavier bel canto roles, such as Amina in La sonnambula, Lucia in Lucia di Lammermoor, Marie in La fille du régiment, Violetta in La traviata, and further explored Baroque music with her collaborations with Emmanuelle Haïm. Since retiring from opera stage, she has pursued a career in theatre and in concert, where she now performs, besides classical, genres such as jazz and chansons.

She has made dozens of recordings under the EMI Classics and Virgin Classics label, and then under Warner Classics/Erato Records. Since 2016 she has been recording under Sony Classical Records.

Early and personal life

Nathalie Dessaix was born in Lyon, she was raised in Saint-Médard-en-Jalles, where she had a few singing lessons with madame Saintrais, a former chorister at the Bordeaux Opera.[1] She dropped the silent "h" in her first name in honour of Natalie Wood when she was in grade school and subsequently simplified the spelling of her surname.[2] In her youth, she had intended to be a ballet dancer and then an actress.[3] After abandoning German, she began taking acting lessons with Gérard Laurent at the Conservatoire de Bordeaux. At the age of 20, her vocal talent was discovered when playing a singing lutin, humming Pamina's aria in Molière's Le Sicilien ou l'Amour peintre, after which she was encouraged to take singing lessons.[4][5] After graduating with first prize, she joined the choir of the Théâtre du Capitole in Toulouse. In 1988, she won the first edition of competition "Voix Nouvelles",[lower-alpha 1] run by France Télécom and was granted a year's study at the "École d'art lyrique" of the Paris Opera, where she sang Elisa in Mozart's Il re pastore. In 1990, she won first prize at the International Mozart Competition in Vienna.[6] Since 1991, she worked with her private tutor, tenor Jean-Pierre Blivet.[4]

Dessay first met bass-baritone Laurent Naouri in 1989. They married in August 1994, and she converted to his Jewish faith.[7] The couple have two children, Tom-Solal (b. 1995) and Neïma-Judith (b. 1998).[8][9] The family lives in La Varenne-Saint-Hilaire.[10]

Career

Early opera career (1990–2000)

Dessay was quickly approached by a number of regional theatres, and engaged in roles such as Blonde (Die Entführung aus dem Serail), Madame Herz (Der Schauspieldirektor), Zerbinetta (Ariadne auf Naxos). In 1990, she sang Barbarina (The Marriage of Figaro) at the Opéra de Marseille, Bettina (Don Procopio) at the Opéra-Comique, Néméa (Si j'étais roi) at the Opéra Royal de Wallonie. In December 1991, she performed Adele (Die Fledermaus) at the Grand Théâtre de Genève.

In April 1992 she made her Paris Opera debut, singing the role of Olympia in The Tales of Hoffmann with José van Dam. The Roman Polanski production was not well received, but it began her road to stardom. In 1993, she joined in the troupe of the Vienna State Opera as Blonde in Mozart's Die Entführung. In December, she was asked to replace Cheryl Studer, who was going to perform all main female roles, in Olympia in a production of Hoffmann. After attending a performance where Barbara Bonney had sung Sophie in Der Rosenkavalier under Carlos Kleiber, she was cast in the same role with another conductor. Besides Olympia, Blonde, Zerbinetta, her best known and most often played roles, she also performed Italian Singer (Capriccio), Aminta (Die schweigsame Frau), Fiakermilli (Arabella) with the company.[11]

Dessay sang her first Queen of the Night in The Magic Flute at the 1994 Aix-en-Provence Festival in Robert Carsen's staging to critical acclaim.[12] She went on performing the role in productions at the Opéra National de Lyon,[13] Salzburg Festival,[14] Opéra Bastille,[15] Vienna State Opera.[11][16] In October 1994, she made her New York Metropolitan Opera debut with Fiakermilli.[17] In 1995, she first performed the title role in Lakmé at the Opéra-Comique,[18] and La Scala debut in The Tales of Hoffmann. In 1996, she debuted in the role of Ophélie in Hamlet opposite Simon Keenlyside at the Grand Théâtre de Genève; the new production by Moshe Leiser and Patrice Caurier revived in 2003 at the Royal Opera House, Covent Garden and the Liceu with her in the same role.[19][20]

