Opera house
An opera house is a theatre building used for performances of opera. It usually includes a stage, an orchestra pit, audience seating, and backstage facilities for costumes and building sets.
While some venues are constructed specifically for operas, other opera houses are part of larger performing arts centers. Indeed, the term opera house is often used as a term of prestige for any large performing-arts center.
History
Italy is a country where opera has been popular through the centuries among ordinary people as well as wealthy patrons and it continues to have many working opera houses[1] such as Teatro Massimo in Palermo (the biggest in Italy), Teatro di San Carlo in Naples and Teatro alla Scala in Milan. The Teatro San Cassiano in Venice was the world's first public opera house, inaugurated as such in 1637.[2]
There was no opera house in London when Henry Purcell was composing and the first opera house in Germany, the Oper am Gänsemarkt, was built in Hamburg in 1678, followed by the Oper am Brühl in Leipzig in 1693, and the Opernhaus vorm Salztor in Naumburg in 1701.
In the 17th and 18th centuries, opera houses were often financed by rulers, nobles, and wealthy people who used patronage of the arts to endorse their political ambition and social position. With the rise of bourgeois and capitalist social forms in the 19th century, European culture moved away from its patronage system to a publicly supported system.
Early United States opera houses served a variety of functions in towns and cities, hosting community dances, fairs, plays, and vaudeville shows as well as operas and other musical events. In the 2000s, most opera and theatre companies are supported by funds from a combination of government and institutional grants, ticket sales, and private donations.
Other uses of the term
In the 19th-century United States, many theaters were given the name "opera house", even ones where opera was seldom if ever performed. Opera was viewed as a more respectable art form than theater; calling a local theater an "opera house" therefore served to elevate it and overcome objections from those who found the theater morally objectionable.[3][4]
Gallery
- The Sydney Opera House is one of the world's most recognisable opera houses and landmarks
- The Royal Opera House, London
- The Palais Garnier in Paris, France
- Teatro Colón in Buenos Aires, Argentina
- The Teatro alla Scala in Milan, Italy
- The Vienna State Opera in Austria
- Teatro Real in Madrid, Spain
- The Teatro dell'Opera di Roma in Rome, Italy
- Hungarian State Opera House in Budapest, Hungary
- The Copenhagen Opera House in Denmark
- Mariinsky Theatre in Saint Petersburg, Russia
- Bolshoi Theatre, in Moscow, Russia, is one of the world's most recognisable opera houses and home for the most famous ballet company in the world
- Teatro Comunale di Bologna, Italy
- New National Theatre Tokyo in Tokyo, Japan
- The Civic Opera Building in Chicago
- Theatro Municipal in São Paulo, Brazil
- Four Seasons Centre in Toronto, Canada
- Oper Frankfurt in Frankfurt, Germany
- National Theatre Munich from 1818 in Munich, Bavaria, Germany; one of the world's most renowned opera houses, burnt down and reconstructed twice: 1823–25 and after WWII from 1958 to 1963.
- Zürich Opera House in Zürich, Switzerland
- The Vlaamse Opera in Antwerp, Belgium
- Grand Theatre in Warsaw, Poland
- Teatro Massimo in Palermo, Italy, the largest opera house in Italy
- Gran Teatre del Liceu in Barcelona, Spain
- Teatro Nacional de São Carlos, Lisbon, Portugal
- Royal Swedish Opera in Stockholm, Sweden
- The Semperoper in Dresden, Germany
- Opéra Royal de Wallonie in Liège, Belgium
- Grand Théâtre in Geneva, has the largest stage in Switzerland
- The Estates Theatre in Prague (Czech Republic) is the only theatre left standing where Mozart performed
- The Bayreuth Festspielhaus in Bayreuth (Germany) was built by Richard Wagner and dedicated solely to the performance of his stage works
- Amazon Theatre in Manaus, Brazil
See also
References
Notes
- "Great Opera Houses of the World". BBC. Archived from the original on Feb 15, 2009.
Opera was always popular among ordinary people as well as among the rich, so that there was a large audience available.
- Mancini, Franco; Povoledo, Elena; Muraro, Maria Teresa (1995). I Teatri del Veneto - Venezia. Vol. Tomo 1. Venice: Corbo e Fiore. pp. 97–149.
- Condee, William Faricy (2005). Coal and Culture: Opera Houses in Appalachia. Athens, Ohio: Ohio University Press. p. 6. ISBN 0-8214-1588-3.
The term 'opera house' is indeed misleading, and intentionally so; it provides a veneer of social and cultural respectability and avoids the stigma of the title 'theater.'
- "The Name Opera House". Dramatic Mirror. March 7, 1885.
Sources
- Allison, John (ed.), Great Opera Houses of the World, supplement to Opera Magazine, London 2003
- Beauvert, Thierry, Opera Houses of the World, The Vendome Press, New York, 1995. ISBN 0-86565-978-8
- Beranek, Leo. Concert Halls and Opera Houses: Music, Acoustics, and Architecture, New York: Springer, 2004. ISBN 0-387-95524-0
- Hughes, Spike. Great Opera Houses; A Traveller's Guide to Their History and Traditions, London: Weidenfeld & Nicolson, 1956.
- Kaldor, Andras. Great Opera Houses (Masterpieces of Architecture) Antique Collectors Club, 2002. ISBN 1-85149-363-8
- Lynn, Karyl Charna, Opera: the Guide to Western Europe's Great Houses, Santa Fe, New Mexico: John Muir Publications, 1991. ISBN 0-945465-81-5
- Lynn, Karyl Charna, Italian Opera Houses and Festivals, Lanham, Maryland: The Scarecrow Press, Inc., 2005. ISBN 0-8108-5359-0
- Plantamura, Carol, The Opera Lover's Guide to Europe, Citadel Press, 1996, ISBN 0-8065-1842-1
- Sicca, Luigi Maria, "The management of opera houses: The Italian experience of the Enti Autonomi", Taylor & Francis, International Journal of Cultural Policy, 1997, ISSN 1028-6632