Piper's Opera House

Piper's Opera House is a historic performing arts venue in Virginia City, Storey County, Nevada in the United States. Piper's served as a training facility in 1897 for heavyweight boxing champion Gentleman Jim Corbett, in preparation for his title bout with Bob Fitzsimmons. The current structure was built by entrepreneur John Piper in 1885 to replace his 1878 opera house that had burned down. The 1878 venue, in turn, had been to replace Piper's 1863 venue which was destroyed by the 1875 Great Fire in Virginia City. Mark Twain spoke from the original Piper's stage in 1866, and again a century later in the third venue, as portrayed by Hal Holbrook in his one-man play Mark Twain Tonight! A lynch mob hung a victim from the first venue's rafters in 1871. American theatrical producer David Belasco was stage manager at the second opera house before moving to New York City. Piper's opera houses played host to Shakespearean thespians such as Edwin Booth. Musical performers Lilly Langtry, Al Jolson and John Philip Sousa once performed here. In 1940, Errol Flynn auctioned off historic Piper memorabilia from the opera house stage, during a live NBC broadcast that coincided with the premiere of Flynn's new movie Virginia City.

Piper's Opera House
Piper's Opera House is located in Nevada
Piper's Opera House
Piper's Opera House
Piper's Opera House is located in the United States
Piper's Opera House
Piper's Opera House
LocationVirginia City, Storey County, Nevada
Coordinates39°18′39″N 119°39′06″W
Built1885
NRHP reference No.97000217[1]
MARKER No.236
Added to NRHPMarch 21, 1997

John Piper

German immigrant John Piper arrived in Virginia City as part of the 1860 Comstock Lode rush, after several years in San Francisco operating a liquor and seasonal fruit stand near San Francisco's theaters.[2][3]

Through business acumen and a political career, Piper would become one of the richest men in 1870s Virginia City.[4]: 30–31  Piper sat on the City Council in 1865,[5] and was mayor of Virginia City in 1867.[6] In 1874, Piper represented Storey County in the Nevada Senate. In an effort to raise money for Storey County to pay for railroad bonds, Piper managed to get the state senate to unanimously pass a bill that became law, removing the taxation limits on bullion in the county.[7]

As a pioneer of western combination companies, touring actors who brought plays and variety shows from an originating theater to other regional venues, Piper became one the foremost theatrical impresarios of the region. Piper utilized a chain of venues to accommodate touring companies. Among these were McKissick's Opera House in Reno and the Carson Opera House in Carson City.[8][9] As early as 1867, Piper toured his Piper's Opera House company to regional theaters following a pattern established by San Francisco's Thomas Maguire and later utilized by the California Theatre.[10] The California Theater brought their stock company and numerous established stars to Virginia City on tour through numerous engagements. By 1874, every major player at Piper's Opera House was on their to or from San Francisco's California Theatre, the West's foremost theater. Those players included Lotta Crabtree, W.J. Florence, Agnes Booth, Dion Boucicault, and Frank Mayo.[11]

When Piper died in San Francisco at age 63, on January 3, 1897, he had spent more than 30 years in the theater business.[5]

Piper's three opera houses

1863–1875

An 1861 illustration by African American artist Grafton T. Brown[12] depicts the John Piper Old Corner Bar at the southwest corner of B and Union Streets, which became the financial support of John and his brothers Henry and Joseph. In 1863, Piper expanded his holdings with the purchase of an entire block of additional property at the northwest corner of B and Union Streets, which came to be known as the multi-story Piper Business Block. The saloon lasted from 1861 to 1897 becoming one of the longest continually operating saloons in Virginia City.[13] The second story of the building was rented out.[14]

San Francisco theater impresario Thomas Maguire and partner John Burns opened Maguire's Opera House in 1863.[15][16] Opening in July 1863, the Opera House was built on imported sandstone and emulated Maguire's San Francisco properties. Maguire's greatest achievement was the 29 day engagement of Adah Isaacs Menken. Adah Isaacs Menken appeared in the sensational, semi-nude character of Mazeppa, riding a live horse onstage over painted ramps simulating mountains.[4]: 29 [5] Piper took over the ownership of the theater in late February, 1867, leasing it to Max Walter. On October 9, 1867, Piper and his financial sponsor John William Mackay completed the sale of the theater.[9][17] On October 30, 1866, Mark Twain delivered a lecture from its stage, returning on a speaking tour also in 1868.[18] The opera house played host to Shakespearean thespians Junius Brutus Booth Jr brother of Edwin Booth, Thomas R. Keene, Lawrence Barrett and John Edward McCullough.[19]

Through partnerships and agreements with San Francisco's California Theatre Piper's original D Street Opera House came to be recognized as one of the best American Theaters.[4]: 220, n61 [20] 1868 was a banner year for theatricalities as Piper's hosted Elizabeth Crocker Bowers performing as Mrs. D. P. Bowers, the Queen of the American Stage, in a twenty-day run as well as two engagements by Charles Wheatleigh, a regional favorite well-versed in plays by Dion Boucicault, and others.[4]: 168--170, 164-168. 