In 1997 she sang the title role in Stravinsky's The Nightingale conducted by Pierre Boulez and staged by Stanislas Nordey at the Théâtre du Châtelet.[21] She returned to the Metropolitan Opera in September as Zerbinetta,[22] and then returned to the Opéra de Lyon in Offenbach's Orphée aux enfers. In 1998 she portrayed Olympia at the Met,[23] and later in the year in Lyon, performed Tytania in Britten's A Midsummer Night's Dream and Aspasia in Mozart's Mitridate, re di Ponto. In 1999 she took on the role of Amina in La sonnambula at the Lausanne Opera.[24] She collaborated with William Christie in several projects: Carsen's new production of Handel's Alcina, which premiered at the Palais Garnier and later staged at the Lyric Opera of Chicago,[25] and Andrei Serban's new production of Rameau's Les Indes galantes, which opened the new Paris Opera season.[26]

Dessay was Olympia in Robert Carsen's new production of The Tales of Hoffmann, premiering on 22 March 2000, at the Opéra Bastille.[27] She starred in Hamlet at the Théâtre du Capitole and later at the Théâtre du Châtelet.[28][29] In July 2000, she opened the new Jérôme Savary's production as Olympia at the Chorégies d'Orange.[30] Later in the year, she took up the role of Konstanze in Die Entführung aus dem Serail at the Grand Théâtre de Genève,[31] and then interpreted the Queen of the Night for the last time at Palais Garnier, with her last performance on 24 December 2000.[32][33]

Vocal problems (2001–2004)

Dessay started 2001 by opening La sonnambula at La Scala.[34] In February, she took part in a Vienna-Dresden co-production of Die schweigsame Frau at the Théâtre du Châtelet.[35]

During the 2001/02 season in Vienna, Dessay began to experience vocal difficulties and had to be replaced in almost all of the performances of La sonnambula.[36] Subsequently, she was forced to cancel several other performances, including the French version of Lucia di Lammermoor in Lyon and a Zerbinetta at the Royal Opera House in London. She withdrew from the stage and underwent surgery to remove a vocal cord nodule in July 2002.[37]

She returned to the stage in March 2003 in Ariadne auf Naxos at the Met, and later in the year performed in the premiere of Laurent Pelly's new production of the opera at the Palais Garnier.[38] In the summer of 2003, she gave her first US recital in Santa Fe. She was so attracted to New Mexico in general and Santa Fe in particular that the Santa Fe Opera quickly rearranged its schedule to feature her in a new production of La sonnambula during the 2004 season.[39][40] In 2004, she also performed her first Italian Lucia at the Lyric Opera of Chicago and first Massenet's Manon at the Grand Théâtre de Genève.[41][42]

In the 2004/05 season, she withdrew from Ariadne auf Naxos at the Opéra Bastille and cancelled concert performances at the Théâtre des Champs-Élysées. She underwent surgery to remove a polyp on the other vocal cord and began vocal training subsequently.[43]

Later opera career (2005–2013)

Dessay returned on stage in a benefit concert at the Opéra de Montréal on 8 May 2005,[44][45] and later in the month, took part in Haydn's The Creation at the Festival de Saint-Denis.[46] In November she starred in Gounod's Roméo et Juliette as Juliette at the Metropolitan Opera. She withdrew the premiere on 14 November, reportedly ill, but resumed in the following performances.[47][48] In July 2006 she returned to Santa Fe Opera, singing Pamina in The Magic Flute.[49] In September she opened the Paris Opera season in Lucia di Lammermoor at the Opéra Bastille and then performed La sonnambula in concert version at the Opéra de Lyon and the Théâtre des Champs-Élysées, the former of which was recorded and released on CD.[50][51]

