Olga Freidenberg

Olga Freidenberg (March 15, 1890 in Odessa – July 6, 1955 in Leningrad) was a Russian and Soviet classical philologist, one of the pioneers of cultural studies in Russia. She is also known as the cousin of the famous writer Boris Pasternak; their correspondence[1] has been published and studied.[2][3]

Olga Freidenberg
Born15 March 1890
Odessa
Died6 July 1955 (1955-07-07) (aged 65)
Leningrad
Parent(s)Anna Osipovna Pasternak and Mikhail Filippovich Freidenberg
RelativesBoris Pasternak (cousin)
Academic background
Alma materSaint Petersburg State University
ThesisThe Origins of Greek Novel' or 'The Greek Novel as Acts and Passions
Academic work
DisciplineClassical Philology
InstitutionsSaint Petersburg State University

Biography

Olga Freidenberg was born to Anna Osipovna Pasternak and Mikhail Filippovich Freidenberg in Odessa.[2] The family moved to St Petersburg in 1903 and Freidenberg graduated from a gymnasium there in 1908. Restricted in her ability to pursue university education as a woman and a Jew, she travelled through Europe studying foreign languages on her own and living in Germany, Sweden, Italy, and Switzerland. As World War I broke out, she returned to Russia and became a military nurse.[2]

Freidenberg returned to her studies at Petrograd University in 1923 and wrote a Ph.D. thesis in 1924, titled The Origins of the Greek Novel. The university had only started accepting women as students in 1917, and Freidenberg was the first woman to defend her thesis in classical philology.[2] In 1935 she was awarded the Russian highest scientific degree of Doctor of Science. Since all of the Classics Departments in Russia had been shut since 1921, Freidenberg played a key role in founding the new Classical Department at Petrograd University. Freidenberg also founded the chair of classical philology and was head of the Classical Department from 1932 to 1950.

In her work, Freidenberg drew comparison between pagan erotic novels and both Acts (Apocryphal and Canonical) and Gospels. She defined a narrative genre of ‘Acts and Passions’ of a hero as their common basis. Freidenberg was the first in Europe to conclude that the ‘Greek’ novel was Oriental in its origin. She noted that the archetypal patterns in the plots of its different narratives were versions of the legomenon which can be traced back to the dromenon of fertility cults.[4][5]

During the Stalin era she was persecuted and her brother was arrested. In 1950, as part of the persecution of "rootless cosmopolitans" she was fired from Petrograd University.[3][2] For example, Freidenberg's 1935 dissertation The Poetics of Plot and Genre: The Classical Period of Ancient Literature was the only book published in her lifetime (in 1936) but was denounced by the Soviet authorities and taken out of circulation shortly afterwards. It was republished in 1997.[2]

Many of Freidenberg's works were not published in her lifetime and some are still unpublished.[6] Modern scholars, such as Nina Perlina and Nina Braginskaya, are now publishing new editions of Freidenberg's works in English.[7] Freidenberg's work is now being reviewed and reassessed, particularly in examinations of early Greek thought.[8]

Works
  • The Poetics of Plot and Genre: The Classical Period of Ancient Literature
  • Image and Concept: Mythopoetic Roots of Literature[7]
  • Poėtika si︠u︡zheta i zhanra[9]
  • Mif i literatura drevnosti[10]

Further reading
  • Mossman, Elliott, ed. (1982). The Correspondence of Boris Pasternak and Olga Freidenberg 1910 - 1954. Harcourt Brace Jovanovich. ISBN 9780151226306.
  • Nina Perlina, Olga Freidenberg's Works and Days, Slavica Pub 2002, ISBN 978-0-89357-304-1.
  • Annette Kabanov, Ol'ga Michajlovna Frejdenberg, 1890-1955: eine sowjetische Wissenschaftlerin zwischen Kanon und Freiheit Wiesbaden: Harrassowitz, 2002[11]

References
  1. "Pasternak family papers – Works – Digital Collections". digitalcollections.hoover.org. Retrieved 28 June 2018.
  2. Braginskaya, Nina V. (2016). "Olga Freidenberg: A Creative Mind Incarcerated" (PDF). In Wyles, Rosie; Hall, Edith (eds.). Women Classical Scholars: Unsealing the Fountain from the Renaissance to Jacqueline de Romilly. Translated by Tarlone, Zara M.; Zeide, Alla; Maslov, Boris. Oxford University Press. pp. 286–312. ISBN 9780191089657.
  3. "BOOKS OF THE TIMES". The New York Times. 23 June 1982. Retrieved 28 June 2018.
  4. Braginskaia, Nina V. (1 December 2003). "From the Marginals to the Center: Olga Freidenberg's Works on the Greek Novel". Ancient Narrative. 2 (1): 64–85. ISSN 1568-3532.
  5. Beletrina, Production. "Versopolis | Three Women on Love during War: Anica Savić Rebac, Olga Freidenberg, Edith Stein". Retrieved 28 June 2018.
  6. "Olga Freidenberg's online archive". COSEELIS - Council for Slavonic and East European Library and Information Services. 20 August 2015. Retrieved 28 June 2018.
  7. Fusso, Susanne (1999). "Review: Olga Freidenberg, Image and Concept: Mythopoetic Roots of Literature, ed. Nina Braginskaia and Kevin Moss, trans. Kevin Moss". Slavic Review. 58 (3): 718–719. doi:10.2307/2697630. JSTOR 2697630.
  8. Maslov, Boris (1 January 2012). "From (Theogonic) Mythos to (Poetic) Logos: Reading Pindar's Genealogical Metaphors after Freidenberg". Journal of Ancient Near Eastern Religions. 12 (1): 49–77. doi:10.1163/156921212X629464. ISSN 1569-2124.
  9. Freĭdenberg, O. M; Braginskai︠a︡, N. V (1997). Poėtika si︠u︡zheta i zhanra. ISBN 5876041084. OCLC 37131787. {{cite book}}: |work= ignored (help)CS1 maint: location missing publisher (link)
  10. Фрейденберг, О. М (1978). Миф и литература древности (in Russian). Moskva: Nauka. OCLC 4724428.
  11. Kabanov, Annette (2002). Ol'ga Michajlovna Frejdenberg, 1890-1955: eine sowjetische Wissenschaftlerin zwischen Kanon und Freiheit (in German). Wiesbaden: Harrassowitz. ISBN 3447046074. OCLC 50645213.
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