Oriol Tarragó
Oriol Tarragó (Reus, Tarragona), is a sound designer and film post-production supervisor. He is also a teacher at the Escuela Superior de Cine y Audiovisuales de Cataluña (ESCAC), attached to the University of Barcelona.
Oriol Tarragó | |
---|---|
Born | |
Nationality | Spanish |
Occupation(s) | Sound designer and Sound post-production supervisor |
Website | orioltarrago.com |
He has designed the sound design of many Spanish and international films[1] such as [REC], The Orphanage (2007), The Impossible[2] (2012), Enemy (2013) Crimson Peak (2015), Penny Dreadful (2014), A Monster Call (2018), Jurassic World: Fallen Kingdom[3][4](2018). He won four Goya Awards[5] from the Spanish Film Academy, seven Gaudí Award from the Catalan Film Academy and one Golden Reel Award from the Motion Sound Picture Editors. In 2018 he was awarded Best European Sound Designer by the European Film Academy.[6]
He is a member of the Spanish Film Academy and the Academy of Motion Picture Arts and Sciences.
Biography
He graduated from the Escola Superior de Cinema i Audiovisuals de Catalunya - (Cinema and Audivisuals School of Catalonia),[7] with the documentary Pura (1999)[8] after receiving a scholarship for a six-month stay at the Singapore`s Ngee Ann Polytechnic.
Career
Upon his return from Singapore, he worked with Guillermo del Toro on The Devil’s Backbone (2001) and with fellow graduate from Escola Superior de Cinema, Juan Antonio Bayona on Bayona´s first short films.
He then moved to New York, where he studied film postproduction at New York University (NYU), and on to London to work as a sound editor.
He returned to Barcelona to do The Orphanage[9] (2007) with Bayona and began to work for directors such as Jaume Balagueró, Kike Maíllo, Denis Villeneuve or Daniel Monzón, Edmón Roch, as well as for Juan Antonio Bayona’s subsequent films.
He currently works from his studio Coser y Cantar in central Barcelona and is teaching sound design at Escola Superior de Cinema Film School. He is also involved in several projects[10] with studios in San Francisco, Toronto and London.
Filmography (selection)
Year | Movies |
---|---|
2021 | L'homme au piano |
2021 | Las leyes de la frontera |
2021 | Xtremo |
2021 | Way Down |
2020 | Cosmética del enemigo |
2019 | Malnazidos |
2019 | Hogar |
2019 | 4×4 |
2019 | Premios Goya 33 edición |
2018 | Paradise Hills |
2018 | La Noria |
2018 | Superlópez |
2018 | Yucatán |
2018 | Jurassic World: Fallen Kingdom[11] |
2018 | Another Day of Life[12] |
2017 | Marrowbone |
2017 | Tadeo Jones 2: El Secreto del Rey Midas[13] |
2016 | Don't Blame the Karma for Being an Idiot |
2016 | The Invisible Guest |
2016 | A Monster calls[14] |
2015 | Crimson Peak |
2015 | Capture the flag |
2015 | [REC] 4: Apocalypse |
2014 | El Niño |
2014 | Out of the Dark |
2013 | The Innocents |
2013 | Enemy |
2013 | Mamá |
2012 | The Body |
2012 | The Impossible |
2011 | Mientras duermes |
2011 | Eva |
2010 | The Julia's Eyes |
2009 | Spanish Movie |
2009 | [Rec]² |
2007 | Fermat's Room |
2007 | [Rec] |
2007 | The Orphanage[15] |
2006 | Moscow zero |
2005 | The Nun |
2004 | Whore |
2003 | Beyond Re-Animator |
2001 | Stranded |
2001 | The Devil's Backbone |
Year | Award | Category | Result | Work |
---|---|---|---|---|
2020 | SITGES International Fantastic Film Festival of Catalonia | Honorary Maria Award for a lifetime career in sound design | Winner | |
2020 | Madrid Film Festival-PNR | Award - Best Sound | Winner | El Infierno |
