Palermo Conservatory
The Conservatorio di Musica Alessandro Scarlatti (English: Conservatory of Music Alessandro Scarlatti), better known in English as the Palermo Conservatory, is a music conservatory in Palermo, Italy. One of the oldest music schools in Italy,[1] the organization was originally established as an orphanage for boys known as the Orfanotrofio del Buon Pastore in 1618. Music instruction began at the school in the late 17th century, and for a limited period music was the primary emphasis of the school when it was known as the Conservatorio dei giovanetti dispersi (English: Conservatory of missing youths). It evolved into a liberal arts college, known as the Collegio dei giovanetti dispersi, with an emphasis on literature and writing during the first half of the 18th century. In 1747 an emphasis on music resumed, and not long after the school was renamed the Collegio musicale del Buon Pastore. It operated under that name until 1915 when the school's name was changed to the Conservatorio di Musica Vincenzo Bellini. By the year 2020, the school's name was changed once again in honor of the composer Alessandro Scarlatti.
History
The Palermo Conservatory was originally founded in 1618 as the Orfanotrofio del Buon Pastore; an orphanage for boys located within the Chiesa di Maria Santissima Annunziata.[1] The idea and the funds for the school were provided by Francisco Ruiz de Castro, the Viceroy of Sicily.[2] At the end of the seventeenth century, musical instruction was introduced at the orphanage that was modeled after the Naples Conservatory,[1] and not long after the school was renamed the Conservatorio dei giovanetti dispersi (English: Conservatory of missing youths) when administration of the school was given over to the Government of Palermo.[3]
In the first half of the 18th century the school's focus shifted away from music to a broader liberal arts education with studies in literature and writing being emphasized over that of music; with the school being renamed the Collegio dei giovanetti dispersi.[3] However, in 1747 a gradual shift back towards a music emphasis began, and not long after the school became completely devoted to music instruction and was renamed the Collegio musicale del Buon Pastore.[3] Composer Nicola Logroscino was maestro di cappella at the conservatory from 1758 to 1764.[1] Composer Gaetano Donizetti taught on the faculty during his time in Palermo in the mid 1820s.[4]
In 1833, Baron Pietro Pisani raised a large sum of money for the school which significantly improved the school's resources and quality of its instruction; including the building of a theatre on the conservatory's property and the purchasing of new music and instruments.[3] At this time the composer Pietro Raimondi became director of the institution, and the conservatory underwent a period of significant growth under his leadership which lasted until 1852.[1] The school struggled following Raimondi's departure, and by 1863 the conservatory had been taken over by the administration of the Government of Italy in order to prevent the school from closing.[5] The school thrived once again after Pietro Platania was appointed director of the conservatory by a committee led by Giovanni Pacini in 1863.[5] He was succeeded by Gaetano Vanneschi.[5]
Composer and conductor Guglielmo Zuelli served as directed of the Palermo Conservatory from 1895 through 1912.[6] In 1915, the conservatory was renamed from Collegio musicale del Buon Pastore to the Conservatorio di Musica Vincenzo Bellini after the opera composer of that name.[7] Composer, pianist and conductor Rito Selvaggi was director of the conservatory from 1938 through 1943.[8] The conservatory's library was destroyed by bombing during World War II, and the school's music librarian and professor of music history Nino Pirrotta achieved acclaim for his work restoring the library after this incident.[9] By 2020, the school's name had been changed again after the composer Allesandro Scarlatti.[10]
