Yuki Onodera

Yuki Onodera (オノデラ ユキ, Onodera Yuki, born 1962) is a Japanese photographer. She graduated from the Kuwazawa Design School in Tokyo. She lives in Paris, France.[1]

Yuki Onodera
Born1962
Tokyo, Japan
Known forPhotography
AwardsKimura Ihei Award

Biography

Onodera works with large images (some reaching 8 meters) and wants her work to be "tangible."[1] In her series "Portrait of Second-Hand Clothes" Onodera used the clothes from "Christian Boltanski's installation 'Dispersion,' a large pile of used garments meant to evoke death and loss."[2] She has worked in Paris since 1993, and she has had solo exhibits around the world.[3] Institutions that hold her work include: The Getty Museum,[4] the San Francisco Museum of Modern Art,[5] and The Tokyo Metropolitan Museum of Photography.[6]

Awards

Publications

  • How to Make a Pearl, Nazraeli Press, 2002[8]
  • Transvest, Nazraeli Press, 2004, ISBN 978-1-59005-086-6[9]

References

  1. Rosés, Mercedes. "Yuki Onodera - The Mystery of Photography". Metal Magazine. Archived from the original on 27 November 2022. Retrieved 10 May 2022.
  2. Rosenberg, Karen (18 March 2011). "AIPAD Photography Show New York". New York Times. pp. C31.
  3. "About Yuki Onodera". Lens Culture. Retrieved 10 May 2022.
  4. "Yuki Onodera". The J. Paul Getty Museum Collection. Retrieved 10 May 2022.
  5. "Yuki Onodera". San Francisco Museum of Modern Art. Retrieved 10 May 2022.
  6. "Onodera Yuki - Into the Labyrinth of Photography". Tokyo Metropolitan Museum of Photography. 2010. Retrieved 10 May 2022.
  7. "La clairvoyance du hasard: Li Lang + Yuki Onodera". Photography of China. Retrieved 2022-05-11.
  8. Onodera, Yuki (2002). How to Make a Pearl. Tucson, Ariz.: Nazraeli Press. ISBN 978-1-59005-027-9. OCLC 51636123.
  9. Onodera, Yuki; Friis-Hansen, Dana; Ishiwata, Maya; Nazraeli Press (2004). Transvest. Nazraeli Press. ISBN 978-1-59005-086-6. OCLC 57206001.

Also see

  • Nihon shashinka jiten (日本写真家事典) / 328 Outstanding Japanese Photographers. Kyoto: Tankōsha, 2000. ISBN 4-473-01750-8. (in Japanese) Despite the English-language alternative title, all in Japanese.


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