Paarvai Ondre Pothume

Paarvai Ondre Pothume (transl.A Glance is Enough) is a 2001 Indian Tamil-language romance film written and directed by Murali Krishna. The film stars Kunal, Monal and Karan. The film's soundtrack was composed by Bharani and was a success.[1] The film released on 16 March 2001 and became a relative success and Karan performance was critically acclaimed.[2][3][4]

Paarvai Ondre Pothume
Official DVD Cover
Directed byMurali Krishna
Written byMurali Krishna
Produced byA. Rajpal
StarringKunal
Monal
Karan
Ramji
CinematographySri Shankar
Edited byB.S.Vasu-Saleem
Music byBharani
Production
company
Amutha Movie Makers
Release date
16 March 2001
Running time
132 minutes
CountryIndia
LanguageTamil

Plot

Vinodh and Manoj are best friends. Manoj gives Vinodh a manager job of his three-star hotel. They both are in love with Neetha, but Neetha is actually in love with Vinodh. This causes a strain in their friendship, and Manoj fires Vinodh from his manager job.

The film ends with a message to the audience that 'love is divine (pleasing) but friendship is pristine (unspoilt)'.

Cast

Soundtrack

The soundtrack was composed by Bharani and lyrics were penned by Pa. Vijay and Bharani.[5][6]

S. No.Song TitleSinger(s)Lyric(s)Duration (MIN)
1."Thuli Thuliyaai Kottum Mazhai"Hariharan, SwarnalathaPa. Vijay6:07
2."Kaadhal Pannaadheenga"Krishnaraj Bharani 1:19
3.Theme Music, "Dhumthakku Dhumthakku"Krishnaraj, Malgudi Subha, Sumitra 1:32
4."Nee Paarthuttu Ponaalum"Krishnaraj, Sumitra 4:10
5."Thirudiya Idhayathai Thiruppi"Harish Raghavendra, K. S. Chithra 4:51
6."Thirumba Thirumba"Harini, P. Unnikrishnan Pa. Vijay5:17
7."Yen Asaindhaadum"S. Janaki, P. Unnikrishnan 5:16

Reception

Chennai Online wrote " Not much variation can be brought in this subject, but the director has seen that his narration is neat, the scenes move smoothly and the songs appear at the right places".[7] Cinesouth wrote "There is no depth in the story. Neither the screenplay is clear. One has to pity the plight of the director! It is a heavy assault on the audiences. But there are two redeeming factors: The free-flowing histrionic talents of Karan and the scintillating songs of Bharani".[8]

References


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