In 1871, actor McKee Rankin reportedly became a witness to an act of vigilante justice during an extended engagement at Piper's although newspapers of the time do not support his memories recorded many years later. Rankin and fellow thespian William H. Powers were at the bar next to the troupe's International Hotel headquarters, when a customer named Arthur Perkins shot another customer and was jailed by the local sheriff. Two days later, on a Sunday morning, Rankin said that he witnessed the lynching of Perkins at the hands of a vigilante mob who hung Perkins from the rafters of the Piper stage. The mob also pulled out their guns and shot Perkins' dangling body.[21] A far more trustworthy source, newspaperman Alf Doten, recalled that Perkins was dragged from a jail by vigilantes who took him the old Orphir works above A street and hung him from an old mining trestle. Doten's recollections dismiss the notion that the Opera House location figured in Perkins' death.[22]

The opera house, along with most of Virginia City, burned to the ground on the morning of October 26, 1875, an event known as the Great Fire.[4]: 31–32, 93, 135. [23] Piper promoted shows at other venues until he was financially able to erect a new building.[5] Actors Frank Mayo (Davy Crockett) and Joe Jefferson (Rip Van Winkle) toured the West in the late 1870s bringing their acclaimed productions to Piper's.

1878–1883

Piper built his new opera house for $40,000[9] in 1878 adjacent to his bar at B and Union streets. The new Opera House opened January 28, 1878.[5][14] In May of that same year, an eight-year-old Maude Adams played the character of Adrienne Renaud in A Celebrated Case when the play's troupe performed in Virginia City.[24] American theatrical producer David Belasco had a storied relationship with the original Piper's Opera House performing as a supporting player there in 1873 and 4. Appearing at the time of Dion Boucicault's engagement in 1874, Belasco later published sensationalized memories of that time making manager John Piper famous for his questionable management strategies.[25] Belasco reportedly served as stage manager before moving to New York City in 1882.[26] Minister and social reformer Henry Ward Beecher delivered his lecture of Wastes and Burdens of Society from its stage.[27] The new opera house burned down March 13, 1883,[9] quickly being rebuilt. The 1885 structure still stands.

1885: current opera house
Piper's Opera House, 1937

Within days of the 1883 fire, Piper had rented Cooper's Hall and began presenting entertainment acts, raising capital to build a new opera house.[9] Piper celebrated the opening of the currently existing opera house on March 6, 1885, with a grand ball.[5][14] Piper's new building was modernized with a dance floor, carpeting, and hanging balconies. Musical performers Lilly Langtry, John Philip Sousa, Emma Nevada and Al Jolson were among the entertainers in the historic arena.[28][29]

After John Piper died in 1897, his son Edward inherited the opera house and continued its operation until his death in 1907.[5][9] During Edward's ownership, the opera house transformed from gas to electric lighting in 1900. Nevada tenor Richard Jose performed at Piper's in 1905.[30] Heavyweight boxing champion Gentleman Jim Corbett used the venue as a training facility to prepare for his 1897 title bout with Bob Fitzsimmons.[28]

Upon Edward's death, his brother-in-law Louis Zimmer used it as a silent movie house. The venue was also rented out for sports, community socials and civic events. The building was condemned in the 1920s. On March 16, 1940, Errol Flynn arrived in town for the premiere of his new movie Virginia City. The movie's cast and crew, along with attending media outlets, gathered at the opera house for a live NBC broadcast of Flynn auctioning off historic Piper memorabilia.[31][32] After the movie premiere, Zimmer operated the venue as a museum until 1960.[5]

After Zimmer's 1960 death, Piper's great-great-granddaughter Louise Zimmer Driggs opened the venue to summer chamber music concerts until 1972. Sixteen years later, Driggs' daughter Carol Piper Marshall, trained in classic opera at Curtis Institute of Music in Philadelphia, resumed management and opened the venue to entertainment once again. She died March 1, 2006.[33] Mark Twain, as portrayed by Hal Holbrook in his one-man play Mark Twain Tonight!, trod the boards to a sold-out audience at Piper's. Tennessee Ernie Ford was another act at Pipers during this period.[5]

Restoration

Louise Zimmer Driggs, began restoration work on the opera house in the 1960s. She sold Piper's in 1997 to the non-profit Piper's Opera House Historic Programs.[5] Grants from the Nevada Department of Cultural Affairs,[34] and a National Park Service Save America's Treasures grant, have enabled structural reinforcements and renovations.[35]