The year 2007 saw Dessay starring in the premiere of Laurent Pelly's production of La fille du régiment at Covent Garden, and its reprise at the Vienna State Opera.[52][53] She performed the title role in Manon at the Liceu in Barcelona in June/July and opened the season at the Metropolitan Opera in the new Mary Zimmerman production of Lucia di Lammermoor.[54][55] She returned in the same season to sing Lucia again and subsequently reprised in Pelly's production of La fille du régiment.[56][57] She later returned to the production twice, in London (2010) and in Paris (2012).[58][59] She went on performing Lucia at the San Francisco Opera and a joint concert with tenor Jonas Kaufmann as part of the Festival de Radio France et Montpellier.[60][61] In October 2008, she sang Manon at the Lyric Opera of Chicago.[62]

In January 2009 she sang the part of Mélisande in a much acclaimed production of Debussy's Pelléas et Mélisande at the Theater an der Wien.[63][64] On 2 March 2009, Dessay premiered in Zimmerman's new production of La sonnambula opposite Juan Diego Flórez at the New York Metropolitan Opera. It was the opera's revival at the company after 37 years since Renata Scotto's performance.[65] On 3 July 2009 she gave her first performance in the role of Violetta in La traviata at Santa Fe Opera in a production by Laurent Pelly with her husband Laurent Naouri appearing as Giorgio Germont.[66] In October, she performed in Musetta in La bohème at the Opéra Bastille.[67]

In 2010, Dessay performed in La sonnambula at the Opéra Bastille.[68] Due to illness, she cancelled the final two performances in the run as well as the upcoming Hamlet at the Met, where she was replaced by Marlis Petersen.[69] After performing her last La sonnambula at the Vienna State Opera,[70] on 20 April 2010 she was awarded the title of Austrian Kammersängerin. She debuted in Russia in a solo concert with the Mariinsky Theatre Orchestra on 18 June, and also participated in the 150 anniversary concert of the theatre on 17 September.[71] She performed in a joint concert with Juan Diego Flórez at the Chorégies d'Orange,[72] before going on Teatro Regio di Torino's Japan tour of La traviata.[73]

In 2011, she debuted in the role of Cleopatra in Handel's Giulio Cesare, conducted by Emmanuelle Haïm, at the Palais Garnier.[74] Ill, she was replaced by Canadian soprano Jane Archibald in some performances, who shared the role in the run.[75] She then returned to the Met for Lucia,[76] and performed in Pelléas et Mélisande in concert form at the Théâtre des Champs-Élysées and the Barbican Centre,[77] before heading to Moscow for a concert version of Lucia with the Mariinsky Theatre Orchestra.[78] She portrayed Violetta at the Aix-en-Provence Festival in a new production of La traviata, which later reprised at the Vienna State Opera with her in the same role.[79][80] The development of the production in France was filmed as part of the 2012 documentary Becoming Traviata.

In January 2012, Dessay starred in the premiere of Coline Serreau's production of Massenet's Manon in the title role at the Opéra Bastille.[81] She returned to the Met in April for Willy Decker's production of La traviata, where she was replaced by Hong Hei-kyung on the opening night and, in another performance, after the first act, due to a cold.[82][83] She was originally going to portray all main heroines in The Tales of Hoffmann at the Salle Pleyel, yet she withdrew for unspecified reasons and was replaced by Sonya Yoncheva.[84] In 2013, she limited herself to Antonia in a revival of Pelly's production of the same opera, which took place at the Liceu and the San Francisco Opera.[85] In April 2013, she was featured as Cleopatra in David McVicar's production of Giulio Cesare at the Metropolitan Opera.[86]

In June 2013, Dessay announced that the title role of Massenet's Manon at the Théâtre du Capitole in Toulouse on 15 October 2013 would be her final operatic performance.[87][88][lower-alpha 2] Previously she had mentioned plans of taking a sabbatical from opera performance in 2015.[89] She described her retirement as "opera is quitting her", as she had done all the roles suitable for her light soprano voice and had no intention to be further associated with them.[90]

Post-opera career

Dessay had collaborated frequently with Michel Legrand in concerts. In May 2009, she dedicated two concerts of songs written by him in Toulouse.[91] In 2013, they released a joint album entitled Entre elle et lui.

