Peavey EVH Wolfgang

Since the late 1970s, when Van Halen regularly performed on the Pasadena club scene, and with the release of Van Halen's self-titled debut album, Eddie Van Halen's guitar tone—nicknamed the "Brown Sound" for being full yet distinctively aggressive and articulate—had been widely acclaimed. It immediately set a standard for guitarists all over the world.

To achieve the legendary "Brown Sound", Eddie Van Halen employed a variac to limit the voltage of his Marshall guitar amplifier while still allowing the volume to be at its maximum. He also used a custom-assembled strat-like guitar with a PAF humbucker (taken from a Gibson ES-335) mounted directly to the guitar's body. Van Halen's infamous Frankenstein (a.k.a. the "Frankenstrat") guitar laid the groundwork for most of the custom guitars he played throughout the 1970s and 1980s.

Prior to working with Peavey, Van Halen had worked with and endorsed Charvel, Kramer and Music Man.

Production of the Peavey EVH Wolfgang began in late 1996 (after a year-long development process) and lasted until 2004, when Eddie Van Halen and Peavey parted amicably.[1] Production of the Wolfgang guitar (along with other Peavey models) occurred in a dedicated Leakesville, MS plant but was moved to Meridian, MS in early 2003. Van Halen had also developed three amplifiers with Peavey, starting in 1991.

In 2009, Eddie Van Halen announced the release of a new Wolfgang guitar built by Fender but only carrying his own "EVH" brand label. The newer Wolfgang retains many of exactly the same attributes as its Peavey-built predecessor.

In some sense, the Peavey EVH Wolfgang guitar picked up where the Ernie Ball Music Man EVH model left off, with the prototype design being made by Peavey Design Engineer/Luthier Jim DeCola (an amber quilted top model which still didn't have the Wolfgang headstock shape, but rather a Peavey classic one). On the second prototype, DeCola then developed the final body and headstock designs. Another innovative feature DeCola designed was the recessed truss rod adjustment wheel. Recessing the adjustment wheel into the neck provided a stronger neck joint as well as ease of adjustment like his previous model. This design has since been adopted by Fender, Jackson, Charvel, ESP, Schecter, and many other brands. The body was made of basswood and often had (like its predecessor) a maple cap. This combination is considered by some, such as renowned luthier John Suhr, "the Holy Grail of tone."[2] The Ernie Ball model, however, used a 1/8" figured maple cap, which is itself less likely to change the overall effect of the tonewood. Peavey Wolfgangs had maple caps ranging from 1/4" to 5/8". The guitar had a Floyd Rose vibrato system, built by Ping, which lowers pitch only (like the Ernie Ball Music Man EVH model) but added a d-Tuna on the low E-string, a device that allowed that string to be instantly tuned to and from D (a former design of this device, named "The Willie",[3] was filed for patent by Eddie in 1997, but later abandoned in 1998).

Peavey EVH Wolfgang

Eddie Van Halen playing a sunburst first year quilt top model in 2004.

The original and top-of-the-line model. Made in the USA. It featured an arched (carved) top, body binding, two knobs (volume and tone), three-way pickup toggle switch, two Peavey/EVH-designed humbucker pickups, oil-finished bird's eye maple neck and fingerboard with dual graphite reinforcement rods, ten-degree tilt headstock, and Schaller mini M6 tuners (with either pearloid or ivory colored buttons). Two base versions were offered: a solid basswood model and a solid basswood/maple cap model. (The maple cap was 5/8" before carving.) Each version could come with either a licensed Floyd Rose tremolo with D-Tuna (d-tuner device) or a tune-o-matic bridge and hard tail piece. Solid basswood Wolfgangs were offered in gloss ivory and gloss black; solid basswood/maple cap Wolfgangs were offered in various transparent figured maple finishes (sunburst, amber, red, purple, blue, green, cherryburst, and black cherryburst) as well as vintage gold and seafoam green. Very occasionally a rejected maple top was painted either gloss black or gloss ivory.

The pickups on the US-made guitars were manufactured by Peavey and, due to the fact that they used different enamel wire types, the neck pickup actually had a higher impedance than the bridge one (approximately 16.22 kΩ on the neck and 13.87 kΩ on the bridge one), which is uncommon. The EXP models (made in Korea) had pickups made to these specs, but not made in the US.

The 3-way switch works in an unconventional way, to the preference of Eddie Van Halen (similar to rotating a Les Paul switch 180 degrees), who mentioned needing to faster switch to the bridge position for soloing. Hence, the "up" position enables the bridge pickup whereas the "down" position enables the neck pickup; the middle position enables both pickups connected in parallel.

