Patricia Roc

Roc was top-billed in Millions Like Us (1943) from Gainsborough Studios. It was a success, and Gainsborough gave her another lead, as a nun interned by the Germans in Two Thousand Women (1944). According to one writer these movies "established her as a symbol of war's transformative effect upon the status of women."[7]

She appeared alongside two of Gainsborough's biggest stars, Margaret Lockwood and Stewart Granger, in Love Story (1944), a big hit. Roc played the jealous rival of Margaret Lockwood. She later commented that although they were required to slap each other's faces, she and Lockwood were always the best of friends.[3] Madonna of the Seven Moons (1945), with Granger and Phyllis Calvert, was another success.[3]

Neither of them, however, did as well as The Wicked Lady (1945), where Roc played Lockwood's best friend. It was the most successful movie at the British box office in 1946. Roc's more overt bisexuality in such films as The Wicked Lady was played down for the American market (even her décolletage led US censors to call for retakes to de-emphasise it[8]) and "the Goddess of Odeons", whilst Noël Coward said she was "a phenomenon" and "an unspoiled film star who can act".[2]

She was also in Johnny Frenchman (1945). Co-starring in that film was Ralph Michael, who soon after divorced his wife Fay Compton; Roc was named in proceedings.[9]

Her brief move to Hollywood to film Canyon Passage (1946), a Western in Technicolor, was a lend-lease agreement between Rank Pictures and Universal Studios of British in return for American film actors.[3][10] During filming, Roc was romantically linked with Ronald Reagan, while her US co-star Susan Hayward stated "that Limey glamour girl is a helluva dame." Despite good reviews and a remarked likeness to Deanna Durbin, she did not click with the American filmgoing public.[11]

Roc returned to Britain to make The Brothers (1947), a melodrama that was a commercial disappointment.[12] She was in an expensive British-US co production So Well Remembered (1947), which was a hit in Britain but failed to recoup its cost. Jassy (1947), a melodrama with Lockwood, was a big hit. When the Bough Breaks (1947), another melodrama, performed reasonably well.

In 1947 British exhibitors voted Roc the sixth-most-popular British star in the country.[13] The following year she was ninth.[14]

She walked out of London Belongs to Me saying she was miscast.[15]

After making a cameo as herself in Holiday Camp (1947), Roc was in One Night with You (1948), a musical comedy with Nino Martini.

She made two films in France, Return to Life (1949) and The Man on the Eiffel Tower. She returned to Britain to appear in a comedy The Perfect Woman (1949) then walked out on her contract with Rank in March 1949.[16][17]

In August 1949 she married French cameraman André Thomas.[18]

In Paris she made Black Jack (1950). She also appeared in Fugitive from Montreal (1951), a French-Canadian co production.

Roc returned to Britain for the first time in 18 months to make Circle of Danger (1951) with Ray Milland. She then returned for Something Money Can't Buy (1952).[3]

Roc's later films included The Widow (1955) and The Hypnotist (1957).

Roc returned to Britain later in the decade following the death of husband, André Thomas. She produced only three more films and made a few television appearances (including the first episode of The Saint, her final acting role).