She voices Gabi the poisonous frog in the Canadian French dub of the 2014 film Rio 2.[92]

Dessay made her theatre debut in May 2015 in a French adaption of Howard Barker's monologue Und, staged by Jacques Vincey, at the Théâtre Olympia in Tours.[93][94][95] The programme reprised in July at the Théâtre de l'Athénée as part of Festival Paris Quartier d'été.[96] In 2016, it toured to Paris, Marseille, Valence, and Orléans.[97][98] In 2017, it was further toured,[99] and later ran at the Théâtre Déjazet in Paris.[100]

On 27 November 2015, she sang Barbara's Perlimpinpin accompanied by Alexandre Tharaud at the national tribute to the victims of the November 2015 Paris attacks.[101][102]

In 2016 she released an album inspired by the paintings of Edward Hopper, Portraits of America. The concept started by selecting eight French prose poems based on Hopper paintings by the poet Claude Esteban, from his award-winning collection of forty-seven such poems, Soleil dans une pièce vide (Sun in an Empty room, 1991). These were set to music by composer Graciane Finzi, and recording with reading by Dessay. These poems were supplemented by selecting ten additional Hopper paintings, and songs from the American songbook to go with them.[103]

Artistry

Dessay emphasizes the acting aspect in opera and describes herself as a "singing actress" (une actrice qui chante).[104] She once expounded:

"[Acting] is more important. For me, singing and music are only a means of expression, the goal being a theatrical and emotional experience. ... it would be 70% theater and 30% music and voice, which is not to say that it is unimportant, because you must have that 30%. You can't say, "I act and I don't care if I don't sing well." You must sing well and make music, be a musician. But that's only 30% of the singer's work, even if that 30% is primordial."[105]

Awards and honours

Opera roles

The roles which have been performed on stage or fully recorded in studio.[118]

Discography

Solo recitals and collaborations

CDs

DVDs

Sacred and concert works

Soundtrack / spoken

Joint albums

Films

Notes
  1. First or second prize according to different sources.
  2. She also mentioned the possibility of returning in 2015, which was not seen in later interviews.

