Au fond du temple saint

"Au fond du temple saint" ("At the back of the holy temple") is a duet from Georges Bizet's 1863 opera Les pêcheurs de perles. The libretto was written by Eugène Cormon and Michel Carré. Generally known as "The Pearl Fishers' Duet", it is one of the most popular numbers in Western opera – it appeared on seven of the Classic 100 Countdowns conducted by ABC Classic FM. It is sung by Nadir (tenor) and Zurga (baritone) in act 1.

Context

After a self-imposed absence, Nadir returns to the shores of Ceylon, where his friend Zurga has just been elected Fisher King by the local pearl fishermen. The two had once fallen in love with the same woman, but then pledged to each other to renounce that love and remain true to each other. On meeting again, they sing this duet, remembering how they first fell in love/were fascinated with a veiled priestess of Brahma whom they saw passing through the adoring crowd.

A key moment in the opera, this duet is the clearest depiction of the triangular relationships between the protagonists. The obvious situation at this point is that males will value their friendship higher than a heterosexual relationship.[1] Peter Weir uses this duet in his 1981 film Gallipoli without the heterosexual aspect, purely to express male mateship and loyalty between a pair of doomed soldiers.[2] A different view is possible by a reading of the duet as a "pair of parallel monologues",[3] emphasizing the rivalry and deceit between the men.

This duet reappears at the end of the opera, but is sung in unison as the soprano Leila and the tenor Nadir sing together of their love which will transcend all their trials—while Zurga sacrifices himself, knowing of their love, as he lets them flee to safety.

Music

Range (transposed 1 octave up)
$\new Staff \with { \remove "Time_signature_engraver" } { \clef treble \key es \major f' bes'' }$	$\new Staff \with { \remove "Time_signature_engraver" } { \clef treble \key es \major d' es''}$
Nadir	Zurga

The duet starts in the key of E-flat major and the time signature of common time (); after a general pause following the words "Elle fuit!", the score briefly omits all signature accidentals, and the time signature changes at "Non, que rien ne nous sépare" to ³
₄ before returning to the starting configuration on "Oui, c'est elle" in the final duet. Nadir's part ranges from F₃ to B♭₄ with the tessitura between A₃ and G₄. Zurga's part ranges from D₃ to E♭₄.[4] Depending on the version and on cuts to the recitatives within the aria, it takes between 4 1/2 to 6 minutes to perform.