References
  1. "National Register Information System". National Register of Historic Places. National Park Service. July 9, 2010.
  2. Carolyn Grattan Eichin, "The Piper Brothers' Business of Amusements: Piper's Corner Bar," Nevada Historical Society Quarterly 56 (Fall Winter 2013), 151-166
  3. James, Susan. "John Piper". The Online Nevada Encyclopedia. Nevada Humanities. Archived from the original on 13 May 2011. Retrieved 7 April 2011.
  4. Eichin, Carolyn Grattan (2020). From San Francisco Eastward : Victorian theater in the American West. Reno. ISBN 978-1-948908-38-2. OCLC 1125080176.{{cite book}}: CS1 maint: location missing publisher (link)
  5. Difrancia, Chic (January–February 2009). "From the Ashes". Nevada Magazine. Archived from the original on 29 May 2011. Retrieved 7 April 2011.
  6. The Journal of the Senate. Nevada Legislature Senate. 1867. p. 248.
  7. A History of the State of Nevada; Its Resources and People. Lewis Publishing Company. 1901. p. 141. virginia city john piper.
  8. Cahn, Julius (1920). Julius Cahn's Official Theatrical Guide, Volume 5. pp. 478, 479.
  9. "A Guide to the Playbills and Tickets of Piper's Opera House". UNV-Reno. Archived from the original on 27 July 2011. Retrieved 7 April 2011.
  10. Eichin, From San Francisco Eastward, 92, 88-90
  11. Eichin, From San Francisco Eastward, 170-1
  12. "Grafton T. Brown". African American Registry. Archived from the original on 25 February 2011. Retrieved 4 April 2011.
  13. Carolyn Grattan Eichin, "The Piper Brothers' Business of Amusements: Piper's Corner Bar," Nevada Historical Society Quarterly, 56 no 3-4(Fall Winter 2013: 151-166
  14. Dixon, Kelly J (2006). Boomtown Saloons: Archaeology and History in Virginia City. University of Nevada Press. pp. 27, 28, 29, 45, 46, 74, 85. ISBN 978-0-87417-703-9.
  15. Nevada Historical Society papers, Volume 3. Nevada Historical Society. 1922.
  16. Wilmeth, Don B; Bigsby, Christopher (1998). The Cambridge History of American Theatre: Post-World War II to the 1990s. Cambridge University Press. p. 204. ISBN 978-0-521-47204-3.
  17. Michael James, Ronald Michael; Raymond, C. Elizabeth (1997). Comstock Women: The Making Of A Mining Community. University of Nevada Press. p. 186. ISBN 978-0-87417-297-3.
  18. Paine, Albert Bigelow (2006). Mark Twain a Biography, Volume 1, Part 1: 1835–1866. Paperbackshop.Co.UK Ltd – Echo Library. pp. 133, 134. ISBN 978-1-84702-983-6.
  19. Margaret G. Watson, Silver Theatre: Amusements of Nevada's Mining Frontier, 1850-1864, (Glendale, CA, The Arthur Clark Company, 1964).
  20. Federal Writers' Project (1940). Nevada: a Guide to the Silver State. US History Publishers. p. 98. ISBN 978-1-60354-027-8.
  21. Beasley, David R (2002). McKee Rankin and the Heyday of the American Theater. Wilfrid Laurier University Press. pp. 105, 106, 107. ISBN 978-0-88920-390-7.
  22. Walter Van Tilburg Clark, The Journals of Alfred Doten, Vol 3., (Reno: University of Nevada Press, 1973), 2190-2191.
  23. "The Great Fire of 1875". The Historical Marker Database. Archived from the original on 21 October 2012. Retrieved 7 April 2011.
  24. Fields, Armond (2004). Maude Adams: Idol of American Theater, 1872–1953. McFarland & Company. pp. 24, 25, 26. ISBN 978-0-7864-1927-2.
  25. Eichin, From San Francisco Eastward, 180-182
  26. Land, Barbara and Myrick (1995). A Short History Of Reno. University of Nevada Press. pp. 62, 63. ISBN 978-0-87417-262-1.
  27. Richmond, Robert W; Mardock, Robert W (1966). A Nation Moving West: Readings in the History of the American Frontier. University of Nebraska. p. 349. ISBN 978-0-8032-5157-1.
  28. James, Ronald Michael (1998). The Roar And The Silence: A History Of Virginia City And The Comstock Lode. University of Nevada Press. pp. 250, 251. ISBN 978-0-87417-320-8.
  29. Sandler, Corey (2007). Econoguide Las Vegas, 5th Edition. Globe Pequot. p. 342. ISBN 978-0-7627-4168-7.
  30. "Richard Jose". Nevada Online Encyclopedia. Nevada Humanities. Archived from the original on 13 May 2011. Retrieved 7 April 2011.
  31. Thompson, Edgar A. "Virginia City on Air". The Milwaukee Journal. p. 2. Retrieved 7 April 2011.
  32. Inc, Time (April 1940). "Famed Ghost Town of the Comstock Lode Wakens for Premiere of Virginia City". Life. Retrieved 7 April 2011. {{cite magazine}}: |last1= has generic name (help)
  33. James, Ronald Michael; Perkins, Thomas; Harvey, Ann; Harvey, Elizabeth Safford (2009). Nevada's Historic Buildings: A Cultural Legacy. University of Nevada Press. pp. 48–51. ISBN 978-0-87417-798-5.
  34. "NV Commission for Cultural Affairs". Nevada State Historic Preservation Office. Archived from the original on 25 July 2011. Retrieved 5 April 2011.
  35. "Piper's Opera House". Three Historic Nevada Cities. National Park Service. Archived from the original on 23 October 2012. Retrieved 7 April 2011.
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