The Cunning Little Vixen

The opera's libretto was adapted by the composer from a 1920 serialized novella, Liška Bystrouška, by Rudolf Těsnohlídek, which was first published in the newspaper Lidové noviny (with illustrations by Stanislav Lolek).[1] For the title of the opera, Příhody means tales; lišky is the genitive of vixen. Bystroušky, still genitive, is the pun sharp, having the double meaning of pointed, like fox ears, and clever. The opera first became familiar outside Czechoslovakia in a 1927 German adaptation by Max Brod who provided the new name Das schlaue Füchslein, by which Germans still know it and which in English means The Cunning Little Vixen.

When Janáček discovered Těsnohlídek's comic-strip-inspired story and decided to turn it into an opera, in 1921, he began work by meeting with the author and studying the animals. With this understanding of the characters involved, his own 70 years of life experience, and an undying, unrequited love for the much younger, married Kamila Stösslová, he began work on the opera. He transformed the originally comedic cartoon into a philosophical reflection on the cycle of life by ending with the death of the titular Vixen; as with other operas by elderly composers, this one depicts life leading to a return to simplicity. Work was completed in 1922-23[2] and the first edition was published the next year in Vienna by Universal Edition. The premiere took place on 6 November 1924 in National Theatre Brno conducted by František Neumann, with Ota Zítek as director and Eduard Milén as stage designer.

The opera incorporates Moravian folk music and rhythms as it recounts the life of a clever (alternative reading: sharp-eared) fox and accompanying wildlife, as well as a few humans, and their small adventures while traversing their lifecycles.[3][4] Described as a comic opera,[5] it has nonetheless been noted to contain a serious theme.[6] Interpretations of the work remain varied, ranging from children's entertainment to tragedy.[4]

The first non-Czech performance took place in Mainz, Germany, in 1927 in an adaptation by Max Brod under the title Das schlaue Füchslein. Brod described the opera as a "dream of the eternity of nature and love-lust", but his version substantially changed the story-line. It was not successful. In 1956 Walter Felsenstein created a performing version closer to the original, which was successfully performed at the Komische Oper in Berlin.[2] In 1965, Felsenstein made this a Deutscher Fernsehfunk movie with Irmgard Arnold in the title role, but retaining Brod's Das schlaue Füchslein title.

The opera received its Italian premiere at La Scala in 1958 with Mariella Adani in the title role. The work was first staged in England in 1961 by the Sadler's Wells Opera Company (now the English National Opera) with June Bronhill in the title, albeit with a tenor Fox (Kevin Miller); the director was Colin Graham, with conductor Colin Davis, and scenery and costume designs by Barry Kay.[7] A production by David Pountney was mounted by the three UK national companies in the 1980s, first being seen with Scottish Opera at the 1980 Edinburgh Festival, then Welsh National Opera in London the following year and finally with English National Opera in June 1988;[8] nearly 40 years on Pountney supervised a revival by Welsh National Opera in Cardiff and on tour.[9] In 1981, the New York City Opera mounted a production in English based on images created by Maurice Sendak and conducted by Michael Tilson Thomas in his company debut. It starred soprano Gianna Rolandi as Vixen Sharp-Ears and baritone Richard Cross as the Forester. Glyndebourne Festival Opera staged it in 2012, directed by Melly Still, and a revival was included in the Glyndebourne Festival for 2016 with Christopher Purves as the Forester and Elena Tsallagova as the Vixen, conductor Jakub Hrůša and the London Philharmonic Orchestra. In May 2014 the Cleveland Orchestra, conducted by Franz Welser-Möst, performed an innovative version directed by Yuval Sharon. This production returned the opera to its roots by utilizing animation and hand drawn video sets by the artists Bill Barminski and Christopher Louie of Walter Robot Studios. The production featured the use of hole-in-the-wall carnival cutouts to place the singers' heads on the animated bodies of the animal characters.

In 2023, the opera was staged in São Paulo, directed by Ira Levin and production by André Heller-Lopes, taking a surrealistic approach.[10]

Monument of Bystrouška, Janáček's opera The Cunning Little Vixen at Hukvaldy, Janáček's hometown

According to instructions in the score, four pairs of roles may be performed by the same singer: Parson/Badger, Schoolmaster/Mosquito, Forester's Wife/Owl, and Rooster/Jay. Janácek later required that Lapák, Rooster, and Chocholka be sung by "girls approximately fifteen years old."

