Picnic

The French Revolution popularized the picnic across the world. French aristocrats fled to other Western countries, bringing their picnicking traditions with them.[8]

In 1802, a fashionable group of over 200 aristocratic Londoners formed the Pic Nic Society. The members were Francophiles, or may have been French,[9] who flaunted their love for all things French when the wars with France lulled between 1801 and 1830.[2] Food historian Polly Russell however suggests that the Pic Nic Society lasted until 1850.[9] The group's intent was to offer theatrical entertainments and lavish meals followed by gambling.[2] Members met in hired rooms in Tottenham Street. There was no kitchen so all food had to be made elsewhere. Each member was expected to provide a share of the entertainment and of the refreshments, with no one particular host.[2]

Mrs Beeton's picnic menus (in her Book of Household Management of 1861) are 'lavish and extravagant', according to Claudia Roden. She lists Beeton's bill of fare for forty persons in her own book Picnics and Other Outdoor Feasts:

A joint of cold roast beef, a joint of cold boiled beef, 2 ribs of lamb, 2 shoulders of lamb, 4 roast fowls, 2 roast ducks, 1 ham, 1 tongue, 2 veal and ham pies, 2 pigeon pies, 6 medium sized lobsters, 1 piece of collared calveshead, 18 lettuces, 6 baskets of salad, 6 cucumbers. Stewed fruit well sweetened and put into glass bottles well corked, 3 or 4 dozen plain pastry biscuits to eat with the stewed fruit, 2 dozen fruit turnovers, 4 dozen cheese cakes, 2 cold cabinet puddings in moulds, a few jam puffs, 1 large cold Christmas pudding (this must be good), a few baskets of fresh fruit, 3 dozen plain biscuits, a piece of cheese, 6 lbs of butter (this of course includes the butter for tea), 4 quatern loaves of household bread, 3 dozen rolls, 6 loaves of tin bread (for tea), 2 plain plum cakes, 2 pound cakes, 2 sponge cakes, a tin of mixed biscuits, ½ lb of tea. Coffee is not suitable for a picnic being difficult to make.[10]

The image of picnics as a peaceful social activity can be used for political protest. In this context, a picnic functions as a temporary occupation of significant public territory. A famous example is the Pan-European Picnic held on both sides of the Hungarian/Austrian border on 19 August 1989 as part of the struggle towards German reunification; this mass meal led indirectly to the collapse of the Soviet Union.

On Bastille Day 2000, as a Millennium celebration, France created "l'incroyable pique-nique" (the incredible picnic), which stretched 1000 km from the English Channel to the Mediterranean, along the Méridienne verte.[11][12]

• The 1955 film Picnic, based on the Pulitzer Prize-winning play of the same title by William Inge, was a multiple Oscar winner. A picnic is expected in the film but the writer does not include it: 'There is no picnic in Picnic'.[2] The potato salad, bread and butter sandwiches and devilled eggs are left in the car as the characters Madge and Hal cannot resist each other's charms and Hal says 'We're not goin' on no goddamn picnic'.[2] The film has been remade twice for television, in 1986 and 2000.
• The Office Picnic (1972) is a dark comedy set in an Australian Public Service office. It was written and produced by filmmaker Tom Cowan, who became famous for his work on the series Survivor.
• In Peter Weir's mystery film Picnic at Hanging Rock (1975), three girls and one of their teachers on a school outing mysteriously disappear. The only one who is later found remembers almost nothing. It is based on a 1967 drama and mystery novel of the same title by Australian author Joan Lindsay. In 2018 it was remade for television.
• In Bhaji on the Beach (1993, titled Picknick on the Beach in the German version), nine Indian women of various ages flee from their everyday lives by taking a joint excursion to the British resort town of Blackpool. They eat, according to journalist Simran Hans 'a flask of chai, a metal tiffin of poppadoms and sweaty samosas in plastic Tupperware'.[14]

From the 1830s, Romantic American landscape paintings of spectacular scenery often included a group of picnickers in the foreground. An early American illustration of the picnic is Thomas Cole's The Pic-Nic of 1846 (Brooklyn Museum of Art).[15] In it, a guitarist serenades the genteel social group in the Hudson River Valley with the Catskills visible in the distance. Cole's well-dressed young picnickers having finished their repast, served from splint baskets on blue-and-white china, stroll about in the woodland and boat on the lake.

