Paul Gardère

Paul Claude Gardère (1944, in Port au Prince, Haiti – 2011, in New York City) was a Haitian-born, Brooklyn-based[1] visual artist whose work explored "post-colonial history, cultural hybridization, race, and identity, in and beyond the Haitian diaspora."[2] Gardère's work has been widely exhibited throughout the United States, including at institutions such as the Studio Museum in Harlem,[3] the Figge Art Museum,[4] Lehigh University,[5] Pomona College Museum of Art,[6] and the Jersey City Museum,[7] and is included in a number of prominent institutional collections,[8] including that of Thea Museum of Modern Art in New York,[9] the Studio Museum in Harlem,[10] the Brooklyn Museum,[11] the New Orleans Museum of Art,[12] Schomburg Center for Research in Black Culture,[13][14] The Milwaukee Art Museum,[15] the Figge Art Museum,[16] the Columbus Museum,[17] the Beinecke Library at Yale University[18] and the Herbert F. Johnson Museum of Art at Cornell University.[19]

Education

Gardère studied at the Art Students League of New York from 1960 to 1961, where he worked with Charles Alston,[20] and at Yale University summer school of music and art in 1966. He earned his Bachelor of Arts degree from Cooper Union School of Art and Architecture in 1967.[21] He earned his Master of Fine Arts degree from Hunter College in 1972.[22] He was an Artist-in-residence at the Studio Museum in Harlem,[23] the Jamaica Arts Center, Long Island University, and completed a 5-month residency at Monet's Gardens[24] in Giverny, France on a grant from the Lila Acheson Wallace Foundation.[25] Reflecting on his time at Giverny, Gardère has said, "Gardening is an apt metaphor for global colonialism."[26]

Background

Gardère was born in Port-au-Prince, Haiti in 1944. He emigrated to New York City in 1959. While studying at Cooper Union School of Art and Architecture in New York, he developed a personal style that blended "Haitian regionalist ideas, painting styles, and cultural symbols" with "the larger aesthetics of Modern art".[21] His work is heavily informed by "religious and mythological symbolism,"[21] which he saw "as a way of metaphysical bridge building between cultures, drawing inspiration from the Old Masters and European Catholicism as well as Haitian regionalism and Vodou."[21]

Select exhibitions
  • 2017 "Goudou Goudou", Skoto Gallery, New York, NY[27]
  • 2012-2016 "Restoring the Spirit: Celebrating Haitian Art," Figge Art Museum, Davenport, IA,[28] Pomona College Museum of Art[29]
  • 2011 "Haitian Art Excerpts: From Renaissance To Diaspora," Kresge Gallery, Berrie Center, Ramapo College of New Jersey, Mahwah, NJ[30]
  • 2008 "Multiple Narratives II", Skoto Gallery, New York, NY[31]
  • 2007 "Diaspora: Multiple Narratives", Lehigh University, Zoellner Main Gallery, Bethlehem, PA[5]
  • 2001 "Marks of the Soul," Ritter Art Gallery, Florida Atlantic University, Boca Raton, FL[32]
  • 1999 "Recent Works, 1995-1998," Jersey City Museum, Jersey City, NJ[21]
  • 1998 "Kongo Criollo," Taller Boricua Gallery, New York, NY[33]
  • 1997 "The Work of Haitian Artist Paul Claude Gardère," Le Centre d’Art and Le Musee d’Art Haitien, Port-au-Prince, Haiti[21]
  • 1987 "Paul Claude Gardère," Hallwalls Contemporary Art Center, Buffalo, NY[34]

Select awards and residencies
  • 1998 Joan Mitchell Foundation Award for Painting[35]
  • 1993 Lila Acheson Wallace / Arts International Residence at Giverny, France[25]
  • 1993-94 Artist-in-Residence, Long Island University, Brooklyn Campus[36]
  • 1991 New York Foundation of the Arts Fellowship[37]
  • 1989-90 Artist-in-Residence, Studio Museum in Harlem, New York[38]

References
  1. "The New Yorker Magazine, Paul Gardere". The New Yorker.
  2. "Biographical information on the website for Paul Gardère Studio".
  3. Studio: The Studio Museum in Harlem Magazine, Fall 2018 / Winter 2019
  4. "Restoring the Spirit, Celebrating Haitian Art, Exhibition Website".
  5. "Exhibition Website".
  6. "Exhibition Website".
  7. "Paul Gardère at Jersey City Museum," Art in America, Exhibition review by Reagan Upshaw, January 2000
  8. "CV on Artist's Official Website".
  9. "Acquisition Letter on Artist's Official Website".
  10. "Acquisition Letter on Artist's Official Website".
  11. "Acquisition Letter on Artist's Official Website".
  12. "Acquisition Letter on Artist's Official Website".
  13. "New York Public Library Collection Online".
  14. "Acquisition Letter on Artist's Official Website".
  15. "Milwaukee Art Museum 2014 Annual Report Page 28 Acquisitions: Paul Gardère, Once Upon a Time, 2002". 2015.
  16. "Figge Art Museum Collection Online".
  17. "Columbus Museum Collection Website".
  18. "Beinecke Library Collection Online".
  19. "Herbert F. Johnson Museum of Art Collection Online".
  20. Fenstermaker, Will. "Paul Gardère's Syncretic Modernism". Independent Art Fair. Retrieved 19 May 2023.
  21. "Cooper Union Alumni Page". 19 November 2017.
  22. "Artist's Official Website".
  23. "Studio Museum in Harlem Artist Residency List". 3 April 2017.
  24. "Jersey CIty Museum Catalog Interview with the artist".
  25. Pierre-Pierre, Garry (8 April 1995). "Profile of the artist in the New York Times". The New York Times.
  26. Fenstermaker, Will. "Paul Gardère's Syncretic Modernism". Independent Art Fair. Retrieved 19 May 2023.
  27. "Exhibition Website".
  28. "Exhibition Website".
  29. "Exhibition Catalogue" (PDF).
  30. "Published Press Release for the Exhibition on the University's Website".
  31. "Exhibition Website".
  32. "South Florida Sun Sentinel Newspaper Exhibition Review". 10 May 2001.
  33. Cotter, Holland (13 November 1998). "New York Times Review". The New York Times.
  34. "Exhibition Website".
  35. "Joan Mitchell Foundation Online".
  36. "Artist Profile on Africanah". 2 December 2017.
  37. "New York Foundation of the Arts Fellowship Online".
  38. "Studio Museum in Harlem Residency List". 3 April 2017.
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