References
  1. Garnier, Séverine (29 February 2012). "Natalie Dessay a deux amours". Classique mais pas has been (in French).
  2. "Biography on the old official website" (in French). Archived from the original on 13 November 2016. Retrieved 2 October 2019.
  3. Duchen, Jessica (12 December 2007). "Natalie Dessay: Comedienne dellarte". The Independent. Archived from the original on 18 June 2022. Retrieved 2 October 2019.
  4. Erikson, Franck (21 January 1999). "Le rossignol haut perché". L'Express. Retrieved 29 June 2020.
  5. Conrad, Peter (16 December 2007). "A wicked witch who made us laugh and cry". The Observer. Retrieved 16 December 2007.
  6. Dahan, Eric (23 February 2001). "Enchantée". Libération (in French). Retrieved 8 September 2019.
  7. Cojean, Annick (28 February 2007). "Natalie Dessay : la gouaille de la diva". Le Monde (in French).
  8. Roux, Marie-Aude (7 December 2012). "La bio express de Natalie Dessay". Le Monde. Retrieved 28 March 2021.
  9. Rochmann, Caroline (31 October 2015). "Natalie Dessay et Laurent Naouri ont trouvé leur voie". Paris Match (in French). Retrieved 31 December 2015.
  10. Rochmann, Caroline (25 March 2018). "Natalie Dessay met sa fille sur les planches". Paris Match. Retrieved 10 April 2020.
  11. "Vorstellungen mit Natalie Dessay". Vienna State Opera. Retrieved 9 March 2021.
  12. Friche, Michèle (25 July 1994). ""La flûte enchantée" au Festival d'Aix-en-Provence lumière dans un festival peau de chagrin". Le Soir.
  13. "The Arts Guide". International Herald Tribune. 12 January 1996. Retrieved 20 July 2020.
  14. Mahlke, Sybill (1 August 1997). "Im Bildnis lebt Pamina schon". Der Tagesspiegel.
  15. Choquer, Katia (3 June 1999). "Opéra Bastille Reprise de La Flûte enchantée". ConcertoNet.com. Retrieved 31 July 2020.
  16. Wiesinger, Rainhard (1 June 2000). "Mit Ehrgeiz und Esprit: Die französische Koloratursopranistin Natalie Dessay". Klassik-heute.de (Interview) (in German). Retrieved 8 September 2019.
  17. Bernhimer, Martin (1 November 1995). "TV Review : Breathing New Life Into Strauss' 'Arabella'". Los Angeles Times.
  18. Erikson, Franck (9 February 1995). "Le (pas toujours) bel canto". L'Express. Retrieved 29 June 2020.
  19. Clements, Andrew (14 May 2003). "Hamlet, Royal Opera House, London". The Guardian.
  20. "Natalie Dessay reaparece en el Liceo". El Cultural. 2 October 2003.
  21. Erikson, Franck (23 January 1997). "Boulez, entre Pierrot et Rossignol". L'Express. Retrieved 26 July 2019.
  22. Tommasini, Anthony (26 September 1997). "Opera Review: Deborah Voigt as a Down-to-Earth Ariadne". The New York Times.
  23. Holland, Bernard (2 February 1998). "Music Review: Hoffmann's Dark Bouts With Love's Obsessions". The New York Times.
  24. Roth, Jean-Jacques (5 January 1999). "A Lausanne, "La Somnambule" trouve sa fée moderne: Natalie Dessay". Le Temps. Retrieved 26 July 2019.
  25. Machart, Renault (9 June 1999). "Une Alcina de grande classe au Palais Garnier". Le Monde. von Rhein, John (1 November 1999). "Handel, With Care". Chicago Tribune.
  26. Roux, Marie-Aude (21 September 1999). "Au Palais Garnier, le plaisir des " Indes galantes " se fait attendre". Le Monde.
  27. Dahan, Eric (22 March 2000). "Opera. Robert Carsen met en scène les "Contes d'Hoffmann" à Bastille". Libération. Retrieved 8 September 2019.
  28. Chouchan, Anne-Marie (21 April 2000). "Toulouse. Natalie Dessay: " Ophélie est une aubaine pour moi "". La Dépêche du Midi.
  29. Dalbard, Agnès (19 June 2000). "La renaissance de " Hamlet "". Le Parisien.