2019 | Fugaz Awards | Award - Best Sound | Nominated | La Noria |
2018 | Cortogenia | Best Sound Award | Winner | La Noria |
2018 | Emile Awards | Award for Best Sound Design in a Feature Film Production. | Nominated | Another day of life |
2020 | Motion Picture Sound Editors | Outstanding Achievement in Sound Editing - Sound Effects, Foley, Music, Dialogue and ADR for live-action broadcast media under 35 minutes | Nominated | Battle at Big Rock |
2015 | Motion Picture Sound Editors | Golden Reel Award - Best Sound Montage, Best Sound Effects, Best Room Effects on television | Nominated | Chapter: «Penny Dreadful: Night Work» |
2008 | Motion Picture Sound Editors | Golden Reel Award - Best Sound Montage, Best Room Effects, Best Editing of Dialogues in a non-English speaking film | Winner | The Orphanage |
2017 | European Film | European Sound Design Award[16] | Winner | A Monster Call[17] |
2017 | Goya | Goya Award - Best Sound[18] | Winner | A Monster Call |
2016 | Goya | Goya Award - Best Sound[19] | Nominated | Anacleto, agente secreto |
2015 | Goya | Goya Award - Best Sound[20] | Winner | El Niño |
2013 | Goya | Goya Award - Best Sound[21] | Winner | The Impossible |
2012 | Goya | Goya Award - Best Sound | Nominated | Eva |
2008 | Goya | Goya Award - Best Sound[22] | Winner | The Orphanage |
2014 | CinEuphoria | Best Special Effects (sound or visual) in International Competition | Winner | The Impossible |
2017 | Platino | Award - Best Sound Direction[23] | Winner | A Monster Call |
2019 | The Catalan Film Academy | Gaudí Award - Best Sound | Nominated | Jurassic World |
2019 | The Catalan Film Academy | Gaudí Award - Best Sound | Nominated | Super López |
2017 | The Catalan Film Academy | Gaudí Award - Best Sound[24] | Winner | A Monster Call[25] |
2016 | The Catalan Film Academy | Gaudí Award - Best Sound[26] | Winner | Anacleto, agente secreto |
2016 | The Catalan Film Academy | Gaudí Award - Best Sound | Winner | Capture the flag |
2015 | The Catalan Film Academy | Gaudí Award - Best Sound[27] | Winner | El Niño |
2014 | The Catalan Film Academy | Gaudí Award - Best Sound | Nominated | [REC] 4: Apocalypse |
2014 | The Catalan Film Academy | Gaudí Award - Best Sound[28] | Winner | Los últimos días |
2014 | The Catalan Film Academy | Gaudí Award - Best Sound | Nominated | El cuerpo |
2013 | The Catalan Film Academy | Gaudí Award - Best Sound[29] | Winner | The Impossible |
2012 | The Catalan Film Academy | Gaudí Award - Best Sound[30] | Winner | Mientras duermes |
2012 | The Catalan Film Academy | Gaudí Award - Best Sound[31] | Nominated | Eva |
2011 | The Catalan Film Academy | Gaudí Award - Best Sound | Nominated | The Julia's Eyes |
2010 | The Catalan Film Academy | Gaudí Award - Best Sound[32] | Winner | [Rec]² |
2007 | Barcelona | Barcelona Award - Best Sound | Winner | The Orphanage |
2017 | Fenix | Award - Best Sound[33] | Winner | A Monster Call[34] |
References
- "A Sound Life". MAS CONTEXT. 2012-06-26. Retrieved 2018-12-11.
- "La Masia de 'Lo imposible'". La Vanguardia. 2012-10-18. Retrieved 2019-02-28.
- "Oriol Tarragó: "La parte más peculiar del indoraptor está grabada en Reus"". Diari de Tarragona (in European Spanish). Retrieved 2018-12-11.
- Freire, Juan Manuel (2018-06-06). "Los infalibles de J.A. Bayona". elperiodico (in Spanish). Retrieved 2019-02-28.
- "Daniel Villanueva y Oriol Tarragó ganan el Goya". Diari de Tarragona (in European Spanish). Retrieved 2018-12-11.
