Nurul Momen

After the foundation of All India Radio in Dhaka, 1939, Momen picked up on the opportunity of the new medium and became its first Muslim author. In 1941 he wrote and directed the comedy Rupantor (Transformation) for the radio. With its progressive plot and a female main character it differed vastly form traditional Muslim plays and was actually the first modern drama of Bangladesh. Upon initiative of the critic, the poet and literary critic Mohitlal Majumder, the play was also published in the yearly Puja issue of the newspaper Anandabazar.

While he was in London for higher studies from 1948 on, Nurul Momen and his friend Nazir Ahmed started a BBC Bengali program, a weekly one-hour format called Anjuman where Momen was responsible for the literary content.

Rather than continuing to practice law even before the partition of India, Momen joined the faculty of Law at the Dhaka University in 1945.[4] There he was known for including elements from literature and music into the law classes. Sheikh Mujibur Rahman was one of his favourite students, who enrolled in that department in 1948. Nurul Momen encouraged Sheikh Mujibur Rahman to read the works of George Bernard Shaw and Bertrand Russell. He encouraged Munier Chowdhury to get interested in theater and become a playwright. Momen encouraged him to read George Bernard Shaw and got many other students interested in theatre. He later translated You Never Can Tell. From 1948 until 1951 Momen was on leave from the university, undergoing higher studies in England and graduating in law from London University.

Natyaguru Nurul Momen has ushered in a New theory of dramaturgy in the world, alongside many practical & theoretical contributions in the world of Dramatics and literature.

In 1944, the Bengal playwright Natyaguru Nurul Momen, introduced the fourth unity in his pioneering tragedy play, Nemesis (Momen play) . In this epoch-making one character play (in other words, "Monodrama"), Nurul Momen immaculately maintained all the three Aristotelian unities of classical Greek theatre, known as —-- and added the fourth unity for the first time in world theatre.

In the preface of “Nemesis” the Natyaguru wrote, " In this play a fourth Unity is added to the traditional three unities of The Greek Tragedies -- Time, Space & Action. A new experimentation has been done by introducing a new unity --- "Unity of Person" despite maintaining the format of The three unities. "