Opal Palmer Adisa

Adisa was raised ten miles outside Kingston, Jamaica, and attended school in the capital. In 1970 she went to study at Hunter College, New York, and in 1979 moved to the San Francisco Bay Area to pursue an MA in creative writing.[3] As noted by David Katz, "Adisa’s work has been greatly informed by her childhood experience of life on a sugar estate in the Jamaican countryside, where her father worked as a chemist and her mother as a bookkeeper. It was in this setting that young Opal was introduced not only to the art of storytelling, but also, after her parents divorced, to the ceaseless oppression faced by women and the ongoing injustices heaped on the poor. Such formative experiences, coupled with her mother’s efforts to improve the lives of those around her, gave Adisa the desire to “give voice to the voiceless” at an early age."[4]

Opal Palmer Adisa has two master's degrees from San Francisco State University, and a PhD from the University of California at Berkeley. She has previously taught undergraduate and graduate courses at California College of the Arts, Stanford University, University of Berkeley, and San Francisco State University.[5] From 1993 to 2017, Adisa taught writing and literature, and served as Chair of the Ethnic Studies/Cultural Diversity Program at the California College of Arts and Crafts in Oakland. In the spring of 2010, she was visiting professor and editor at the University of the Virgin Islands (UVI), St. Croix Campus, and for two years she edited The Caribbean Writer, UVI’s famous journal of Caribbean literature. In September 2017, she was appointed to the position of Director of the Institute for Gender and Development Studies at the University of the West Indies in Mona, Jamaica, where she currently resides.[6] In 2018, Adisa was awarded Professor Emeritus status, in honor of her 25 years of contributions to California College of the Arts and in her field.[7]

An important element of her poetry is the use of nation language, about which she has said: "I have to credit Louise Bennett for granting me permission, so to speak, to write in Nation Language, because it was her usage that allowed me to see the beauty of our language. Moreover, there are just some things that don’t have the same sense of intimacy or color if not said in Nation language.... I use nation language when it is the only way and the best way to get my point across, to say what I mean from the center of my navel. But I also use it, to interrupt and disrupt standard English as s reminder to myself that I have another tongue, but also to jolt readers to listen and read more carefully, to glean from the language the Caribbean sensibilities that I am always pushing, sometimes subtly, other times more forcefully. Nation language allows me to infuse the poem with all of the smells and colors of home."[8]

• Writer-in-Residence, Binational Fulbright Institute, Cairo, Egypt, December–February 2007
• Writer-in-Residence, Sacatar Institute, Itaparica, Bahia, Brazil, December–March 2006
• Writer-in-Residence, McColl Center for Art + Innovation, Laurel Hill, NC, March 2001
• Writer-in-Residence, McColl Center for Art + Innovation, Charlotte, NC, September–December 2000
• Writer-in-Residence, Headlands Center for the Arts, Sausalito, CA, February–December 1996.

• Council for a performance of "Daughters of Yam", with Devorah Major
• Pushcart Prize for the short story "Duppy Get Her", 1987
• PEN Oakland/Josephine Miles Literary Award for Tamarind and Mango Women, 1992
• Writer in Residence for Wadastick Artists & Scholars at Laurel Hill, North Carolina
• Writer in Residence for the McColl Center for Visual Art in Charlotte, NC
• Distinguished Writer for the Middle Atlantic Writers Association
• Creative Work Fund Grant for West Oakland Senior Citizen Oral History Project, San Francisco, CA
• Nominated International Woman of the Year International Biography Center, England
• Canute A. Brodhurst Prize for "The Brethren", in The Caribbean Writer, University of the Virgin Islands, St Croix
• Writer-in-Residence, Headlands Center for the Arts, Sausaulito, California
• Daily News Prize for best poems in The Caribbean Writer, University of the Virgin Islands, St Croix
• Master Folk Artist for Storytelling, California Arts Council
• Distinguished Bay Area Woman Writer Award/California Legislative Assembly Certificate of presented by the National Women's Political Caucus
• Master Folk Artist for Storytelling, California Arts Council
• Creative Work Fund Grant for West Oakland Senior Citizen Oral History Project, San Francisco, California
• Creative Artist Fellowship Award for Storytelling, Cultural Funding Program, City of Oakland

• List of Jamaican Americans
• Jamaican literature

• Major, Devorah (7 July 2014). "Interview with Opal Palmer Adisa". www.devorahmajor.com. Retrieved 14 April 2018.
• Serna-Martinez, Elisa (June 2016). "Rewriting the Caribbean Female Body: A Conversation with Opal Palmer Adisa". Journal of the Spanish Association of Anglo-American Studies. Atlantis: 203–220. ISSN 0210-6124. Retrieved 14 April 2018.
• Serna-Martínez, Elisa (9 April 2018). "The Affective Politics of Resistance in the Work of Opal Palmer Adisa". Contemporary Women's Writing. 12 (1): 11–30. doi:10.1093/cwwrit/vpx016. ISSN 1754-1484.

• Official website
• Opal Palmer Adisa page at Huffington Post