- "Oriol Tarragó, premio del Cine Europeo al mejor sonido por 'Un monstruo viene a verme'". La Vanguardia. 2017-11-14. Retrieved 2018-12-11.
- "Equipo ESCAC - Quiénes somos". escac.com (in European Spanish). Retrieved 2018-12-11.
- "Pura". catalanfilms.cat. Retrieved 2018-12-11.
- Tarragó, Designing Sound » Exclusive Interview with Oriol; of “Rec”, Sound Designer; says, “Rec 2″. ""The Orphanage" – Exclusive Interview with Sound Designer Oriol Tarragó". Retrieved 2019-02-28.
- Hart, Patricia (2011). "Una entrevista con Oriol Tarragó, mayo, 2011". Purdue E-Pubs. School of Languages and Cultures Working Papers.
- "El reusenc Oriol Tarragó, responsable del disseny de so a 'Jurassic world: el regne caigut'". Reusdigital.cat diari de Reus. Notícies i actualitat del Camp de Tarragona (in Catalan). 2018-06-06. Retrieved 2018-12-11.
- "Oriol TARRAGO". Festival de Cannes 2018 (in Spanish). Retrieved 2018-12-11.
- "Oriol Tarragó - Professionals". catalanfilms.cat. Retrieved 2018-12-11.
- Tarragó, Oriol (2016-10-13). "¿Cómo su suena el monstruo?". @oritarrago (in Spanish). Retrieved 2018-12-11.
- "Entrevista en exclusiva con el diseñador de sonido Oriol Tarragó". Hispasonic (in Spanish). 2010-07-23. Retrieved 2018-12-11.
- "Oriol Tarragó, premio del Cine Europeo al mejor sonido por 'Un monstruo viene a verme'". Europa Press. 2017-11-14. Retrieved 2018-12-11.
- "Oriol Tarragó, premio del Cine Europeo al mejor sonido por 'Un monstruo viene a verme'". La Vanguardia. 2017-11-14. Retrieved 2019-02-28.
- "Oriol Tarragó » Premios Goya 2019". www.premiosgoya.com. Retrieved 2018-12-11.
- "Anacleto: agente secreto » Premios Goya 2019". www.premiosgoya.com. Retrieved 2019-02-28.
- "El Niño » Premios Goya 2019". www.premiosgoya.com. Retrieved 2019-02-28.
- "Lo imposible » Premios Goya 2019". www.premiosgoya.com. Retrieved 2019-02-28.
- "El orfanato » Premios Goya 2019". www.premiosgoya.com. Retrieved 2019-02-28.
- "Premios PLATINO. Edición 2017". www.premiosplatino.com. Retrieved 2019-02-28.
- "Un monstruo viene a verme » Premios Goya 2019". www.premiosgoya.com. Retrieved 2019-02-28.
- "A Monster Calls (Un monstre em ve a veure)". www.academiadelcinema.cat (in Catalan). Retrieved 2019-02-28.
- "Anacleto: Agente secreto". www.academiadelcinema.cat (in Catalan). Retrieved 2019-02-28.
- "El Niño". www.academiadelcinema.cat (in Catalan). Retrieved 2019-02-28.
- "Los últimos días". www.academiadelcinema.cat (in Catalan). Retrieved 2019-02-28.
- "Lo imposible". www.academiadelcinema.cat (in Catalan). Retrieved 2019-02-28.
- "Mientras duermes". www.academiadelcinema.cat (in Catalan). Retrieved 2019-02-28.
- "Eva » Premios Goya 2019". www.premiosgoya.com. Retrieved 2019-02-28.
- "REC 2". www.academiadelcinema.cat (in Catalan). Retrieved 2019-02-28.
- de la Fuente, Anna Marie (2017-10-11). "Mexico's Fénix Ibero-American Film Awards Honor TV Series for First Time". Variety. Retrieved 2018-12-11.
- Peralta, Paulo (7 December 2017). "CinEuphoria: Fénix - Premio Iberoamericano de Cine 2017: os vencedores". CinEuphoria. Retrieved 2019-02-28.