Notable alumni
- Aura Eternal, drag queen[11]
- Simone Alaimo, bass-baritone[12]
- Nazario Carlo Bellandi, composer, pianist, organist, and harpsichordist[13]
- Pasquale Bona, composer[14]
- Salvatore Bonafede, composer and pianist[15]
- Francesco Buzzurro, guitarist[16]
- Fausto Cannone, singer-songwriter[17]
- Ginger Costa-Jackson, mezzo-soprano[18]
- Francesco Paolo Frontini, composer and musicologist[19]
- Alfonso Gibilaro, pianist, vocal coach, and composer[20]
- Barbara Giuranna, pianist and composer[21]
- Anton Guadagno, conductor[22]
- Matteo Mancuso, guitarist[23]
- Gino Marinuzzi, conductor and composer[24]
- Giuseppe Monterosso, flautist, composer, and conductor[25]
- Giuseppe Mulè, composer and conductor[26]
- Salvatore Pappalardo, composer[27]
- Domenico Picciché, pianist, composer, and jurist[28]
- Giovanni Sollima, composer and cellist[29]
- Ottavio Ziino, composer and conductor[30]
Notable faculty
- Marco Betta (also alumnus), composer[31]
- Beniamino Cesi, pianist[32]
- Francesco Cilea, composer[33]
- Gaetano Donizetti, composer[4]
- Guido Alberto Fano, pianist and composer[34]
- Alberto Favara (also alumnus), musicologist[35]
- Pietro Floridia, composer[36]
- Riccardo Minasi, violinist and conductor[37]
- Federico Mompellio, musicologist, music editor, music librarian, and music critic[38]
- Enrico Onofri, violinist and conductor[39]
- Gianfranco Pappalardo Fiumara, pianist[40]
- Mario Pilati, composer[41]
- Nino Pirrotta (also alumnus), musicologist, pianist, and music critic[9]
- Pietro Raimondi, composer[42]
- Antonio Scontrino (also alumnus), composer[43]
- Rito Selvaggi, composer, pianist, conductor, and poet[8]
- Guglielmo Zuelli, composer and conductor[6]
References
Citations
- Paolo Emilio Carapezza and Giuseppe Collisani (2001). "Palermo". Grove Music Online. Oxford University Press. doi:10.1093/gmo/9781561592630.article.20745.
- Daita, p. 3
- Daita, p. 4
- Weinstock, p. 43-44
- Daita, p. 5
- Sauro Rodolfi (2020). "ZUELLI, Guglielmo". Dizionario Biografico degli Italiani. Vol. 100. Treccani.
- Maione, p. 4
- Roberto Zanetti (1985). "Rito Selvaggi". La musica italiana nel Novecento. Vol. 2. Bramante. p. 989.
- Anthony M. Cummings (2015). "PIRROTTA, Antonino". Dizionario Biografico degli Italiani. Vol. 84.
- Giovanni Di Domenico (2020). Anna Bilotta; Giovanni Di Domenico; Maria Senatore Polisetti (eds.). Le biblioteche dell’Alta formazione musicale: Prove di monitoraggio e valutazione. Ledizioni.
- Maffioletti, Chiara (2023-06-06). "Chi è Aura Eternal, la drag queen di Palermo laureata in conservatorio che sta conquistando il mondo". Corriere della Sera. Retrieved 2023-07-25.
- Elizabeth Forbes (2001). "Alaimo, Simone". Grove Music Online. Oxford University Press. doi:10.1093/gmo/9781561592630.article.41891.
- W. B. Henshaw (2003). "Carlo Bellandi". Biographical Dictionary of the Organ. Bardon Music. (subscription required)
- Franco C. Ricci (1969). "BONA, Pasquale". Dizionario Biografico degli Italiani. Vol. 11.
- "Bonafede Salvatore". Conservatorio Bellini Palermo. Retrieved 27 February 2019.
- ""Un'orchestra a 6 corde", in arrivo l'atteso concerto del chitarrista Francesco Buzzurro". Messina Today. October 18, 2023.
- Giacomo Romano Davare (2014). Il potere e l'anima. Thule. p. 90.
- Gazzola, Luiz (26 August 2013). "The Exclusive Opera Lively Interview with Ginger Costa-Jackson". Opera Lively. Retrieved 21 September 2013.
- Paola Rosa (1998). "Frontini, Francesco Paolo". Dizionario Biografico degli Italiani. Vol. 50. Treccani.
- Robert Bagar, Louis Biancolli (1947). The Concert Companion. Tomaso Antonio Vitali. p. 809.
- Antonio Trudu (2001). "Giuranna, (Elena) Barbara". Grove Music Online. Oxford University Press. doi:10.1093/gmo/9781561592630.article.11236.