  30. "" Les contes d'Hoffmann " à la sauce Savary". La Dépêche du Midi. 15 July 2000.
  31. Manzi, Emmanuel (23 October 2000). "Mozart en croisière à Genève". Swissinfo. Retrieved 8 September 2019.
  32. Macia, Jean-Luc (25 November 2000). "" La Flûte " retrouve sa magie à l'Opéra Garnier". La Croix.
  33. Dalbard, Agnès (24 December 2000). "Natalie Dessay, l'enchanteresse de l'Opéra". Le Parisien.
  34. Christiansen, Rupert (6 May 2003). "Trouble at the Top". The Telegraph. Retrieved 8 September 2019.
  35. Dahan, Eric (27 February 2001). "Une "Femme silencieuse" retentissante" [A resounding "Silent Women"]. Libération.
  36. "Staatsoper: Natalie Dessay wird nicht zur "Sonnambula"". Der Standard. APA. 27 September 2001.
  37. Riding, Alan (23 March 2003). "Saying Goodbye to the Magic Flutes". The New York Times. Retrieved 16 December 2007.
  38. Stevens, David (3 December 2003). "A sparkling 'Ariadne'". International Herald Tribune.
  39. Phillip Huscher, The Santa Fe Opera: An American Pioneer, Santa Fe Opera, 2006, p. 148.
  40. Midgette, Anne (19 August 2004). "A Change in Santa Fe Opera in More Ways Than One". The New York Times. Retrieved 29 December 2007.
  41. von Rhein, John (26 January 2004). "Dessay's Lucia captivates Lyric". Chicago Tribune.
  42. Gaillard, Florence (12 June 2004). "Du bon usage des crises, selon Natalie Dessay". Le Temps (in French).
  43. Quinn, Emily (1 December 2004). "Soprano Natalie Dessay Has Vocal-Cord Surgery". Playbill.
  44. Huss, Christophe (7 May 2005). "Concert – Natalie Dessay: demain elle continue!". Le Devoir.
  45. Hétu, Jacques (10 May 2005). "Premier concert de Natalie Dessay au Québec : tout simplement sublime". ResMusica.
  46. Roux, Marie-Aude (30 May 2005). "Avec "La Création" de Haydn, Natalie Dessay retrouve sa voix" [With Haydn's "The Creation", Natalie Dessay finds her voice]. Le Monde.
  47. "French Soprano Natalie Dessay Withdraws from Tonight's Premiere of New Met Roméo and Juliette". Opera News. 14 November 2005.
  48. Tommasini, Anthony (19 November 2005). "The Star It Was Made for Returns to Opera at the Met". The New York Times.
  49. "Review–The Magic Flute". Albuquerque Journal. 8 July 2006.
  50. Roux, Marie-Aude (11 September 2006). "A Bastille, le grand retour de Natalie Dessay". Le Monde (in French).
  51. Rizoud, Christophe (2007). "La Sonnambula – CD Virgin – Critique". Forumopera.com (in French). Retrieved 15 October 2019.
  52. Ashley, Tim (13 January 2007). "La Fille du Régiment, Royal Opera House. London". The Guardian.
  53. Tošić, Ljubiša (2 April 2007). "Lustiger Koloraturenkrieg" [Funny coloratura war]. Der Standard (in German).
  54. Irurzun, José M. (27 June 2007). "Massenet, Manon, Liceu de Barcelona – Review". Seen and Heard International.
  55. Tommasini, Anthony (26 September 2007). "A Grand Opening at the Opera". The New York Times.
  56. Woods, John (13 March 2008). "The Met: Lucia di Lammermoor (Opera Review)". MusicalCriticism.com.
  57. Holland, Bernard (23 April 2008). "Counting a Tenor's High C's in "Fille du Régiment" at the Metropolitan". The New York Times.
  58. Christiansen, Rupert (19 May 2010). "La Fille du régiment, Royal Opera in Covent Garden, review". The Telegraph.
  59. Fayard, Judy (18 October 2012). "Review:An Army of Talent". The Wall Street Journal.
  60. Scheinin, Richard (18 June 2008). "Opera Review: Soprano Natalie Dessay makes a stunning S.F. debut in 'Lucia'". The Mercury News.
  61. Stoecklin, Hubert (1 August 2008). "Dessay et Kaufmann à demi présents". ResMusica (in French).
