Nicole Kortlüke

Nicole Kortlüke (born 9 March 1976) is a German film editor.

Nicole Kortlüke
Born (1976-03-09) 9 March 1976
Rheda-Wiedenbrück, West Germany[1]
Alma materInternationale Filmschule Köln
OccupationFilm editor
Years active2003–present

Career

Kortlüke worked as assistant editor for productions such as Speer und Er, Emma's Bliss and films of the German crime series Tatort. From 2002 to 2005 she studied film editing at International Film School Cologne. Since 2006, she has been a film school teacher.[2]

Since 2006, Kortlüke has been editing cinema and television films as well as series. This includes the films Rendezvous with Death, Losing Balance and Alive and Ticking by Andi Rogenhagen, which ran in 2011 in the competition of the Shanghai International Film Festival.[3]

Her work on the documentary Farewell Herr Schwarz proved invaluable in making the film tell its story. "In a certain way, the script was written in the editing room," director Yael Reuveny said.[4] Regarding the editing Frankfurter Rundschau called it "a thoughtful documentary that takes the time necessary to dismantle the myths and track their impact."[5] "This film would be the ideal theater of tomorrow," wrote Andreas Platthaus in Frankfurter Allgemeine Zeitung, calling it a masterpiece.[6] The film was widely critically acclaimed.[7]

Personal life

Kortlüke lives in Cologne, Germany.

Selected filmography

References
  1. "Nicole Kortlüke". filmportal.de (in German). Retrieved 6 December 2019.
  2. "Editoren – Nicole Kortlüke". filmplus.de (in German). Retrieved 6 December 2019.
  3. Landreth, Jonathan (3 June 2011). "German Films to Make Big Splash at Shanghai International Film Festival". The Hollywood Reporter. Retrieved 12 December 2019.
  4. Hoffman, Jordan (9 January 2015). "Family mystery spurs Israeli filmmaker to dig up Holocaust past". The Times of Israel. Retrieved 6 December 2019.
  5. Seidler, Ulrich (10 April 2014). "Suchen ist Denken" [Searching is Thinking]. Frankfurter Rundschau (in German). Retrieved 6 December 2019. Ein bedächtiger Dokumentarfilm, der sich die nötige Zeit nimmt, um die Nichtgeschichte auseinanderzunehmen und ihre Auswirkungen aufzuspüren.
  6. Platthaus, Andreas (9 April 2014). "Gespenstisches zwischen Deutschland und Israel" [Ghosts between Germany and Israel]. Frankfurter Allgemeine Zeitung (in German). Retrieved 2 December 2019. Dieser Film ... wäre das ideale Kino von morgen. [...] Ihr Film ist ein Meisterwerk.
  7. "Farewell, Herr Schwarz (2015)". Rotten Tomatoes. Retrieved 2 December 2019.
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