Nazli Tabatabai-Khatambakhsh

Nazli Tabatabai-Khatambakhsh is the inaugural Artistic Doctoral Researcher of Opera Librettist Practice Based at the Guildhall School of Music and Drama, 2021-2027.[1] Her recent opera portfolio includes Royal Opera House, Aldeburgh Festival Britten Pears Arts, Birmingham Opera Company, Performance Arts Lab and National Youth Choir. She was the founder and artistic director (CEO) of ZENDEH, a former Arts Council England National Portfolio Organisation.[2]

Nazli Tabatabai-Khatambakhsh
Born (1977-02-23) 23 February 1977
Tabriz, Iran
Occupation(s)Leader and Collaborator
WebsiteNazli Tabatabai-Khatambakhsh on Twitter

Early life

Nazli Tabatabai-Khatambakhsh was born in the northern Iranian city of Tabriz in February 1977. She came to the UK with her parents when she was very young. Her father was an academic, and they settled in Edinburgh, where he was working. Her mother's sweet shop was a firm favourite opposite the Royal Lyceum Theatre. Nazli went to James Gillespie's High School and her favourite subjects included Drama and Art.

She began work in 2001 as an Arts Council England trainee director at Leicester Haymarket Theatre, was Staff Director at Derby Playhouse and then Associate Director at the Theatre Workshop Edinburgh. In 2004, she founded the ZENDEH (a theatre company) – the name means "alive" in Persian.[3]

She quotes her influences on her creative practise to include international theatre, politics of the Middle East, sciences, and stories from the silk routes. These can be seen as a direct influence on her creative directing and productions developed with the Zendeh theatre company.[4][5]

Career

Nazli Tabatabai-Khatambakhsh is Professor of Writing on the Masters in Opera Making and Writing at the Guildhall School of Music and Drama where she is also Associate Artist with a focus on collaboration. She is the inaugural Associate Artist at the Oxford School of Drama.

Nazli Tabatabai-Khatambakhsh was the artistic director of ZENDEH, a theatre company based in the northeast of England that was part of Arts Council England's National Portfolio of Organisations.[6] The company created enchanting theatre that combines poetic elements, mythology and explored global political and social perspectives in a most approachable way. Iranian myths and contemporary reference points appeared in many of ZENDEH's shows reflecting the cultural heritage of Artistic director Nazli Tabatabai-Khatambakhsh.[7] Although the work itself often rejects cultural representation instead creating a more impressionistic, magical realism, visual and physical style of theatre. ZENDEH often explore hidden histories and modern identities; finding the compelling and epic in ordinary stories and crafting culturally eclectic productions. ZENDEH's and Nazli's direction and artistic practice is collaborative; working with artists and the wider public, combining art forms and using digital technologies to continually find imaginative ways to share stories and find human connections.

Over Nazli's career she has developed a strong leadership role in producing diverse theatre in the UK in particular looking at themes of the Middle East and the lives of women.[8][9][10]

Nazli Tabatabai-Khatambakhsh serves as a member of the Royal Central School of Speech and Drama's Independent Equity Committee as well as the International Society of Performing Arts' (ISPA) governing committee in New York.[11]

Achievements

Nazli Tabatabai-Khatambakhsh through the over ten years as artistic director with ZENDEH has developed a unique multi-staged method of creating theatrical productions that is relevant to 21st Century Britain. The ZENDEH method encompasses seven stages that includes, but is not restricted to, blue sky thinking; collaboration in multidisciplinary art forms and working with a wide range of associate artists; emphasis on dramaturgy; and re-approaching joint authorship with participation, engagement and research.

Nazli Tabatabai-Khatambakhsh also leads on the Creative Case North,[12] which is a re-imagining of Arts Council England’s approach to diversity and equality, setting out how these areas can and should enrich the arts for artists, audiences and wider society.[13][14]

Selected works
  • 68 Months In Waiting[15]
  • Khaki
  • Paper Dolls

Personal life

Nazli is the daughter of Dr. M. T. Tabatabai-Khatambaksh and Mrs M. Tabatabai-Khatambakhsh. She is based in London, United Kingdom.[16]

References
  1. "Current Doctoral Researchers: Nazli Tabatabai-Khatambakhsh". Guildhall School of Music and Drama. Retrieved 24 July 2023.
  2. "Channel | Arts Council". Archived from the original on 17 November 2015. Retrieved 14 November 2015.
  3. "Interview Nazli Tabatabai-Khatambakhsh". Retrieved 17 November 2018.
  4. "Arts and Ethnicity - Encompassing internationalism". Retrieved 23 April 2018.
  5. "20/05/2014, The Janice Forsyth Show - BBC Radio Scotland". BBC. Retrieved 23 April 2018.
  6. "Closures as NPOs have arts council funding offers withdrawn".
  7. Tomlin, Liz (26 February 2015). British Theatre Companies: 1995-2014: Mind the Gap, Kneehigh Theatre, Suspect Culture, Stan's Cafe, Blast Theory, Punchdrunk. Bloomsbury Publishing. ISBN 9781408177303. Retrieved 23 April 2018 – via Google Books.
  8. "NEVL - Home". www.zendeh.com. Retrieved 23 April 2018.
  9. "disability arts online". www.creativecase.org.uk. Retrieved 23 April 2018.
  10. "The Rebel Poet of 1960s Iran". Wilton's Music Hall. Retrieved 24 July 2023.
  11. "The Rebel Poet of 1960s Iran". Winston.org.
  12. "Creative Case NORTH". 23 May 2018. Retrieved 17 November 2018.
  13. "disability arts online". www.creativecase.org.uk. Retrieved 23 April 2018.
  14. "Speakers Announced for Visiting Arts International Producers Breakfast 2015! - Visiting Arts". www.visitingarts.org.uk. Retrieved 23 April 2018.
  15. "68 Months In Waiting". BBC.
  16. "Edinburgh Iranian Festival 2019". The Edinburgh Reporter, UK.
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