  62. von Rhein, John (21 September 2008). "Bring on the bold Whether backstage or playing the Material Girl-like Manon at the Lyric, French soprano Natalie Dessay is fearless". Chicago Tribune.
  63. Roux, Marie-Aude (19 January 2009). "Natalie Dessay défie la voix" [Natalie Dessay defies her voice]. Le Monde.
  64. Lash, Larry L. (21 January 2009). "Pelleas et Melisande". Variety.
  65. Tommasini, Anthony (3 March 2009). "Lovelorn Sleepwalker, Caught Between Rehearsal and Reality". The New York Times. Miller, Michael (26 April 2009). "Bellini, La Sonnambula at the Met with Dessay, Flórez, and Pertusi, dir. Zimmerman". New York Arts.
  66. MacMillian, Kyle (6 July 2009). ""La Traviata" triumphs in Santa Fe". The Denver Post.
  67. Duault, Nicole (30 October 2009). "Natalie Dessay confisque La Bohème". Le Journal du Dimanche.
  68. Machart, Renaud (27 January 2010). "Natalie Dessay, une malade à dormir debout". Le Figaro.
  69. "A l'Opéra de Paris, nul n'est irremplaçable... sauf Natalie Dessay". Diapason. 21 February 2010. "Dessay Withdraws from Met Hamlet; Petersen On Deck". Playbill. 4 February 2010.
  70. Eigl, Marion (15 April 2010). "Bilderbuch-Belcanto mit Dessay". Wiener Zeitung.
  71. "Прима, хоть и не донна" [Prima, though not a donna]. Kommersant. 21 June 2010. "Здание Мариинского театра празднует 150-летие" [The building of the Mariinsky Theater celebrates its 150th anniversary]. Regnum. 17 September 2010.
  72. Allène-Dewulf, Geneviève (20 July 2010). "Chorégies d'Orange, où David l'emporte sur Goliath". ResMusica.
  73. "oggetti – Teatro Regio Torino". Archivi.teatroregio.torino.it. Retrieved 14 May 2021.
  74. Carlin, Francis (19 January 2011). "Giulio Cesare, Paris Opera (Garnier)". Financial Times. Archived from the original on 11 December 2022.
  75. Rizoud, Christophe (25 January 2011). "Deux Cléopâtre en moins pour Natalie Dessay". Forumopera.com.
  76. Woolfe, Zachary (25 February 2011). "'Lucia di Lammermoor' at Metropolitan Opera – Review". The New York Times.
  77. Lafon, François (16 April 2011). "Pelléas et Mélisande : le coeur du sujet". Musikzen.
  78. "Проверка гармоникой" [Harmonic Check]. Kommersant. 27 April 2011.
  79. "Verdi La Traviata. Festival Aix-en-Provence 2011 – Estonian Philharmonic Chamber Choir". Epcc.ee. Retrieved 14 May 2021.
  80. Sinkovicz, Wilhelm (9 October 2011). "Jubel um Natalie Dessay, die ungewöhnliche "Traviata"". Die Presse.
  81. Fayard, Judy (13 January 2012). "Review:Manic and Melodramatic". The Wall Street Journal.
  82. Tommasini, Anthony (11 April 2012). "A Party Girl Puts on a Good Face, but the Strain Is Heartbreaking". The New York Times.
  83. "Dessay bows out of Met 'Traviata' in mid-opera". CTV News. AP. 22 April 2012.
  84. Bertoli, Laure (19 July 2012). "Natalie Dessay, notre Olympia ne chantera pas..." Forumopera.com.
  85. "The Liceu review – Tales of Hoffmann". Barcelona Metropolitan. 8 February 2013. McMillan, Jeffery S. (10 June 2013). "Matthew Polenzani is superb in San Francisco Opera's Tales of Hoffmann". Bachtrack.
  86. Tommasini, Anthony (5 April 2013). "'Giulio Cesare,' With Natalie Dessay, at the Met". The New York Times.
  87. Silverman, Mike (22 June 2013). "Soprano talks of her 'sabbatical' from opera". Yahoo! News. AP. Retrieved 9 February 2021.
  88. "Natalie Dessay : cette fois, elle arrête vraiment !". Dispason. 12 June 2013. Retrieved 28 March 2021.
  89. Hillériteau, Thierry (15 February 2012). "Natalie Dessay: 'Je veux change de monde!". Le Figaro (in French).