- Bernard Jacobson, revised by Richard Wigmore (2001). "Guadagno, Anton". Grove Music Online. Oxford University Press. doi:10.1093/gmo/9781561592630.article.11887.
- "MATTEO MANCUSO – THE INTERVIEW". Velvet Thunder. August 13, 2023.
- Leonardo Pinzauti (2001). "Marinuzzi, Gino (i)". Grove Music Online. Oxford University Press. doi:10.1093/gmo/9781561592630.article.17814.
- Sinopie Consonanze. Giuseppe Monterosso e il Filarmonico Concerto Municipale di Aci Catena.1908-1912 ¤ 1922-1945. Dal Meriggio al Tramonto (1948-1978). I maestri Fontana, Minissale e Ausino, Supino, Pagine lepine, 2022, p. 18.
- Alfredo Casella, revised by John C.G. Waterhouse (2001). "Mulè, Giuseppe". Grove Music Online. Oxford University Press. doi:10.1093/gmo/9781561592630.article.19305.
- Careri, Enrico; Donisi, Enrica (2015). Prima e dopo Cavour: La musica tra Stato Sabaudo e Italia Unita (1848-1870). Atti del Convegno Internazionale Napoli, 11-12 novembre 2011. FedOA - Federico II University Press. p. 95.
- "Lunedì classico in libreria, il concerto sulle note di Chopin e Liszt alla Feltrinelli". Palermo Today. March 11, 2019.
- "Giovanni Sollima- Composer Information". Counterpoint Music Library Services. 2012. Retrieved October 9, 2023.
- Pagano, Roberto (2000). "Ziino, Ottavio". Enciclopedia Italiana. Vol. VI. Treccani.
- "Betta, Marco". Istituto della Enciclopedia Italiana fondata. Giovanni Treccani. 2015.
- Raoul Meloncelli (1980). "CESI, Beniamino". Dizionario Biografico degli Italiani. Vol. 24. Treccani.
- Julian Budden (2001). "Cilea, Francesco". Grove Music Online. Oxford University Press. doi:10.1093/gmo/9781561592630.article.05780.
- Fabio Fano, revised by Roberta Costa (2001). "Fano, (Aronne) Guido Alberto". Grove Music Online. Oxford University Press. doi:10.1093/gmo/9781561592630.article.09288.
- Nicola Balata (1995). "Favara, Alberto". Dizionario Biografico degli Italiani. Vol. 45. Treccani.
- Fabio Antonini (1997). "Floridia, Pietro". Dizionario Biografico degli Italiani. Vol. 48. Treccani.
- "Riccardo Minasi" (PDF). Festival Bach de Lausanne. Retrieved October 20, 2023.
- Emiliano Giannetti (2011). "MOMPELLIO, Federico". Dizionario Biografico degli Italiani. Vol. 75. Treccani.
- "ENRICO ONOFRI ARION BAROQUE ORCHESTRA". KA Magazine. November 27, 2014.
- "Premiato il pianista catanese Gianfranco Pappalardo Fiumara". LiveSicilia. July 4, 2023.
- Antonio Trudu (2001). "Pilati, Mario". Grove Music Online. Oxford University Press. doi:10.1093/gmo/9781561592630.article.21758.
- Jesse Rosenberg (2001). "Raimondi, Pietro". Grove Music Online. Oxford University Press. doi:10.1093/gmo/9781561592630.article.50122.
- J.A. Fuller Maitland (2001). "Scontrino, Antonio". Grove Music Online. Oxford University Press. doi:10.1093/gmo/9781561592630.article.25239.
Bibliography
- Gaetano Daita (1873). R. Collegio musicale del Buon Pastore in Palermo. Stablimento Tipigrafico LAO; held in The British Library.
- Orazio Maione (2005). I conservatori di musica durante il fascismo: la riforma del 1930, storia e documenti. EDT Srl. ISBN 978-88-6040-019-2.
- Weinstock, Herbert (1963). Donizetti and the World of Opera in Italy, Paris and Vienna in the First Half of the Nineteenth Century. New York: Random House.