Patchwork Girl (hypertext)

Patchwork Girl is a work of electronic literature by American author Shelley Jackson. It was written in Storyspace and published by Eastgate Systems in 1995. It is often discussed along with Michael Joyce's afternoon, a story as an important work of hypertext fiction.

Patchwork Girl
The first edition of the work was published on floppy disk.
AuthorShelley Jackson
CountryUSA
GenreHypertext fiction
PublisherEastgate Systems
Publication date
October 1995

"Shelley Jackson's brilliantly realized hypertext Patchwork Girl is an electronic fiction that manages to be at once highly original and intensely parasitic on its print predecessors."[1]

Plot and structure

Jackson's Patchwork Girl tells the story through illustrations of parts of a female body stitched together through text and image. The narrative of the story is divided into five segments, titled: "a Graveyard", "a Journal", "a Quilt", "a Story", and "& broken accents." The goal of the piece is to not only make the reader realize the structure of the Patchwork Girl as a whole but also realize all the pieces that must be "patched" together in order to create one unified structure. Each segment leads down a trail that takes the story in multiple directions through various linking words and images. Jackson uses recurring graveyard imagery in order to continually invite the reader to resurrect Mary Shelley's monster.

In Mary Shelley's original, Victor Frankenstein begins the creation of a female companion for his monster but destroys the second effort prior to completion. In Jackson's version, the female monster is completed by Mary Shelley herself. The woman and her creation become lovers; the creature then travels to America, where she pursues a variety of adventures before disintegrating after a 175-year lifetime. Individual sections also explore the lives of some of the women whose corpses contributed body parts to the creature. The work is an often-cited example of cyberfeminism[2][3]— "If you want to see the whole," one passage reads, "you will have to piece me together yourself."[4] Furthermore, Jackson's use of hypertext "enables us to recognize the degree to which the qualities of collage— particularly those of appropriation, assemblage, concatenation, and the blurring of limits, edges, and borders— characterize a good deal of the way we conceive of gender and identity."[5]

In reflecting on the structural impact of hypertext on Patchwork Girl, Jackson wrote:

In hypertext, everything is there at once and equally weighted. It is a body whose brain is dispersed throughout the cells, fraught with potential, fragile with indecision, or rather strong in foregoing decisions, the way a vine will bend but a tree can fall down.[6]

Influences

The narrative is based on two books: Mary Shelley's Frankenstein and The Patchwork Girl of Oz by L. Frank Baum.

Jackson's work includes quotations from the novels of both Shelley and Baum, plus material from Jacques Derrida, Donna Haraway, and other writers.[7]

Patchwork Girl is categorized as a Borgesian structure of information, due to its non-linearity. The work reflects the hypertext labyrinth originally expressed in Borges' "Garden of Forking Paths" since the choices in the narrative allow multiple paths of experience.

The Gothic

Patchwork Girl is a continuation of Mary Shelley's Frankenstein, and therefore definitively a Gothic tale. There is much emphasis placed on the gruesome sewing-together of Patchwork Girl and the functioning of her borrowed body. The structure and the content of the text closely reflect one another because of the piecing-together of Patchwork Girl's physical self features in the narrative as well as the interactive element of the hypertext.

Reception

Marjorie Luesebrink analyzed Patchwork Girl as a landmark innovation in Patchwork Girl was analyzed in "Women Innovate: Contributions to Electronic Literature (1990-2010). [8]

Astrid Ensslin's work, Pre-web Digital Publishing and the Lore of Electronic Literature[9]

Award nominations

Patchwork Girl was shortlisted for the Electronic Literature Organization fiction award in 2001.[10]

References
  1. N. Katherine Hayles, My Mother was a Computer: Digital Subjects and Literary Texts, Chicago, University of Chicago Press, 2005; p. 143.
  2. Sullivan, Nikki. "Somatechnics, or Monstrosity Unbound
  3. Hackman, Paul. "'I Am a Double Agent': Shelley Jackson's Patchwork Girl and the Persistence of Print in the Age of Hypertext"
  4. Jackson, Shelley. Patchwork Girl. (1995). Eastgate Systems
  5. Landow, George P. Stitching together Narrative, Sexuality, Self: Shelley Jackson's "Patchwork Girl Web Essay
  6. "STITCH BITCH: The patchwork girl".
  7. Jay Clayton, "Frankenstein's futurity: replicants and robots," in: The Cambridge Companion to Mary Shelley, Esther H. Schor, ed., Cambridge, Cambridge University Press, 2004; pp. 92-4.
  8. Luesebrink, Marjorie. #WomenTechLit. Patchwork Girl: West Virginia University Press Computing Literature. p. 7.
  9. Ensslin, Astrid (2022). Pre-web Digital Publishing and the Lore of Electronic Literature. Cambridge University Press.
  10. "Electronic Literature Organization". www.eliterature.org. Retrieved 22 March 2019.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.