• Le déjeuner sur l'herbe (The Luncheon on the Grass) by Édouard Manet depicts a picnic. The 1862 painting juxtaposes a female nude and a scantily dressed female bather on a picnic with two fully dressed men in a rural setting.
• A more contemporary portrayal is Past Times by Kerry James Marshall, from 1997, which depicts a black family picnicking in front of a lake. Two radios laid on their gingham patterned picnic blanket emit the lyrics of The Temptations and Snoop Dogg, while figures in the background engage in other activities synonymous with affluent white-American suburban culture.[16]

The Luncheon on the Grass by Édouard Manet, 1862

A book of verse beneath the bough,
A loaf of bread, a jug of wine, and thou
Beside me singing in the Wilderness –
Ah, wilderness were paradise enow!

— Omar Khayyam, in his 12th century Rubaiyat[17]

• Jane Austen is one of the first English novelists who names picnics. She has two outdoor picnics in the novel Emma (1816). One is in the strawberry garden at Donwell Abbey. Parties, where guests would pick their own strawberries, were popular in the early nineteenth century and Mrs Elton wearing a large bonnet and carrying a basket spoke at length about them.[10] The second is at Box Hill in Surrey.[2] This picnic turns out to be a sore disappointment, Frank Churchill said to Emma: 'Our companions are excessively stupid. What shall we do to rouse them? Any nonsense will serve...' [18] The food is described in vague terms as a 'cold collation'. While Jane Austen talked excessively about food in her private letters, she was less obliging in her novels.[2] At both of these occasions, in Emma, when food is eaten outside it ends in 'ruffled tempers and hurt feelings' according to food historian Maggie Lane.[19]
• In Alfred Tennyson's poem Audley Court (1838) the picnickers eat dark bread and cold game pie in aspic and drink cider while they sing and chat about their old love affairs.[2]

  There, on a slope of orchard, Francis laid A damask napkin wrought with horse and hound, Brought out a dusky loaf that smelt of home, And, half-cut-down, a pasty costly-made, Where quail and pigeon, lark and leveret lay, Like fossils of the rock, with golden yolks Imbedded and injellied; last, with these, A flask of cider from his father's vats, Prime, which I knew; and so we sat and ate And talked old matters over; who was dead, Who married, who was like to be, and how.[20]

• In Charles Dickens' The Mystery of Edwin Drood (1870) a 'potluck' meal is described "For dinner we'll have a tureen of the hottest and strongest soup available, and we'll have the best made-dish that can be recommended, and we'll have a joint (such as a haunch of mutton), and we'll have a goose, or a turkey, or any little stuffed thing of that sort that may happen to be in the bill of fare - in short we'll have whatever there is on hand.' But Dickens, Levy argues, 'differentiates potluck and picnic' when he adds that 'Miss Twinkleton (in her amateur state of existence) has contributed herself and a veal pie to a picnic'.[21][2]
• The Wind in the Willows (1908), the classic children's novel by Kenneth Grahame, begins with a much-quoted impromptu excursion; both the idyllic riverbank setting and the lavish provisions are Platonic ideals of the English country picnic. Rat is a well-organised host; a brief visit to his home is all he needs before he reappears "staggering under a fat, wicker luncheon-basket":[22]

'What's inside it?' asked the Mole, wriggling with curiosity.

'There's cold chicken inside it,' replied the Rat briefly; 'cold tongue, cold ham, cold beef, pickled gherkins, salad, french rolls, cress, sandwiches, potted meat, ginger beer, lemonade, soda water.' 'O stop, stop,' cried the Mole in ecstasies: 'This is too much!' 'Do you really think so?' enquired the Rat seriously. 'It's only what I always take on these little excursions;the other animals are always telling me that I'm a mean beast and cut it very fine!' [...]

