Norbert Glanzberg

In 1939, Glanzberg was enlisted into the Polish army, stationed in England. After he was discharged, he returned to France's Free Zone in the south of the country, which had not yet been occupied by Germany. There, he met the impresario Felix Marouani who hired him to tour with Piaf as her pianist. They began their tour in Lyon, France, within the Free Zone, in 1939. Along with being her pianist, he began writing some of her songs.[6]^: 79

However, during 1939, Glanzberg's songwriting income was suddenly blocked by SACEM, France's professional songwriters and composers association, which disbursed funds to its members. The organization self-censored music composed by Jews to comply with Germany's Nuremberg Laws, aimed at undermining the income of Jews.[6]^: 80 As a result, writes Burke, "Edith became his lifeline."[6]^: 80

He and Piaf continued touring throughout France. But he always feared that his physical features might betray him to the French police or informers who had begun rounding up Jews and other undesirable refugees. They toured at various times between 1939 and 1942, and became lovers.[6]^: 80 His classical background and high standards led to Piaf's singing being greatly improved.[6]^: 81 They began to depend on each other, as he wrote some of her most successful songs and she gave him emotional support: "When Edith leaned on the piano," he recalled, "the better to create that intimacy that bound her to the music, to her music, I was seized by a mysterious, enchanting power."[6]^: 80

Among the songs he wrote for her during her singing career were "Padam ... padam"[8] "Mon Manege A Moi",[9] "Il fait bon t'aimer" ("It's good loving you").[10] and "Au bal de la chance".[11][12][13]

By 1942, the Vichy government in unoccupied France also began excluding Jews from most professions, which led to Glanzberg's name now being kept off of concert programs. He changed his name to Pierre Minet and relied on a fake French passport to travel around the country. Piaf became more concerned for his safety, once writing him when they were apart, "I'm worried about you. I drink only water and tea, go to bed at midnight...Everyone says I look well. It must be love!"[6]^: 81 She gave him the nickname "Nono chéri" ("darling Nono"),[6]^: 81 and wrote that he was her "seul amour," her only love.[6]^: 85 They were both unaware, as was most of France's population, that the Nazis planned to arrest some thirty thousand Parisian Jews, which they did two days after Bastille Day.[6]^: 83

Piaf became increasingly aware that normal life in Paris was getting much worse. "I hope this abomination will come to an end soon," she wrote him. According to Burke, when Piaf and Glanzberg were apart, it was "only the thought of the songs that he was writing for her that gave her any pleasure."[6]^: 95 Then in 1943, when the Free Zone was also invaded, he was arrested as a Jew and placed in jail for three months.[13] Actress Marie Bell and Corsican singer Tino Rossi, with Piaf's financial help, organized his successful escape just before he was to be deported to a concentration camp.[13]

He moved to Marseille, but there the Germans were conducting daily searches for Jews. Piaf then arranged for him to hide at a nearby farm that was owned by her secretary, Andrée Bigard.[6]^: 81 Bigard and his family had helped a number of Piaf's other Jewish friends, including film director Marcel Blistène, take shelter and thereby survive the war.[6]^: 81

Château Pastré, Montredon

When the farm itself became too dangerous, Piaf asked another friend, Countess Lily Pastré, to hide him at Montredon, her chateau outside of Marseille. Piaf paid her to keep him fed and protected. Countess Pastré was a music lover who had good relations with the authorities, as she often invited them to concerts at the chateau.[6]^: 81 After the war, it was learned that the countess had sheltered some forty other Jewish composers and musicians from the French police, including Clara Haskil.[6]^: 81

The Germans eventually invaded that part of southern France, which led Glanzberg to flee to Nice, under the protection of Tino Rossi's Corsican relatives. Piaf continued to cover the cost of his support, and often sent her secretary, Bigard, to check on his welfare.[6]^: 82

Until 1944, he was also hidden at various times by Georges Auric and finally by the poet René Laporte at Antibes, where he met some active in the French Resistance, such as Paul Éluard, Jacques Prévert, Louis Aragon, Elsa Triolet and entertainment publisher René Julliard. Glanzberg survived the war, although between 1942 and 1944, over 75,000 Jews in France were deported to death camps in Germany.[6]^: 83

After the Liberation in 1945, Norbert was free again. He helped in the release of Maurice Chevalier, who was kept in custody by a resistance movement. From 1946 to 1948 he toured with Charles Trenet in South America, followed by an international tour with Tino Rossi.

In 1948, Édith Piaf sung Padam Padam, a song he wrote with Henri Contet, and in 1952 Yves Montand performs Moi j’m’en fous et Les grands boulevards.

From 1953, Glanzberg composed many film scores, especially for Michel Strogoff with Curd Jürgens and, in 1954, for La Goualeuse. Édith Piaf made a huge success of his song Mon manège à moi.

In 1955, he composed the music for the film La sorcière, with Marina Vlady,[14] and in 1956 the score for La mariée est trop belle (The Bride Is Much Too Beautiful), featuring Brigitte Bardot.[15]

In 1983, Glanzberg went back to classical music and composed a series of lieder from a collection of poems written during the war by concentration camp inmates, La mort est un maître de l’Allemagne (der Tod ist ein ... Meister aus Deutschland), the chorus of what is perhaps the greatest poem by Paul Celan, Todesfuge (Death Fugue). He put into music, in two cycles each of ten works, songs from Berlin and romantic leader classics. In 1985, he wrote a concerto for two pianos, La suite yiddish, inspired from the novels of Isaac Bashevis Singer. This work would be arranged for a symphonic orchestra by his friend, the composer and conductor Frédéric Chaslin.