Otto Riemer

Otto Moritz Martin Riemer (2 September 1902 – 26 June 1977) was a German music historian and music critic.

Life

Riemer was born in Badeleben (Landkreis Haldensleben, Province of Saxony) near Magdeburg, the son of a pastor.[1] After attending the Domgymnasium Magdeburg[1] (1913-1921), he studied musicology, education and philosophy at the universities of Marburg, Leipzig and Halle. He listened to Hermann Stephani, Nicolai Hartmann, Heinz Heimsoeth, Hermann Abert, Friedrich Blume, Felix Krueger, Hans Joachim Moser, Paul Menzer, Theodor Ziehen and Ottomar Wichmann, among others.[1] From 1924 to 1926, he studied at the Leipzig Conservatory, where Carl Adolf Martienssen (piano) and Fritz Reuter (theory) were among his teachers. In Halle, he took singing lessons with Hans Klemann. In 1927, he was trained by Arnold Schering[2] awarded a doctorate Dr. phil. at the University of Halle-Wittenberg with the dissertation Erhard Bodenschatz und sein Florilegium Portense .

From 1929 to 1933, he worked as a music critic in Görlitz. He then became a teacher of history of music at the music teachers' seminar in Magdeburg. He also continued to work as a music critic. Riemer soon acted as a music advisor for the Magdeburg region and as a municipal music commissioner.[2] From 1937 to 1943, he was head of the cultural department in the People's Education Office of the city of Magdeburg.[2] Furthermore, he was chairman of the state examination commission for private music teachers.[2] In 1943, he was drafted into the Wehrmacht.[2]

From 1949, he worked as a music critic in Heidelberg. In 1954, he became a lecturer in music history at the Musikhochschule. In 1962, he received a lectureship at the Ruprecht-Karls-Universität Heidelberg. He was also a member of the Gesellschaft für Musikforschung.

Riemer was married and father of a son. He died in Waibstadt at the age of 74.

Publications
  • Erhard Bodenschatz und sein Florilegium Portense. Fr. Kistner & C. F. W. Siegel, Leipzig 1928.
  • Musik und Musiker in Magdeburg. Ein geschichtlicher Überblick über Magdeburgs Beitrag zur deutschen Musik. Heinrichshofensche Buchhandlung, Magdeburg 1937.
  • (ed.): Weg und Werk. Eine Festgabe zum 70. Geburtstag von Prof. Dr. Hermann Meinhard Poppen. Hochstein, Heidelberg 1955.
  • Chorklang im Zeitgeist. Eine Studie zum 75-jährigen Bestehen des Heidelberger Bach-Vereins. Bachverein, Heidelberg 1960.
  • Einführung in die Geschichte der Musikerziehung (Taschenbücher zur Musikwissenschaft. 4 ). Heinrichshofen, Wilhelmshaven 1970, ISBN 3-7959-0021-2 (3rd edition 1983).

Further reading
  • Hedwig und Erich Hermann Mueller von Asow (ed.): Kürschners deutscher Musiker-Kalender 1954. 2nd edition of the Deutschen Musiker-Lexikons, de Gruyter, Berlin 1954, Sp. 1059.
  • Herbert A. Frenzel, Hans Joachim Moser (ed.): Kürschners biographisches Theater-Handbuch. Schauspiel, Oper, Film, Rundfunk. Deutschland, Österreich, Schweiz. de Gruyter, Berlin 1956.
  • Friedrich Herzfeld (Hg.): Das neue Ullstein-Lexikon der Musik. Mit 5000 Stichwörtern, 600 Notenbeispielen. Ullstein, Frankfurt, among others 1993, ISBN 3-550-06523-X.

References
  1. Otto Riemer: Erhard Bodenschatz und sein Florilegium Portense. Fr. Kistner & C. F. W. Siegel, Leipzig 1928, p. 119.
  2. Ralph-Jürgen Reipsch: Telemann-Pflege in Magdeburg vom Ende der 1920er Jahre bis 1945. In Carsten Lange, Brit Reipsch (eds.): Vom Umgang mit Telemanns Werk einst und jetzt. Telemann-Reception in Three Centuries. Report on the international scholarly conference, Magdeburg, 15 and 16 March 2012, on the occasion of the 21st Magdeburg Telemann Festival (Telemann Conference Reports. Vol. 19). Georg Olms Verlag, Hildesheim among others 2017, ISBN 978-3-487-15544-9, pp. 219–249, here p. 231.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.