Lyrics

Zurga	C'était le soir ! Dans l'air par la brise attiédi, Les brahmines au front inondé de lumière, Appelaient lentement la foule à la prière !	It was in the evening! In the air cooled by a breeze, The brahmanes with faces flooded with light, Slowly called the crowd to prayer!
Nadir	Au fond du temple saint paré de fleurs et d'or, Une femme apparaît !	At the back of the holy temple, decorated with flowers and gold, A woman appears!
Zurga	Une femme apparaît !	A woman appears!
Nadir	Je crois la voir encore !	I can still see her!
Zurga	Je crois la voir encore !	I can still see her!
Nadir	La foule prosternée La regarde, étonnée, Et murmure tout bas : Voyez, c'est la déesse Qui dans l'ombre se dresse, Et vers nous tend les bras !	The prostrate crowd looks at her amazed and murmurs under its breath: look, this is the goddess looming up in the shadow and holding out her arms to us.
Zurga	Son voile se soulève ! Ô vision ! ô rêve ! La foule est à genoux !	Her veil lifts slightly. What a vision! What a dream! The crowd is kneeling.
Both	Oui, c'est elle ! C'est la déesse Plus charmante et plus belle ! Oui, c'est elle ! C'est la déesse Qui descend parmi nous ! Son voile se soulève Et la foule est à genoux !	Yes, it is she! It is the goddess, more charming and more beautiful. Yes, it is she! It is the goddess who has come down among us. Her veil has lifted and the crowd is kneeling.
Nadir	Mais à travers la foule Elle s'ouvre un passage !	But through the crowd she makes her way.
Zurga	Son long voile déjà Nous cache son visage !	Already her long veil hides her face from us.
Nadir	Mon regard, hélas ! La cherche en vain !	My eyes, alas! Seek her in vain!
Zurga	Elle fuit !	She flees!
Nadir	Elle fuit ! Mais dans mon âme soudain Quelle étrange ardeur s'allume !	She flees! But what is this strange flame which is suddenly kindled in my soul!
Zurga	Quel feu nouveau me consume !	What unknown fire is destroying me?
Nadir	Ta main repousse ma main !	Your hand pushes mine away!
Zurga	Ta main repousse ma main !	Your hand pushes mine away!
Nadir	De nos cœurs l'amour s'empare, Et nous change en ennemis !	Love takes our hearts by storm and turns us into enemies!
Zurga	Non, que rien ne nous sépare !	No, let nothing part us!
Nadir	Non, rien !	No, nothing!
Zurga	Que rien ne nous sépare.	Let nothing part us!
Nadir	Non, rien !	No, nothing!
Zurga	Jurons de rester amis !	Let us swear to remain friends!
Nadir	Jurons de rester amis !	Let us swear to remain friends!
Zurga	Jurons de rester amis !	Let us swear to remain friends!
Both	Oh oui, jurons de rester amis ! Oui, c'est elle ! C'est la déesse ! En ce jour qui vient nous unir, Et fidèle à ma promesse, Comme un frère je veux te chérir ! C'est elle, c'est la déesse Qui vient en ce jour nous unir ! Oui, partageons le même sort, Soyons unis jusqu'à la mort !	Oh yes, let us swear to remain friends! Yes, it is she, the goddess, who comes to unite us this day. And, faithful to my promise, I wish to cherish you like a brother! It is she, the goddess, who comes to unite us this day! Yes, let us share the same fate, let us be united until death!

References

Johnson, Edward Joe (2003). Once There Were Two True Friends: Or, Idealized Male Friendship in French Narrative from the Middle Ages Through the Enlightenment. Summa Publications. pp. 247–248. ISBN 9781883479428.
Leonard, Richard (2009). The Mystical Gaze of the Cinema. Melbourne University Press. pp. 179–180. ISBN 9780522859942.
Ashley, Tim (13 June 2002). "The Pearl Fishers". The Guardian.
"Au fond du temple saint": Scores at the International Music Score Library Project

External links

"Au fond du temple saint", Aria Database
Audio on YouTube, sung Jussi Björling and Robert Merrill

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.

[1] Johnson, Edward Joe (2003). Once There Were Two True Friends: Or, Idealized Male Friendship in French Narrative from the Middle Ages Through the Enlightenment. Summa Publications. pp. 247–248. ISBN 9781883479428.

[2] Leonard, Richard (2009). The Mystical Gaze of the Cinema. Melbourne University Press. pp. 179–180. ISBN 9780522859942.

[3] Ashley, Tim (13 June 2002). "The Pearl Fishers". The Guardian.

[4] "Au fond du temple saint": Scores at the International Music Score Library Project

Georges Bizet
List of compositions
Operas	La maison du docteur (1852 or 1855; unperformed) Le docteur Miracle (1857) Don Procopio (1859) Ivan IV (1862–5) Les pêcheurs de perles (1863) Noé (by Fromental Halévy, completed by Bizet c. 1865) La jolie fille de Perth (1867) Djamileh (1872) Carmen (1875)
Arias	"Au fond du temple saint" "Habanera" "Toreador Song"
Opera discography	Carmen
Other works	Symphony in C major (1855) Roma Symphony (1860–71) Jeux d'enfants (piano duet, 1871) L'Arlésienne (incidental music, 1872)
Family	Geneviève Halévy (wife) François Delsarte (uncle)
Related articles	Carmen Suites (Bizet/Guiraud)
Category Audio

Authority control databases
National	United States
Other	MusicBrainz work