Norma Editorial

In 1981, Norma Editorial absorbed magazines from Riego Ediciones;[2] Cimoc and Hunter, and later on Cairo, Sargento Kirk and Humor a tope, all directed at 1984 for Joan Navarro.[3]

With these brands, the company honed its focus on Spanish comics and European comics. Among its first published works where those of Enrique S. Abulí, Alfonso Azpiri, Beroy, Alfonso Font, Miguelanxo Prado, Segrelles, Daniel Torres or Sento; followed by the works of Enki Bilal, François Bourgeon, Vittorio Giardino, Jean Van Hamme, Alejandro Jodorowsky, Milo Manara, Moebius, Hugo Pratt, Grzegorz Rosinski or Jacques Tardi. Some sagas from these authors were published in collections such as Álbumes Cairo, B/N, Cimoc Extra Color, El Muro and Pandora.[2]

They edited the theoretical collection Un hombre, mil imágenes (1982–1985).[2]

In the 1990s, Norma Editorial started to edit works from North American authors. Their most successful was the work of Will Eisner, followed by John Byrne, Neil Gaiman, Frank Miller, Mike Mignola or Alan Moore in brands like Made in USA.

The company participated in the manga boom of the '90s, publishing the works of Kia Asamiya, CLAMP, Kosuke Fujishima, Haruhiko Mikimoto, Katsuhiro Otomo, Hiromu Arakawa, Yoshiyuki Sadamoto and Masamune Shirow.

In the mid-1990s, Norma Editorial began a close collaboration with American independent Dark Horse, and later joined their catalog series superheroes of DC Comics and collection Vertigo.

After the loss of the rights of DC in 2005, they started a series of collections including Made in Hell, a terror comic; Comic Noir, a political comic; and a sci-fi comic; El día después. In 2006, they announced the purchase of a new superheroes series, from the ASPEN editorial (Soulfire and Fathom) and WildStorm (The Authority or Ex Machina).