Owanto

Owanto was born on 13 December 1953 in Paris, and spent her adolescence in Libreville, Gabon, where she spent her formative years, later moving to Madrid and studying at the Institut Catholic de Paris

In 2009, Owanto represented the Republic of Gabon at the 53rd Venice Biennale with her piece The Lighthouse of Memory/ Go Nogé Mènè,[2] curated by Fernando Francès, being the first Central African artist to exhibit solo in a National Pavilion. Owanto stated that the piece was inspired by an artistic proposal she called “Où Allons Nous?” (Where Are We Going?). Owanto also states that; "Gabon was looking for new directions, as was the rest of the world - new systems, new models of society, new ways of seeing.”

Owanto's work has focused on many themes, including consciousness, memory, cross-cultural existential dialogues, among others. Owanto’s current projects focus on women’s liberation, resilience, healing, and transformation.

Owanto’s art has entered into pop, conceptual and minimal genres in both her statuary work and others

Owanto won the Mbokodo Award in 2020. “The awards honor women who have strengthened communities and individuals through their art.”[3]

2009: “The Lighthouse of Memory/ Go Nogé Mènè” Venice Biennale, Venice, Italy

2011: "El Faro de la Memoria" Galería Maior, Vigo, Spain

2012: "Où Allons Nous?" Voice Gallery, Marrakech, Morocco

2013: "Protect" Jardins de Saint Martin, Monaco

2014: "Here, Now." Biennale de Marrakech, Marrakech, Morocco

2015: Owanto " L'Atelier de l'artiste" Art Marbella, Galeria Yusto-Giner, Marbella, Spain

2016: "Flowers" Conseil National, Monaco

2018: "Dance with Me" African Artists Foundation, Lagos, Nigeria

2018: "Flowers" Voice Gallery, Marrakech, Morocco

2019: "One Thousand Voices" Museo d'Arte Contemporanea Donnaregina (MADRE), Naples, Italy

2019: "One Thousand Voices" Zeitz Museum of Contemporary Art Africa (Z-MOCAA), Cape Town, South Africa

2020: "Flowers" Sakhile&Me, Frankfurt, Germany

2020: "La Bible de ma Mère" LagosPhoto20, Online Home Museum

• Thelma Mort (2020): Getting out of forgotten: The disruptive vision of Owanto, Agenda, DOI: 10.1080/10130950.2020.1833512  
• Berrada, Meriem; Dieudji, Janine G.; Diagne, Souleymane B. and Zineb A. Arraki. 2019. Material Insanity. Casablanca, Morocco: Somadi. ISBN 978-9-95470-804-0.
• DeSouza, Allan; Milbourne, Karen; Mutu, Wangechi; Osodi, George and Clive van den Berg. 2013. Earth Matters: Land as Material and Metaphor in the Arts of Africa. New York, USA: Monacelli Press. ISBN 978-1-58093-370-4.
• Frances, Fernando. 2009. Owanto: The Lighthouse of Memory - Go Nogé Mènè. Imola, Italy: Maretti Editore. ISBN 978-8-88996-572-6.
• Sherman, Louise. 2002. Owanto. Barcelona, Spain: Polígrafa. ISBN 978-8-43430-934-0.
• "Owanto: A Thousand Voices, But Two Thousand Feet" by Valentine Umansky, ART AFRICA, July 2020
• "Owanto: 30 years of militantisme en faveur de l'émancipation de la femme" by Stevie Mounombou, Gabonreview, July 2020
• "Owanto: An artist who asks you to look and reflect" by Emilie Gambade, Daily Maverick, July 2020
• "Something Terrible Happened To Me When I Was Seven", ELLE, February 2019
• "Le dire avec des fleurs", Diptyk n ° 47, February-March 2019
• "Fleurs guérisseuses et voix briseuses de silences", Afrique in visu, February 2019
• "Les Fleurs du Bien", ELLE, February 2018
• "Fleurs et Blessures - Entretien avec Owanto", IAM (Intense Art Magazine), January 2018
• "Owanto's Flower Series", AFRICANAH, December 2017
• "The Forgotten Drawer," ART AFRICA, December 2017
• Fernando Francés, Owanto The Lighthouse of Memory Go Nogé Mènè, Christian Maretti Editore, 2009, pp 12–13.

• https://zeitzmocaa.museum/artists/owanto-berger/
• https://www.1-54.com/london/artists/owanto/