Ovilu Tunnillie

Ovilu (Oviloo) Tunnillie RCA (December 20, 1949 – June 12, 2014) was born at Kangia, Baffin Island, Northwest Territories (now Nunavut)[1][2] and was an Inuit sculptor. Her carvings served as her commentary on both traditional and changing contemporary Inuit culture. She was one of the first Inuit artists to work with an autobiographical theme.[3]

Ovilu (Oviloo) Tunnillie
Born(1949-12-20)December 20, 1949
Kangia, Baffin Island, Northwest Territories (now Nunavut)
DiedJune 12, 2014(2014-06-12) (aged 64)
NationalityCanadian (Inuit)
OccupationArtist/Sculptor
Years active1972–2012[1]
Parents
  • Toonoo (1920–1969) (father)
  • Sheokjuke (1928–2012) (mother)
RelativesMary Qayuaryuk (1908–1982) (maternal grandmother)

At a young age, Oviloo's family was disrupted by the government's forced removal of tuberculosis patients to sanitariums in southern Canada.[1] She was taken to Clearwater Lake Indian Hospital in Manitoba, where she spent two year-long stays.[1] The experience of dehumanization and alienation by white officials remained a major theme in her art.[1]

Tunnillie came from a noted artistic family. Her parents, Sheojuke Toonoo (1928–2012) and Toonoo (1920–1969) were noted artists and her grandmother, Mary Qayuaryuk (1908–1982), (also known as Kudjuakjuk) was also a sculptor, who inspired her to become a sculptor.[1][4][5] However as an eldest daughter, Ovilu's interest in sculpture was unaligned with typical social roles, and she often faced pressure from family to abandon her practice at a young age.[1]

Career

Tunnillie carved her first work, Mother and Child,[6] in 1966 when she was 17 years old.[1][7] Tunnillie's works are rendered in the distinctive serpentinite rock that is common to South Baffin. Her style is distinctive, employing an architectural quality.[4] Themes in her work range from alcohol abuse and sexual assault to memories of her time in a southern TB clinic freely depicting the inter-cultural reality of the contemporary Inuk woman.[4]

Ovilu quickly became the primary breadwinner for her family, and exhibited in early exhibitions with what would become the West Baffin Ekismo Cooperative.[1] She began exploring materials and practices such as metalworking, and switched to electric carving tools following surgery on her arm in this period.[1] Tunnillie had her first solo exhibition in June of 1981 at the Canadian Guild of Crafts in Montreal, after which she was represented by Dorset Fine Arts (DFA) in Toronto.[1] In the following years she exhibited internationally including in West Germany in 1988 and the United States in 1993.[1]

Her work is featured in several private and public collections including the Canadian Guild of Crafts Quebec, the Canadian Museum of Civilization, the National Gallery of Canada, the Winnipeg Art Gallery, and the Hermitage Museum, Leningrad.[5] Her work is also featured in Keeping our Stories Alive: The Sculpture of Canada's Inuit along with the work of Lucy Meeko and Uriash Puqiqnak.[8][1]

She was elected to the Royal Canadian Academy in 2003.[9] Though she was active in the contemporary art world, she faield to generate the sales she needed to support her family living in Toronto and Ottawa.[1] Her contemporaries remember the financial stress placing a strain on Oviloo's work, transforming her more conceptual pieces to 'pedestrian' decorative works.[1] Oviloo spent the early 2000's between Montreal and Vancouver, before returning permanently to Cape Dorset in 2006.[1] She died of ovarian cancer in 2014.

Exhibitions
  • Debut - Cape Dorset Jewellery, Canadian Guild of Crafts Quebec (1976)
  • Oviloo Toonoo, Canadian Guild of Crafts Quebec, Montreal (1981)
  • Arctic Vision: Art of the Canadian Inuit, travelling exhibition put on by the Department of Indian Affairs and Northern Development and Canadian Arctic Producers, Ottawa (1984–1986)
  • Building on Strengths: New Inuit Art from the Collection, Winnipeg Art Gallery (1988)
  • Hermitage - 89: New Exhibits, Hermitage Museum, Leningrad, Soviet Union[5]
  • Oviloo Tunnillie: A Woman’s History in Stone, Winnipeg Art Gallery (2016)[2][10][11]

Further reading

References
  1. Wight, Darlene Coward, Oviloo Tunnillie: Life & Work - Biography, Art Canada Institute, retrieved June 9, 2019
  2. Leyden Cochrane, Steven (September 8, 2016). "'I carve about my life' - A career-spanning survey tells a groundbreaking female sculptor's 'story in stone'". Winnipeg Free Press. Retrieved 11 March 2018.
  3. Wight, Darlene Coward (2012). Creation and Transformation: Defining Moments in Inuit Art. Vancouver, BC: Douglas & McIntyre. p. 184. ISBN 978-1-926812-89-2.
  4. Zepp, Norman (June 23, 2015) [2006]. "Ovilu Tunnillie". The Canadian Encyclopedia. Retrieved 2017-03-11.
  5. Leroux, Odette; Jackson, Marion E.; Freeman, Minnie Aodla (1994). Inuit women artists: voices frrm Cape Dorset. 1615 Venables Street, Vancouver, BC: Douglas & McIntyre. p. 222. ISBN 0-295-97389-7.{{cite book}}: CS1 maint: location (link)
  6. Wight, Darlene Coward, Mother and Child (from Oviloo Tunnillie: Life & Work - Biography), Art Canada Institute, retrieved June 10, 2019
  7. Meili, Dianne (November 1, 2014), "Ovilu Tunnillie Sculptor broke through artistic/gender constraints", Windspeaker, Aboriginal Multi-Media Society: 22
  8. Withers, Denise (writer & director) (1993), Keeping our Stories Alive: The Sculpture of Canada's Inuit, Indian and Northern Affairs Canada
  9. "Oviloo Tunnillie (1949-2014), Inuit artist biography and portfolio". Spirit Wrestler Gallery. Retrieved 2017-03-11.
  10. Small, Alan (May 20, 2016), A summer of change at the WAG, Winnipeg Free Press, retrieved June 10, 2019
  11. Oviloo Tunnillie: A Woman's Story in Stone, Winnipeg Art Gallery, retrieved June 10, 2019

Hessel, Ingo (2006), Arctic Spirit: Inuit Art from the Albrecht Collection at the Heard Museum, Douglas & McIntyre, ISBN 978-1-55365-189-5

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