The vibrato unit was made by Ping to the specifications given by Peavey (string spacing: 10.8mm, string spread: 54mm or 2 7/8", stud spacing: 74mm or 2 15/16", post insert size: 8mm, radius 355mm or 14", brass block depth: 33mm). On the EXP models, a low-budget version built in Korea was installed, more similar to a Schaller unit.

Two solid finishes which had maple tops (seafoam green and solid gold) on the Standard models gained some preference due to their exquisite looks. In Jim DeCola's words: "The first batch of gold guitars had a different shade of gold than most others as the paint vendor changed. Maybe the first 50 or so. The finishing department blamed a mistake on the paint vendor who supplied the gold and consequently changed the supplier after about 50 or so guitars. The original gold had a warmer, more Gibson bronze cast compared to the following production gold guitars."

There are a few prototype colours on serial production guitars, with as low as 1 guitar with a certain colour, experiments that Peavey made while in production. One of the examples of this is a dark gloss oxblood finish with a black binding, now owned by an Austin guitar dealer (bearing the patent number but no serial). Some of these had black or gold hardware.

USA-built Peavey Wolfgangs typically had serial numbers that started with "91" followed by six more digits. Late-run USA Wolfgangs had serial numbers that started with "50" or "51". A very few prototype models had serial numbers that started with "1". Though Peavey Wolfgang owners have often sought to find a corroboration in the serial numbers of their guitars and the year in which each was built (similar to the system Gibson uses), there was no such information contained in the serial numbers. There was also no code specific to Custom Shop models.

Peavey Wolfgang serial numbers were stamped on the back of the headstock between the tuners. Eddie Van Halen's signature and the headstock patent number were both branded just below the serial number. Early Wolfgang models (1996–1998) contained the term "Pat. Pend." in place of the patent number. Korean model EXP Wolfgang Specials had serial numbers printed in black on the back of the headstock.

Shortly after the split with Eddie Van Halen, Peavey released the HP Special model (HP stands for Hartley Peavey, although the model was initially supposed to be named Carina) in 2005, with both American and Asian versions, a guitar that encompassed many of the characteristics of the Wolfgang (basswood body with optional contoured maple top, bolt-on maple neck with maple fingerboard, etc.), but was somewhat of a departure from the collaboration with the guitarist - an H-S-H pickup configuration option, a 5-bolt neck joint, and the headstock shape change, even if the Wolfgang headstock patent remained with Peavey.

In his last times with Peavey, Eddie Van Halen began working with Charvel to produce replicas of three of his striped guitar models, the Charvel EVH Art Series, in black and white, yellow and black, and also the most common red, white, and black color scheme. During the Van Halen 2004 Tour, the guitarist played a different custom striped Charvel Art Series in a few songs of each concert, later autographing and auctioning them on eBay.

In 2007, under the supervision of master-builder Chip Ellis, a single run of 300 official replicas of his original Frankenstein guitar were made available by Fender under the EVH brand, in strict collaboration with Eddie Van Halen. The guitars were priced at $25,000, having a massive demand upon their arrival to the market.

After the 2007-08 Tour, and once again under the supervision of Chip Ellis, the evolution of the Wolfgang within the Fender group became available to the public, with the EVH Wolfgang® (in 2008) and the EVH Wolfgang® Special (in 2010), both sporting the "bottle opener" shape,[5] which is owned by Eddie Van Halen, unlike the old Peavey headstock. This was also designed by Jim DeCola who added Eddie and Hartley Peavey's names to the patent and then assigned it to Eddie so he could have ownership. The guitar inherits many of the Peavey characteristics, namely the woods, overall design, and pickups. Regarding these, Jim DeCola added: "I worked at Fender (Nashville) for 11 years after Peavey (...). They picked my brain a little before I realized they were trying to lure EVH away. I already discussed what I did with the pickups casually to coworkers. After the guitar was released, I got copies of the pickup specs and blueprints. They are the same specs.".

An amplifier series - the EVH 5150 III - and several instrument accessories and merchandise soon followed, all under the EVH brand.

In July 2017, during the Summer NAMM Show[6] in Nashville, Peavey announced the release of the HP2[7] model, an instrument which has exactly the same appearance and specifications as the discontinued Wolfgang, with minor differences such as the inclusion of a push/pull switch in the Tone knob (for a split-coil connection), the removal of the EVH Wolfgang inscription as well as the D-Tuna device, and the announcement of left-handed models as soon as production begins; the company also hinted at Special and Custom Shop models.

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