Patrice Wilson

Patrice Wilson was born in Nigeria, the son of a Nigerian father who worked as a chemical engineer and an English-Irish mother who was a church minister.[2][3] In Nigeria, he studied at Wilson Prep School (a Christian school established by his mother), Zamani College, and Essence International School.[4] Wilson's musical beginnings were when he sang in his mother's church and helped out with youth programs at school. Later, he attended school in Europe and trained in track and field events. He began touring as a backup singer with Malian-Slovak pop star Ibrahim Maiga.[3] He toured in the Czech Republic, Slovakia, Poland, and other European countries,[4] and speaks fluent Slovak.[5] He also performed on Slovak television[3] and was an aspiring athlete, training under the supervision of a professional Russian coach for a possible qualification representing Nigeria in the track and field event at the Olympics.[3]

Wilson moved to the U.S. in 1999, where he took his flavor of Nigerian music along with the style of music he had performed in Eastern Europe and combined it with new-age hip-hop. He studied at Whitworth University in Spokane, Washington, before moving to Los Angeles in 2007 to join the music business.[2] Under the stage name Pato, he also did modelling for various brands. He worked for a while trying to promote his own musical career before deciding to produce for other potential artists instead. He got married in 2008 to a woman from Spokane who moved with him to California.[3]

In 2010, he co-founded ARK Music Factory in partnership with Clarence Jey, an Australian record producer, songwriter and multi-instrumentalist. He chose the name "Ark" because of his Christian background.[3] Jey left ARK Music Factory in May 2011 with Wilson remaining the CEO of the company. Wilson and Jey co-wrote and produced the song "Friday" performed by Rebecca Black, which became notable for its largely negative reception. Wilson would also perform an guest verse on the song heard near the songs bridge, although this was uncredited. Additionally, he and Jey would write most songs by performed by artists signed to ARK, and Wilson would often star in the music videos.

Following the mostly negative reception from "Friday", many speculated that he may have been exploiting young aspiring singers with wealthy parents. Wilson rebuffed such claims, saying that the label provided a "relatively inexpensive" way of entry into the pop market for artists:

I'm getting a lot of criticism saying I'm exploiting rich kids and their parents, but find me another company that would do all this at a cost this low. I don't promise anyone fame. In fact, if someone approaches me with their only goal to 'get famous,' I tell them they're not in this for the right reasons.[2]

Wilson went public in a promotional interview tape explaining what was behind the company he had founded.[6] He also released two musical responses based on this controversy: "Friday (Rap Remix)" in March 2011 (written and produced by Wilson and Clarence Jey) and "Say What You Wanna Say" (written by Wilson and Kustom) a month later. Both songs addressed and attempted to refute common grievances which arose from "Friday" and his overall public image. Both songs were received poorly.

In 2011, he established Pato Music World (PMW), later rebranded as PMW Live. On May 6, 2012, Wilson released an "official sequel" to the infamous Rebecca Black song "Friday". The "sequel" called "Happy" (alternatively "Happy (The Official Sequel to Friday)" or "The H.A.P.P.Y. Song"), that features Lela Brown and focuses on Saturdays,[9][10] with plenty of remarks to "Friday" and self-deprecating music video to boot. Previously, Wilson had also written a song called "Tuesday" for British journalist Jon Ronson.[11]

• Pato Music on YouTube