Peter Murton

Murton worked as an art director for production designer Ken Adam on the Stanley Kubrick film Dr. Strangelove. Murton then did art direction on the next two James Bond films - Goldfinger and Thunderball - for which Adam also did the production design. Murton was promoted to production designer on the 1974 Bond film The Man with the Golden Gun. The production team chose Thailand as a primary location, following Murton's suggestion, after he saw pictures of the Phuket bay in a magazine.[4] Bond film historian Steven Jay Rubin faults The Man with the Golden Gun for not making good use of Murton's sets, especially the solar energy room. "Murton's interiors were well up to the standards expected on a Bond film." Rubin believes that the responsibility for the film's artistic failure "lay elsewhere."[5] Murton wrote an article discussing Bond film gimmicks.[6]

Murton worked with producer Harry Saltzman on six films: three Bond films, the first two Harry Palmer films, and Saltzman's unmade pet project The Micronauts.[7]

On King Kong Lives Murton had to create forty miniature sets, which proved a challenge. Never in his career had he to create so many miniatures at once. Further, few of the art department crew had any experience making models.[3]

• Morton, Ray (2005). King Kong: The History of a Movie Icon from Fay Wray to Peter Jackson. Hal Leonard Corporation (Applause Bks). ISBN 9781557836694.
• Rubin, Steven Jay (1981). The James Bond films: A Behind the Scenes History. Arlington House. ISBN 978-0-87000-523-7.

• Peter Murton at IMDb
• Peter Murton at the British Film Institute