Olga (ballet)

Olga (Ukrainian: Ольга, romanized: Ol'ha) is a two-act ballet by Ukrainian composer Yevhen Stankovych and librettist Yuriy Ilyenko based on the life of Olga of Kiev, which was written in 1981 to commemorate the 1500th anniversary of the city of Kyiv.

Olga
Native titleОльга
ChoreographerAnatoliy Shekera
MusicYevhen Stankovych
LibrettoYuriy Ilyenko
Based onThe Life of Olga of Kiev
Premiere1981
DesignFedir Nirod

History

Premiere

The premiere of the ballet took place at the Taras Shevchenko National Academic Theatre of Opera and Ballet on 19 March 1982 to commemorate the 1500th anniversary of Kyiv.[1] The ballet was produced by the conductor Stefan Turchak, the choreographer Anatoliy Shekera and the designer Fedir Nirod.[2]  The plot is based on the historical figure of Olga of Kiev, her personal life, baptism and reign.[3]

Performance history

In 2010, the ballet was staged at the Dnipropetrovsk Academic Opera and Ballet Theatre.[4] This production was staged by the choreographer Oleg Nikolaev, the conductor Yuriy Porokhovnyk, the designer Daria Bila and the choir leader Valentin Puchkov-Sorochinsky.[4] After seeking permission from Yevhen Stankovych, Porokhovnyk added excerpts from the ballet Vikings to the score.[5] Under Nikolaev's choreography, the ballet consisted of eight episodes, creating a detailed composition of dance symphony and polyphony.[2]

On 12 September 2020 the ballet was performed in Dnipro to commemorate the 1075th anniversary of Anne of Kiev, who was Olga's great-granddaughter.[6]

Synopsis

The first act consists of three dynamic pictures: childhood, youth and growing up. Olga is shown as a child, a girl and a young woman. As a child she was almost taken prison; as a girl she meets her future husband; as a young woman she appears as a bride. It is her marriage, which forms the character of the future princess.[7]

The second act is a story about Olga's reign, the most important moment of which was a trip to Constantinople and the adoption of Orthodox Christianity. The climactic scene is the final apotheosis, in which Olga, Madonna-like on a cross-shaped icon, holds her little grandson Vladimir in her arms.[7]

Reception

The 1981 performance was an "astounding success".[8] After the 2010 performance, the ballet was recognised as being an "outstanding modern ballet".[9]

References
  1. Черкашина-Губаренко М. Р. Театральні університети Володимира Рожка. Часопис Національної музичної академії України імені П. І. Чайковського. 2016. № 3 (32). с. 52.
  2. Андрій Тулянцев. Балет "Княгиня Ольга" та фольк-опера "Коли цвіте папороть" на сцені Дніпропетровського академічного театру опери та балету. Вісник Національної академії керівних кадрів культури і мистецтв № 3’2016. с. 66.
  3. "Хореографическая эволюция". Коммерсантъ. Retrieved 2021-03-04.
  4. "Княгиня ольга". Театр опери і балету (in Ukrainian). Retrieved 2021-03-04.
  5. "Станкович, легенда о княгине Ольге". Зеркало недели | Дзеркало тижня | Mirror Weekly. Retrieved 2021-03-04.
  6. "У трьох містах відбудеться фестиваль на честь святої княгині Ольги". Релігійна правда (in Ukrainian). 2020-09-11. Retrieved 2021-03-04.
  7. "Балет Олега про Ольгу". www.golos.com.ua (in Ukrainian). Retrieved 2021-03-04.
  8. "Хореографічна еволюція | Українські народні танці, кроки, терміни, національні, хороводи, побутові, сюжетні". narodni.com.ua. Retrieved 2021-03-04.
  9. "Станкович, легенда про княгиню Ольгу | Music-Review Ukraine". m-r.co.ua. Retrieved 2021-03-04.
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