Photovoice

Photovoice was developed in 1992 by Caroline C. Wang of the University of Michigan, and Mary Ann Burris, Program Officer for Women's Health at the Ford Foundation headquartered in Beijing, China.[3] The idea was built on the foundation that images and words together can effectively express community and individual needs, problems, and desires.[4] In addition, photovoice was strongly influenced by documentary photography, the concept of empowerment, feminist theory, and Paulo Freire's Pedagogy of the Oppressed to promote health education and his idea of critical consciousness.[11][12] Wang and Burris asserted that “Freire noted that one means of enabling people to think critically about their community, and to begin discussing the everyday social and political forces that influence their lives, was the visual image … Photovoice takes this concept one step further so that the images of the community are made by the people themselves.”[3]

Photovoice was first used to empower the silenced rural women in Yunnan Province, China, to influence the policies and programs affecting them.[13][14] Since then, the method has been used in different settings and populations, such as by refugees in San Diego seeking in–person medical interpretation options, by homeless adults in Ann Arbor, Michigan, by Dr. Claudia Mitchell to support community health workers and teachers in rural South Africa, and by Dr. Laura S. Lorenz of the Heller School for Social Policy and Management at Brandeis University in her work with brain injury survivors.[15][12]

Photovoice has been adopted by multiple disciplines, often used in conjunction with other Community-based and Participatory Action Research methods. In modern research, photovoice is a qualitative approach for addressing sensitive and complex issues that allows individuals to openly share their perspectives where one might otherwise be reluctant to do.[16] Photovoice is used to both to elicit and analyze data[17] in the interest knowledge dissemination and mobilization.[18] Researchers who employ photovoice offer a nuanced understanding of community issues to the scientific community. The aim of this understanding is to inform and create appropriate interventions and actions regarding complex problems including, but not limited to, health and wellbeing, social inequality, and socio-economic disparity.[19] For example, in higher education, the photovoice model has been used to teach social work students.[20] Photovoice has also been used as a tool to engage children and youth, giving them a safe environment and opportunity to communicate concerns and coping strategies to policymakers and service providers.[21][14][12] Overall, the modern implementation of photovoice is utilized to investigate a person's lived experience concerning systemic structures and social power relations and communicate this experience through a medium reaching beyond verbal communication.[7]

Also known as "participatory photography" or "photo novella", photovoice is considered a sub–type of "participatory visual methods" or picturevoice which includes techniques such as photo-elicitation and digital storytelling. These techniques allow research participants to create visuals that capture their individual perspectives as part of the research process.[22][23] An example of this is found in Project Lives, a participatory photography project used to create a new image of project housing dwellers, published in April 2015. Two other forms of picturevoice include paintvoice, stemming from the work of Michael Yonas, and comicvoice, which has been pioneered by John Baird's Create a Comic Project since 2008, and to a lesser extent by Michael Bitz's Comic Book Project.[24][25]

In international research, photovoice has been seen to allow participants from the developing world to define how they want to be represented to the international community. The individuals are facilitated and given control to tell their stories and perspectives which empower them to be engaged and maintain a firm sense of authorship over their representations.[26] This helps to convey a stereotype-free picture of what it means to live in a developing country to those supporting (i.e. funders and voters of the developed country) and doing international development (i.e. NGO and government agencies).[26] In addition, photovoice allows the community to monitor the impact of the change created by development programs.[27] For example, Photovoice has been used in Bangladesh to understand local residents' traditional ecological knowledge of water in their urban environment. The photovoice method was used in the Bangaldesh research to document changes in attitude to water and natural ecosystems over time.[28] This can help inform the outside agency about the process, true impacts (what is/isn't working and why), and complex reality,[27] thus accompany wider and deeper research and analysis to improve the development progress.[29]

• Participatory art

• PhotoVoice - The UK based charity that uses ethical photography to promote positive social change
• PhotovoiceWorldwide.com – information about photovoice projects and workshops coordinated by Brandeis faculty member Laura Lorenz