  90. Hillériteau, Thierry (4 October 2013). "Natalie Dessay, le chant du départ". Le Figaro (in French).
  91. Chouchan, Anne-Marie (24 May 2009). "Toulouse. Natalie Dessay chante Michel Legrand et Claude Nougaro". La Dépêche du Midi.
  92. "Rio 2 : Matt Pokora et Natalie Dessay pour les voix françaises !". Melty.fr. 3 March 2014. Retrieved 24 April 2021.
  93. "Natalie Dessay au théâtre en 2015 dans une pièce de Howard Barker". RTBF. 2 April 2014.
  94. "La soprano Natalie Dessay repart à zéro au théâtre". Le Point. 19 May 2015.
  95. "Premiers pas de Natalie Dessay au théâtre: l'épreuve de la glace". Le Point. AFP. 27 May 2015.
  96. "Natalie Dessay en comédienne au Théâtre de l'Athénée". France Info. 22 July 2015.
  97. "« Und », De Howard Barker, Théâtre Des Abbesses À Paris". Les Trois Coups. 6 May 2016.
  98. Eschapasse, Baudouin (10 May 2016). "Natalie Dessay au théâtre : à couper le souffle". Le Point.
  99. "UND". CDNT. Retrieved 8 August 2023.
  100. Dochtermann, Mathieu (27 September 2017). ""Und", Natalie Dessay à l'épreuve du temps et de l'absurde barkerien au Déjazet". Toute la Culture.
  101. "Vidéo. Natalie Dessay, Camelia Jordana, Nolwenn Leroy et Yael Naïm ont chanté dans la cour d'honneur des Invalides durant l'hommage national". HuffPost (in French). 27 November 2015.
  102. Trinel, Sylvain (27 November 2015). "Natalie Dessay : " Je préfère les mots de Barbara à ceux de la Marseillaise "" [Natalie Dessay: "I prefer the words of Barbara to those of the Marseillaise"]. Télé-Loisirs (in French).
  103. Pictures of America, 24 November 2016, archived from the original on 2 February 2017
  104. Sasportas, Valérie (26 April 2008). "Natalie Dessay ravie du mariage opéra-cinéma". Le Figaro.
  105. Dessay, Natalie (12 October 1998). "An Interview with Natalie Dessay" (Interview). Interviewed by Joel Kasow. Culturekiosque. Archived from the original on 6 September 2019.
  106. "(33345) Nataliedessay = 1998 XC14". Minor Planet Center. Retrieved 14 January 2019.
  107. "2018 : 25ème anniversaire des Victoires de la Musique Classique". Opera Online (in French). 13 February 2018.
  108. "Prix de Musique de la Fondation Simone et Cino Del Duca 2002" (PDF). Lettre de l'Académie des beaux-arts. No. 31. 2002. p. 22. Retrieved 15 September 2019.
  109. "Décret du 14 novembre 2003 portant promotion et nomination". Légifrance (Press release). 15 November 2003. Retrieved 1 May 2020.
  110. "Nominations for the 2008 Laurence Olivier Awards". London Theatre. 7 February 2008.
  111. "Natalie Dessay wins Outstanding Achievement in Opera". Official London Theatre. 17 April 2008.
  112. "The Winners of the 2008 OPERA NEWS Awards are…". Opera News. 4 August 2008.
  113. "Un prix "in honorem" pour Natalie Dessay". Le Monde (in French). 22 November 2008.
  114. "Natalie Dessay zur Österreichischen Kammersängerin ernannt". Der Standard (in German). APA. 21 April 2010.
  115. "Natalie Dessay et Jean-Michel Jarre : Pour eux, le 14 juillet était particulier". Purepeople.com (in French). 17 July 2011.
  116. "Prix Grand Siècle Laurent-Perrier". Académie des vins anciens (in French). 28 November 2011. Retrieved 28 November 2011.
  117. "Nomination dans l'ordre des Arts et des Lettres juillet 2015" (Press release) (in French). Ministère de la Culture. 17 July 2015. Retrieved 6 September 2019.
  118. Primary source: "Dessay (Natalie) – Le Miracle d'une voix". Krinein.com. 16 January 2007.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.