Leaving the mainstream, they now passed into what seemed at first like a little land-locked lake. Green turf sloped down to either edge, brown snaky tree roots gleamed below the surface of the quiet water, while ahead of them the silvery shoulder and foamy tumble of a weir, arm-in-arm with a restless dripping mill wheel, that held up in its turn a grey gabled mill house, filled the air with a soothing murmur of sound, dull and smothery, yet with little clear voices speaking up cheerfully out of it at intervals. It was so beautiful that the Mole could only hold up both forepaws and gasp, 'Oh my! Oh my! OH Myyyyyyyyy!' [...]

The Rat brought the boat alongside the bank, made her fast, helped the still awkward Mole safely ashore, and swung out the luncheon-basket. The Mole begged as a favour to be allowed to unpack it all by himself; and the Rat was very pleased to indulge him, and to sprawl at full length on the grass and rest, while his excited friend shook out the table-cloth and spread it, took out all the mysterious packets one by one and arranged their contents in due order, still gasping, 'O my! O my!' at each fresh revelation.[22]

• In Fernando Arrabal's one-act drama Picnic on the Battlefield (1959) the young and inexperienced soldier private Zepo is visited unexpectedly by his devoted parents. They arrive with a picnic basket, which they unpack 'spreading sausage, hard-boiled eggs, ham, sandwiches, salad, cakes, and red wine on a cloth'.[2] Zapo reminds them that 'discipline and hand-grenades are what's wanted in war, not visits'[2] but they ignore him and invite an enemy soldier to join in their picnic. After wine and lacklustre conversation they start enthusiastically dancing to the pasodoble to the music of the phonograph they've brought with them. They are all killed by machine-gun fire. Levy recounts 'The shocked audience sits watching stretcher-bearers remove the bodies, listening to a stuck phonograph needle repeat the pasodoble tune'.[2]
• No Picnic on Mount Kenya: The Story of Three P.O.W.s' Escape to Adventure (1946), by Felice Benuzzi, is the true story of three Italian prisoners of war who, faced with years of tedium in a detention camp, decide to break out in order to climb Africa's second-highest mountain. "No expedition on the mountain was ever a picnic" Vivienne de Watteville had written in her book Speak to the Earth (1935) about her 1929 visit to Mount Kenya.[23] Benuzzi's English title, perhaps suggested by this line of de Watteville's, refers to the expression 'It was no picnic', meaning 'It was hard going', but with an ironic allusion to the climbers' meagre P.O.W. rations.
• The novel Roadside Picnic (1972) by Boris and Arkady Strugatsky, was the source for the film Stalker (1979) by Andrei Tarkovsky. The novel is about a mysterious 'zone' filled with strange and often deadly extraterrestrial artefacts, which are theorized by some scientists to be the refuse from an alien "picnic" on Earth.

• In 1906, the American composer John Walter Bratton wrote a musical piece originally titled "The Teddy Bear Two Step". It became popular in a 1908 instrumental version renamed 'Teddy Bears' Picnic', performed by the Arthur Pryor Band. The song regained prominence in 1932 when the Irish lyricist Jimmy Kennedy added words and it was recorded by the then popular Henry Hall (and his BBC Dance Orchestra) featuring Val Rosing (Gilbert Russell) as lead vocalist, which went on to sell a million copies. 'The Teddy Bears' Picnic' resurfaced again in the late 1940s and early 1950s when it was used as the theme song for the Big Jon and Sparkie children's radio show. This perennial favorite has appeared on many children's recordings ever since, and is the theme song for the AHL's Hershey Bears hockey club. lyrics and audio from the BBC
• 'Stoned Soul Picnic', by Laura Nyro (released in 1968), was also a major hit for the group The 5th Dimension.
• Roxette's 1996 song 'June Afternoon' depicts images of people having fun and eating on a park during a sunny warm June day.