Apart from The Excursions of Mr. Brouček, this is Janáček's lightest opera, and, despite the titular vixen's death at the end of the work, it stands in contrast to the often brutally serious nature of operas such as Jenůfa and Káťa Kabanová. In The Cunning Little Vixen, the composer moved away from the more conversational style of previous and subsequent operas in favor of a more folk-like style, and wove into its fabric some of his most experimental opera concepts (ballet, mime, and orchestral interludes).

Janáček based The Cunning Little Vixen's tonality on modes (similarly to much output during his last decade), expanding the music's harmonic range through the utilisation of the seventh and ninth chords.[11] The composition makes frequent use of folk-influenced rhythms and "sčasovka" (personally-coined term for a short motif), while it has been noted to contain similarities to the music of French composer Claude Debussy.[11]

At Janáček's request, the final scene from The Cunning Little Vixen was performed at his funeral in 1928.

• Prague National Theatre Chorus and Orchestra/Bohumil Gregor (Supraphon SU 3071-2612)
• Royal Opera House Chorus and Orchestra/Simon Rattle, recorded 1991 (Chandos 3101(2), sung in English)
• Wiener Staatsopernchor & Philharmoniker/Charles Mackerras, recorded 1981 (Decca 417 129-2)
• Orchestre de Paris/Charles Mackerras, video recorded 1995 (Kultur D4544, OCLC 698051148; Medici Arts, OCLC 698051148)
• London Symphony Orchestra/Simon Rattle, 2020 (LSO Live, LSO0850)

• Orchestral suite of the opera by Václav Talich, performed by Czech Philharmonic Orchestra, conductor Václav Talich
• Orchestral suite of the opera by Václav Talich, performed by Boston Symphony Orchestra, conductor Erich Leinsdorf
• Orchestral suite of the opera by Václav Talich, performed by Czech Philharmonic Orchestra, conductor Charles Mackerras
• Entr'actes from the opera, arrangement by František Jílek, performed by Brno Philharmonic Orchestra, conductor Jakub Hrůša
• Music from the opera for brass quintet, arrangement by František Jílek, performed by Brno Brass Quintet, ar Vlastimil Bialas
• Cut version of the opera for an animated film, arrangement by Kent Nagano, in English, texted Geoff Dunbar, performed by soloists, Berlin German Symphony Orchestra, conductor Kent Nagano

• In 1965, Walter Felsenstein directed a filmed version in German (Das schlaue Füchslein).
• In 1990, the BBC broadcast the opera from the Royal Opera House, conducted by Simon Rattle with Lillian Watson as the vixen, Diana Montague as the fox and Thomas Allen as the forester. The broadcast was directed by Barrie Gavin.[12]
• In 2003, an animated version was produced by the BBC.[13]

Ursula Dubosarsky's 2018 novel for children, Brindabella, is based on Rudolf Těsnohlídek's Vixen Sharp Ears, the source story of the Cunning Little Vixen,[14] relocated in the Australian bush, with the role of the Vixen played by a kangaroo.[15][16]

Notes

Sources

• Holden, Amanda (ed.) (2001), The New Penguin Opera Guide, New York: Penguin Putnam. ISBN 0-14-029312-4
• Janáček, Leoš (Timothy Cheek) (2004), The Janáček Opera Libretti: Káťa Kabanová, Scarecrow Press.
• Kennedy, Michael and Joyce. Oxford Concise Dictionary of Music (5th edition). Oxford: Oxford University Press, 2007. ISBN 978-0-19-920383-3.
• Sokol, Martin L. (1981), The New York City Opera – An American Adventure, Macmillan. ISBN 0-02-612280-4
• Warrack, John and West, Ewan (1992), The Oxford Dictionary of Opera, ISBN 0-19-869164-5
• Zemanová, Mirka (2002), Janáček: A Composer's Life, University Press of New England. ISBN 978-1-55553-549-0

• Gavin Plumley's Leoš Janáček site, information on The Cunning Little Vixen
• Synopsis of The Cunning Little Vixen from the English Touring Opera
• Synopsis of The Cunning Little Vixen from the Royal Opera House
• The Cunning Little Vixen: Scores at the International Music Score Library Project